Earthenware Furniture

This Dutch Gouda pottery vase in the Rhodian pattern dates to the 1930s and presents a striking example of Art Nouveau-inspired decorative earthenw...

A well-matched pair of Delft polychrome plates, each painted with a central floral urn in blue, green, orange, and manganese on a white ground, within a yellow-banded border and rope...

This exceptional pair of large French Art Deco vases is attributed to Gustave Asch for the renowned Sainte Radegonde faience workshop, circa 1920. Each vase is finished in a rich, hi...

French aqua turquoise Majolica oyster plate signed Sarreguemines Majolica, circa 1870. 6 shells and space for the lemon on the center.

'Alidoro' is a handmade ceramic vase, finished with a matte glaze in a delicate peach hue. The butterflies, also handcrafted in ceramic and adorned with 24kt gold using the third-fir...

Polychrome earthenware " Assumption of Mary" by Eugenio Pattarino - 1960s Antique - Decoration - 20th Mesures : 19x10cm H:41cm Eugenio Pattarino (1885-1971) was an Italian sculptor...

Authentic 19th-century Spanish blue-and-white faience jar produced in Manises, Valencia, one of the most important ceramic centers of Spain. This piece dates to the 19th century (cir...

French Palissy wall platter with fishs , shells, circa 1900 possibly Choisy le Roi. 13.8 by 9.3 inches. Reference/page 146 "Palissy Ware" of M. Katz.    

Vintage pottery vase features urn shaped body with twin handles framing the wide rim, decorated with majolica glaze in organic, earthy brown palette. The abstract floral decor is ver...

A beautiful rare 18th century four-lobed Delft dish, decorated in blue monochrome with flowers and semi-circles in rocaille contours. Marked "V. beek" in blue on reverse.

Gallic Grandeur: Geo Martel's Polychrome Chinoiserie Faience Vases Presenting a beautiful pair of large French Faience Vases and Covers by the esteemed manufacturer Geo Martel, dati...

MAURO is an Antique decorative clay jar of unique shape with a beautiful and specials handcrafted details. It highlights the natural texture of different patinas and the incredible t...

Antique Art Nouveau period glazed majolica pedestal by the royal Swedish porcelain and pottery maker, Rorstrand, circa 1910s, measuring 47.5 inches tall with square top measuring 13 ...

Bauhaus geometry in devotional service: a small ceramic cruet pair from the Ars Liturgica workshop at Maria Laach Abbey, produced under the direction of Th...

Unmatching Pair of Glazed Ceramic Fish Plates Wall Decorations or Platters Pair of Portuguese red and yellow ceramic plates from the Mid-Century ...

19th Century French Majolica leaves jardinière.

Set of Four 18th Century Blue and White Delft Tiles Framed in Custom Iron Frame. Wonderful piece to display.

Vintage or antique, rare faience table lamp features an elegant footed urn form with complex relief decor and hand-painted motifs in Art Deco style with orange and yellow flowers an...

A fine Burmantofts Faience art pottery vase decorated with a sun burst pattern and dating from around 1890. The earthenware vase stands on a narrow round foot with a slightly recesse...

A table set for 12 or 18 people, "Marine," signed by Ludovic Napoléon Lepic, was crafted in earthenware by the prestigious Creil and Montereau manufactory in 1889. This unique set fe...

French aqua turquoise Majolica oyster plate signed Sarreguemines circa 1900. 6 shells and space for the lemon on the center.

Royal Delft Blue Covered Baluster Vase / Urn Hand-Painted Dutch Delftware Add timeless Dutch elegance to your interior with this exquisite Royal Delft covered baluster vase, also known as decorative urns. Expertly hand-crafted and hand-painted in the renowned Delft Blue tradition, these impressive vases feature enchanting Royal blue camaieu floral decorations enhanced by a graceful peacock motif. Raised on distinctive octagonal feet and topped with matching lids, the vases showcase the exceptional artistry and craftsmanship for which Royal Delft is celebrated worldwide. Inspired by Baroque, Chinoiserie, Chinese, Oriental, and Asian decorative styles, they make striking statement pieces for traditional, classic, and eclectic interiors. Produced in Delft, The Netherlands, during the second half of the 20th century, these elegant decorative urn reflect the rich heritage of Dutch Delftware, a ceramic tradition dating back to the early 17th century. Delft Blue pottery became one of Europe's most sought-after luxury exports and remains highly collectible today. A Treasure perfect for display on a mantelpiece, console table, sideboard, or in a curated collection of fine ceramics, these Royal Delft vases combine historical charm with enduring decorative appeal. Features Authentic Royal Delft Manufactory production Hand-crafted and hand-painted Traditional Delft Blue (blue and white) decoration Floral design with peacock bird motif Covered baluster form with matching lids Marked: under the base and in the cover Octagonal foot bases Origin: Delft, The Netherlands Period: Second half of the 20th century Condition: Good Color: Blue and White Styles: Baroque, Chinoiserie, Chinese, Oriental, Asian Dimensions Width: 9.4 in (23.9 cm) Depth: 9.4 in (23.9 cm) Height: 19.5 in (49.5 cm) Royal Delft vase, Delft Blue urn...

