Fabric Posters

The superior pop artwork on the 1964 re-release for The Hustler makes it one of the rare examples where a later re-release is more valuable than the original-year-of-release. A strik...

Fabulous country-of-original release Italian poster for the 1967 classic Blow-up.Often sold as first-year-of-release, this printing (featuring the same design as the first release) i...

A very rare and original James Bond From Russia with Love / Bons Baisers de Russie (1963) Poster, French re-release c 1970s. This is o...

1999 Earthman, Spector Gallery, show announcement silk screened artwork, Philadelphia, PA by Jim Houser. Measures: W 12 x H 18 in. Shipped unframed.

A rare and original James Bond Dr. No (1962) French Grande film poster re-release version(1980s), Artist: Boris Grinsson (1907-1999). Film starring Sean Connery in the first in the s...

Silhouette From a traveling cinema 1980-1997 Print on cardboard, wooden backing Dimensions Laurel : 177 x 60 Dimensions Hardy : 186 x 70.  

Male nude posing as Atlas, a large framed study in charcoal This is an excellent, and due to its size, an imposing piece, an interesting life study...

The Circulation of the Blood by E.J. Arnold & Son Ltd. The "A.L." Educational Series Elementary Physiology, Hygiene & Ambulance by Robert E. Holding Overall Dimensions: 39" x 29 1/...

Travel Agent’s P&O Poster, Orient Cruse Lines Advertising This isa very attractive framed piece all in very good condition, with advertisements from the early 20th century The pictu...

You can always count on Polish posters to throw up some extraordinarily original artwork. Often challenging, confrontational and, invariably, original... and the Polish poster for 70...

Silhouette From a traveling cinema 1980-1997 Print on cardboard, wooden backing Dimensions: 190 x 70 cm.

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...