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Antoine-Louis Barye Bronze Elan Surpris Par Un Lynx F. Barbedienne

$7,400List Price

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Antoine-Louis Barye (FRENCH, 1795-1875) Panthère saisissant un cerf (Panther seizing a stag) Signed: “BARYE” Stamped: Susse Fres bronze, dark-green/black patina Measures: Height ...

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Antoine-Louis Barye Style French Art Deco Bronze Over Copper Sculpture

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19th Century Animalier Bronze Sculpture Entitled "Reindeer" by Isidore Bonheur

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Excellent late 19th century animalier bronze study of a feeding reindeer with rich brown colour and very fine hand chased and etched surface detail, raised on a stepped naturalistic base, stamped with Peyrol Foundry mark and signed Isidore Bonheur Additional information Height: 16 cm Width: 22 cm Condition: Excellent Original Condition Foundry: Peyrol circa: 1880 Materials: Bronze SKU: 8211 DESCRIPTION Isidore Bonheur Isidore Bonheur, born in Bordeaux May 15 1827. Isidore was the third child of Christine Dorotheé Sophie Marquis (1797–1833), a musician, and Oscar-Raymond Bonheur (1796–1849) (a landscape and portrait painter and an early adherent of Saint-Simonianism, a Christian-socialist sect that promoted the education of women alongside men). Isidore was the brother of Auguste Bonheur...

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Mid 19th Century French Animalier Bronze entitled "Kevel" by Antoine L Barye

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Mid 19th Century Animalier Bronze Study entitled "Reclining Doe" by A L Barye

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French Bronze Panther & Stag Hunting Scene, Antoine-Louis Barye (1796-1875)

French Bronze Panther & Stag Hunting Scene, Antoine-Louis Barye (1796-1875)

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Antique 19th Century French bronze, expertly modelled as a panther in mid hunt, sinking its teeth and claws into a stag. The piece bears a brown and green patina and is signed to the...

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Antoine Louis Barye Cheval Surpris Par Un Lion

Antoine Louis Barye Cheval Surpris Par Un Lion

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Antoine-Louis Barye (French. 1796 - 1875) Cheval surpris par un lion, seconde version (Horse surprised by a lion, second version) Modelled circa 1833, cast probably before 1875 Signed on base "Barye", Bronze: 15.25 Inches Tall x 14.5 Inches Wide x 6 Inches Deep (38.75 cm x 36.85 cm x 15.25 cm) Provenance: The Estate of William H. Truettner to be sold for the benefit of The William H. Truettner Fellowship at Smithsonian American Art Museum. William Truettner, Curator of 18th and 19th Century Painting...

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Emile Antoine Bourdelle “Arlequin” Bronze Sculpture Valsuani Foundry

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Emile Antoine Bourdelle (French, 1861-1929) Bronze Sculpture L' Arlequin. Conceived in 1905 and cast around 1954 A rare museum quality impressionist - Brutalist interpretation of a harlequin swordsman in bronze with black/brown patina. Bears the cast signature E. A. BOURDELLE top of the base, © by Bourdelle along one side. Foundry seal of A. VALSUANI CIRE PERDUE. On corner. Measures 16 x 16.5 x 5 inches. Very good condition throughout, no damage, repair or heavy wear. Scratches and wear to patina throughout commensurate of material age and use. Provenance: The estate of Morton and Estelle Sosland.In Kansas City, the Sosland family name is synonymous with both giving, and the arts. Of their many contributions to the community, 'The Soslands gave one of the nation's finest private collections of American Indian art to the Nelson-Atkins' museum. The content of this auction bears testament to their keen eye and varied interests. In September 1893 Bourdelle joined the studio of Auguste Rodin. His collaboration with Rodin lasted fifteen years. In 1895, he received his first official commission, a war monument for the city of Montauban. His proposed plans, different from traditional monuments, created a scandal. Rodin intervened on his behalf, and the monument was finally erected in 1902. In 1900, Bourdelle demonstrated his independence from Rodin's style with a bust of Apollo. In the same year, Bourdelle, Rodin and the sculptor Desbois opened a free school of sculpture, the Institut Rodin-Debois-Bourdelle. One of the students was Henri Matisse, who later produced some remarkable sculpture, but the school did not last long. Bourdelle in his studio sketching Grace Christie In 1905, Bourdelle had his first personal exhibition, in the gallery of the foundry-owner Hébrand. With the support of Hébrand and the material assistance of his foundry, Bourdelle was able to make larger works and earn greater recognition. His father died in 1906, and Bourdelle changed his first name to simply Antoine, after his father. He married his second wife, Cléopatre Sevastos (1892-1972), who was of Greek origin. She and their daughter, Rhodia, became a frequent inspiration for his works.[6] In 1908, Bourdelle left the studio of Rodin and set out on his own. In 1909 he exhibited a new work, Hercules the Archer at the annual Salon of the Societé Nationale des Beaux-Arts. He began to teach at the Académie de la Grande Chaumière, where his students included Giacometti, Isaac Frenkel and Adaline Kent...

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Emile Antoine Bourdelle Enfan

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Located in Dallas, TX

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