An elegant mid-19th century Chinese porcelain ginger jar, finely painted in cobalt blue under a soft celadon glaze. This piece, dating from the Qing dynasty, features a fitted lid wi...

White Neoclassical Urn. Large white glazed Italian urn form earthenware vase after the antique with classical figures in draped garments with sigillated urns on either side issuing ...

81 pieces crafted using fine earthenware porcelain make up this classic collection by Spode. The Blue Italian design depicts a scene in the Italian countryside with natural elements ...

Gorgeous Jug or Pitcher with Bird Sea Landscape Decor and Faux Log Handle, Glazed Ceramic, Hand-painted. France, 1930-1940. Decorate a tabletop with this colorful antique Majolica ce...

Beautifully sculpted and colorful, this pair of large, antique Majolica vases would be a wonderful addition to a mantel, tabletop or bookshelf. Crafted in France, circa 1950, each ha...

Delft square sweet meats dish, or condiment tray. Of shallow square form with five divided compartments, this rare type belongs to the group of Delft table dishes produced for serv...

French faience oyster plate with Bird Moustiers style signed Martres Tolosane, circa 1940.  

French mid-century Vallauris ashtray / bowl in glazed ceramic. Beautiful fat lava glazed ceramic ashtray in orange, amber, white and brown colors. Manufactured by Vallauris. France, ...

This Dutch Delft vase follows the classic garlic neck form, its bulbous body rising through a slender fluted neck to a secondary globular knop and a flared, scallop-rimmed mouth. The...

French Faience birds Oyster Plate Saint Clement, circa 1890. Each shells is decorated with a differents insects, Rustic, Country style.

This authentic pair of antique French olive oil jars was crafted in Provence circa 1880 and exemplifies the robust vernacular pottery traditionally used for oil storage in southern F...

This elegant Wedgwood creamware basket retains its original matching stand, an increasingly difficult combination to find together. Made in England circa 1820, both the basket and st...

Classic early 1980s Italian Majolica Ceramic white dog statue figurine. Nice addition to your room or entry hall. Made of majolica ceramic, hand pain...

Green Aura Wall Mirror by OOM Contemporary Glass Dimensions: Ø 104 cm. Materials: Copper luster and ceramic enamels on green glass, mixed techniques. Discover the Dome Collection, w...

Product description: This faience earthenware piece was designed by Stig Lindberg for Gustavsberg. His faience pieces are decorated by a total of 36 different painters, this particu...

Of ginger jar shape with outscrolled handles, surmounted by a pierced lid with knob-form finial; decorated with Court figures in a pagoda riverscape.

A pair of Italian majolica trompe l’oeil garden stools, mid-20th century. 13 inches wide by 13 inches deep by 15 ½ inches tall

Striking large ceramic vase features the organic, rounded shape with 3 curved, free-flowing decorative handles. It is decorated in characteristic Belgian Art Nouveau style with the u...

A colorful pair of antique Art Nouveau–Art Deco floral ceramic table lamps with new bespoke burnt-orange shades—hand-painted in 1918 and newly rewired with U.S. plugs, ready for beds...

A fine 18th-century French faience plate from Moustiers, hand-painted in a vibrant polychrome palette. The center is decorated with four elegant bouquets of stylized flowers in manga...

A decorative set comprising two early 20th-century majolica-style earthenware plates and a glazed terracotta platter. The plates feature rich polychromy and hand-painted decoration: ...

Anna Barlow (UK, 1982), "Gimme Sugar", 2024 glazed porcelain and earthenware, approx. 32cm W x 39cm D x 52cm H Handmade ceramic scultpure - Unique piece Anna Barlow is a London base...

Pair of Art Deco French Aqua Blue Plates Edmond Lachenal. 7.8 inches diameter. Edmond Lachenal ( 1855 – 1948) was a French potter. He was a key figure in the French art pottery movem...

Black art nouveau vase by Upsala Ekeby manufactured in the 1940s. Soft shaped ceramic vase with a mother of pearl like black shine, sea foam green flared top edge and small ear-like ...

Mid 18th century Blue Delftware plate with bird entering a chinoiserie decoration of a flowers, a blossoming tree and stones amidst shrubbery. Qianlong style. Unmarked Good condit...

Whimsical in form and richly colored, this antique barbotine pitcher depicts a young duck emerging from a broken eggshell. Crafted in France circa 1890 by the Saint-Clément pottery, ...

A Dutch milk jug in the shape of a monkey, Tichelaar Makkum, ca 1890-1900 A milk jug in the shape of a monkey on his head as a lid, a nightcap with a Dutch saying written on the mon...

