Whose Afraid of the Big Bad Wolf?

A charming French folk art carved dog, the fur and tail implied using an adze contrasting the smoothness of the face - captures the spirit of the ….moment perfectly.  French, Early ...

Wonderful painting of a collie by John Fitz Marshall. Signed.

Italian dog sculpture. Italian long-haired hound dog figure beautifully modeled and softly colored, seated on a yellow floor cushion, Italy, mid-...

Love the artwork of Luis Vidal, born in 1970 in Barcelona. He is one of the Spanish artists with the greatest international projection. He has exhibited in Germany, Denmark, Canada, ...

Bring a touch of whimsical wilderness to your daily routine with Kat Kinnick’s enchanting ceramic collection. Perfectly balancing fine craftsmanship with a playful, folk-art aestheti...

An equestrian stable mascot of a champion horse, finely sculpted in English oak, capturing his alert, expressive face, with great attention to detail. Glass eyes. Mounted on a shie...

A 19th c. English doghouse for a small dog in the form of a Georgian townhouse in lovely original faded ochre paint with a pitched gable roof with two chimneys with double chimney pots. Great painted detail including 12 over 12 double hung sash windows with stone headers, elliptical fanlight overdoor window and grand arched door frame.

Cast bronze, Edition of 7 Sharon Loper creates transitory sculptures out of bronze, stone, and wood and views her work as landscapes of thought based on organic principles. As a c...

"This narrative questions the storyline that the wolf was the threat; but rather the Huntsman was the predator." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box into a tenement building in Affordable Housing 2017, a jewelry box into a wheelchair in Last Lily Foot 2016, an old shoe shine box...

Cast bronze, Edition of 7 Sharon Loper creates transitory sculptures out of bronze, stone, and wood and views her work as landscapes of thought based on organic principles. As a c...