Scandinavian Posters

Old art deco poster of the city of Toulouse circa 1940. Designed by Édouard Bouillière and published by Affiches B.Sirven. 79 x 58.5 cm

A quite wonderful glazed ceramic candelabra/ vase/ sculpture by famed Danish-Scandinavian potter/artist Bjorn Wiinblad (1918-2006) who was universally known for his whimsical illust...

Large University anatomical chart “Bones” by Turner W&A K Johnston’s Charts of Anatomy and Physiology by Dr William Turner, Professor of Anatomy Un...

Painted by a school teacher in rural Hautes Pyrenees, France. Based on the Toto, Lili, Rene and Jojo French educational stories. It is likely that the s...

19th Century Paris Magicians Poster on Canvas A rare example of a late 19th century lithograph on canvas Paris magician’s promotional poster. By Effi...

This was an estate find and part of a beautiful collection of rare excellent turn of the century posters. They were hidden away for over a 100 years. About the poster: You'd think that a play called 'The New Baby' might feature said child in its promotional material. But here's the thing, there really isn't a baby at the center of the comedy, and that's the crux of this entertainment. The plot concerns a husband who is so bored with country life that he dreams up the idea of having an illegitimate son in London as a way to get into town for an occasional 'night off'. When his wife decides that the child should be adopted, the expected comic tissue of falsehoods and misunderstandings frays and hilarity ensues. Adapted from German by A. Bourchier, the farce opened in London in 1896 to what a local critic termed 'much mirth'. Several years later, when the play had crossed the Atlantic and entered the repertory of David de Wolf - cleverly called the Baby's 'chaperone' on the poster - and his troupe of travelling players, that understated review was translated into the more American howling success'. The cast and director would've been totally unfamiliar with the British hinterlands, so this splendid design concentrates on the hi-jinks of the characters and their situation.' At the start of the 20th century, America was in the full glory of its cultural adolescence, bursting with energy and optimism. In 1900 in New York there were 33 legitimate Broadway theatres, and many more would be built within the next decade to meet growing audience demand. New York's exploding population was also enjoying increased mobility. In 1904, the city opened its first underground commuter railroad lines. Thanks to these 'subways,' tens of thousands living far from the theatre district could catch a Broadway show and still sleep in their own beds. Add in the ever-increasing numbers of tourists who came into the city by rail and steamship, and it was easy to see why Broadway could now support more productions and longer runs than ever before.' We believe this magnificent and awe inspiring poster typifies the best of musical history and musical posters...

Vintage poster of New Zealand / Go There by NAC. Wellington: R.E. Owen, ca. 1960s. Photographic lithograph of Lake Wakatipu in Queenstown. ...

Eden Hashish Centre Ganesh poster by acclaimed Indian artist S. Murugakani. with original 1974 calendar attached. Framed in custom brass framed glass frame and tin back, with hange...

This is an original French Art Deco Period advertising poster ‘Marguerite Valmond’ by Paul Colin printed by H. Chachoin. Made famous in 1928, spectacular and exquisitely made. This...

A rare version of the original theatrical release poster for the black and white 1943 movie by 20th century fox. The frame obscures a name lower right. This one is the same image as...

A rare reproduction of the Coca Cola umbrella girls in a rustic red frame. Festoon art is originally designed in 1918. Frame has some wear but overall in good condition. 27” H x 33...

This is a vintage British WWI Poster, urging viewers to "Fight with National War Bonds." The poster features a woman in classical robes, hosting a British flag in an outstretched hand, with an impassioned and urgent look on her face. The poster was printed in England by Hill, Siffkin, & Co, circa 1917-1918. During WWII, England relied heavily on the willingness of its citizens to lend money...