Colorful Palissy wall platter signed Hippolyte Boulenger Choisy le Roi, circa 1880. Decorated with fishs,snake, snail,bugs,shells,mussel and lea...

A fine 18th c Dutch Polychrome painted delft charger, decorated with vibrantly colored stylized tulips and flowers. The sloped rim is painted with flowers and patterns. The center of...

Vase in ceramic from France. It has been done during the 19th Century. Decor with Caracthers and Flowers. Main clors are white blue. Signed Henriot Quimper.

19th Century French blue & white faience dinner plate signed "Francois" Sarreguemines.

Original Victorian Wedgwood Lobster Salad Bowl. Cream background earthenware the bowl is decorated all around with printed and hand-painted seaweeds inside and outside the bowl. The ...

A commanding and decoratively rich pair of hand-modeled and hand-painted majolica portrait busts depicting a male and female figure in period costume, each resting on a turned socle ...

This charming pair of tin-glazed faience urns is most likely of French origin, dating from the 19th century, and inspired by earlier 18th century decorative traditions. The pieces ar...

English Pearlware Blue Slip Teapot & Cover, Engine-Turned Fluting, Acorn Finial English, probably Staffordshire or Yorkshire, Circa 1790 This English pearlware teapot of restrained neoclassical form has a straight-sided cylindrical, or drum-shaped, body covered in a light blue slip ground, its broad upper section unadorned save for the decorative band encircling the shoulder: a checkered band of rouletting inlaid with dark brown slip, flanked by fine raised turned fillets. The lower section is distinguished by a broad band of closely spaced vertical fluting, cut on the engine-turning lathe through the blue slip to expose the pale body beneath, the flutes stopping in a neat scalloped edge against the blue above and below. The fluting is a crisp textural counterpoint to the smooth blue-slipped upper body and a quality of workmanship that speaks to the more refined end of English earthenware production of the period. Engine-turning was carried out before firing, while the clay was leather-hard, on a lathe whose cams rocked the revolving pot against a fixed cutting tool, so that a repeated pattern could be cut with mechanical regularity; where the pot had first been dipped or banded in colored slip, as here, the cut revealed the contrasting color of the body. It is a characteristic feature of the more accomplished Staffordshire and Yorkshire manufactories, among them the Leeds Pottery. The domed cover, with its broad stepped rim, repeats the engine-turned reeding in a concentric ring at the crown and is surmounted by a finely modeled applied finial in the form of a white pearlware acorn in its textured cup, resting upon naturalistic oak leaves with a twig and an empty acorn cup beside it, a motif of considerable delicacy widely employed in English ceramics of the 1780s and 1790s. The curved spout, in uncolored pearlware, is press-molded at its base with leafage in low relief, and the reeded loop handle ends in press-molded foliate terminals at both its upper and lower junctions, reinforcing the neoclassical character of the design. The flat glazed base shows the blue-green pooling characteristic of the pearlware glaze. Dimensions: Height: 6½ inches (16.5 cm) Width, handle to spout: 8½ inches (21.6 cm) Depth: 4¾ inches (12.1 cm) Marks: Unmarked. Provenance: Earle D. Vandekar of Knightsbridge Condition: Good condition, with a chip to the tip of the spout, visible in the photographs. References: T. A. Lockett and P. A. Halfpenny, eds., Creamware and Pearlware, Stoke-on-Trent: City Museum and Art Gallery, 1986. Donald Towner, Creamware, London: Faber & Faber, 1978. Peter Walton, Creamware and Other English Pottery at Temple Newsam House, Leeds, Bradford and London: Manningham Press, 1976, p. 246, pls. 1071–1072. Geoffrey A. Godden, British Pottery: An Illustrated Guide, London: Barrie & Jenkins, 1974. Philip Miller and Michael Berthoud, An Anthology of British Teapots, Broseley, Shropshire: Micawber Publications, 1985. Donald Carpentier and Jonathan Rickard, “Slip Decoration in the Age of Industrialization,” Ceramics in America 2001, Milwaukee: Chipstone Foundation, 2001, pp. 115–134. Jonathan Rickard and Donald Carpentier, “The Little Engine That Could: Adaptation of the Engine-Turning Lathe in the Pottery Industry,” Ceramics in America 2004, Milwaukee: Chipstone Foundation, 2004, pp. 78–99. Bonhams, London, 18 May 2011, lot 96: a Leeds pearlware...

The Faraday might be petit in stature but makes up for it in personality and will give any drab desk or side table the attention and love it deserves. This style is one of our fir...

Rare late 15th or early 16th century Mudejar tile of the so-called ‘Arista’ or 'cuerda seca' technique. The central motif is an eight-pointed star, which in turn encloses smaller on...

Antique Art Deco earthenware vase by ceramic artist Harald Östergren for Upsala Ekeby in the 1930s. Dusty yellow running glaze and two small black handles. Stamped and numbered unde...