Rush Wall Mirrors
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Material: Rush
Large Pagoda mirror in rush and wicker 1980
Located in Roma, RM
Large Pagoda mirror in rush and wicker 1980
Product details
Dimensions: 80 W x 120 H x 4 D cm
Category
1980s Italian Vintage Rush Wall Mirrors
Materials
Rush, Mirror
Circular rush mirror with leaves, Prod. Vivai Del Sud Italia 1970.
Located in Roma, RM
Circular rush mirror with leaves.
Dimensions: 56 L x 56 H x 2 D cm
Production: Vivai del Sud, Italy, 1970
Category
1970s Italian Vintage Rush Wall Mirrors
Materials
Rush
Contemporary Amani Mirror By Made Goods
By Made Goods
Located in London, London
Rectangular mirror
By Made Goods
Woven strands of abaca form the frame
Neutral colour
New - two available
Category
21st Century and Contemporary American Modern Rush Wall Mirrors
Materials
Rush
Circular mirror in hand-woven rush, Italy 1970. Product details Dimensions: 70
Located in Roma, RM
Circular mirror in hand-woven rush, Italy 1970.
Product details
Dimensions: 70 W x 70 H x 4 D cm
Category
1970s Italian Vintage Rush Wall Mirrors
Materials
Rush, Mirror, Wood
Mirror in wicker and dark rush, Italy 1980
Located in Roma, RM
Mirror in wicker and dark rush, Italy 1980
Product details
Dimensions: 64 W x 81 H x 2 D
Category
1980s Italian Vintage Rush Wall Mirrors
Materials
Rush, Mirror
"Leaf" Vivai del Sud Mirror in rush, Italy 1970
Located in Roma, RM
"Leaf" Mirror in rush by Vivai Del Sud, Italy 1970.
Product details
Materials: Mirror, rattan
Dimensions 72 w x 60 h x 3 d cm
Production: Vivai del Sud, Italy, 1970
Category
1970s Italian Vintage Rush Wall Mirrors
Materials
Mirror, Rush
Shanghai Vivai del Sud mirror in rush, Italy 1970.
Located in Roma, RM
Shanghai series Vivai del Sud mirror in rush, Italy 1970.
Product details
Materials: Mirror, rush
Dimensions 69 w x 96 h x 3 d cm
Production: Vivai del Sud, Italy, 1970s
Category
1970s Italian Vintage Rush Wall Mirrors
Materials
Rush, Mirror
Large Shanghai mirror in rush with lion, Vivai del Sud Production, Italy 1970
Located in Roma, RM
Large Shanghai Vivai del Sud mirror in rush with lion carved in lacquered wood,
Italy 1970.
Product details
Dimensions 80 L x 132 H x 3 D cm
Materials: rush, mirror
Production: Vivai...
Category
1970s Italian Vintage Rush Wall Mirrors
Materials
Mirror, Rush
English Victorian Bamboo and Rush Wall Mirror
Located in New York, NY
English Victorian (19th century) large rectangular bamboo wall mirror with a red rush matted frame border trimmed with strips of bamboo.
Category
19th Century British Aesthetic Movement Antique Rush Wall Mirrors
Materials
Gold Leaf
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Stunning Inlay Bone and Rosewood Veneer Mirror
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Category
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H 29.14 in W 21.66 in D 0.79 in
Previously Available Items
Octagonal mirror with rush frame, Italy 1980
Located in Roma, RM
Octagonal mirror with rush frame, Italy 1980
Product details
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Category
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Materials
Rush, Mirror
Vivai Del Sud Circular mirror in rush and wicker
Located in Roma, RM
Circular mirror in rush and wicker, Prod. Vivai Del Sud Italy
Product details
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Production: Vivai del Sud, Italy, 1970s
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Category
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Vivai del Sud large mirror with palm trees, Italy 1970s
Located in Roma, RM
Vivai del Sud large mirror with palm trees, Italy 1970s
Product details
Materials: Mirror, rush
Dimensions 102 w x 122 h x 3 d cm
Production: Vivai del Sud, Italy, 1970s
Category
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Materials
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"Sun" Vivai del Sud mirror in rush, Italy 1970.
Located in Roma, RM
"Sun" Vivai del Sud mirror in rush, Italy 1970s.
Product details
Materials: Mirror, rush
Dimensions 92 w x 92 h x 3 d cm
Production: Vivai del Sud, Italy, 1970s
Category
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Materials
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Large square Mirror in rush with lion, Vivai del Sud, Italy 1970
Located in Roma, RM
Large square Vivai del Sud mirror in rush with lion carved in lacquered wood,
Italy 1970.
Materials: Mirror, rush
Dimensions 90 W x 100 H x 3 D cm
Production: Vivai del Sud, Italy, 1970
Category
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Rectangular Bamboo Cane, Brown Leather and Brass Italian Wall Mirror, 1970s
Located in Roma, IT
Amazing large rectangular bamboo cane, brass and brown leather. This wonderful mirror was designed in Italy during the 1970s.
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Born in 1922, Gabriella Crespi studies architecture at the Politecnico in Milan, where her work is permeated by her perspective on Le Corbusier’s and Frank Lloyd Wright’s design experience.
Since the 1950s, she has dedicated herself to the creation and worldwide circulation of furniture and other objects that balance design and sculptural abstraction.
Thanks to her always original conception and ideas, to the articulated forms that meet the needs of contemporary design, and to the amazing ability to transform objects by adding openings, closings, and changes in function, Gabriella Crespi has conquered the international scene in a short time. Her creative journey still incisively inspires the expressive creativity of the current generation of artists.
Crespi began her career as a designer in the 1950s with her first production of objects, the “Small Lune Collection”, steel moon-shaped sculptures, in which the stylistic influences of time converge and are transformed.
In the beginning of the 1960s, she established an enthusiastic creative relationship with Maison Dior, especially in the context of home and table accessories and, from the 1970s, with furniture.
In 1968, the prototype of her first “Plurimo” was exhibited in Dallas a representative of Italian design of the era.
In 1970, Gabriella’s daughter, Elisabetta, began her collaboration in the famous “Plurimi” series, the name of which is a tribute to Emilio Vedova. These “metamorphic” furniture pieces (“Magic Cube,” “2000,” “Dama,” “Scultura”) are a play on volumes and evolutionary possibilities of the same form that change in space, in perpetual dialogue with both the environment and light.
That same year, “Kaleidoscopes” and “Lune”, the leitmotif of Gabriella Crespi’s poetic philosophy, were born: sculptures and lamps that introduced a creative intervention in design.
Between 1970 and 1974, she created her most significant lost-wax works, including the sculpture “My Soul” (1974), the “Animali” collections, (bronze sculptures with a fairy-like feel that reveal Gabriella’s relentless attention to the natural world), “Jewels,” and “Gocce Oro:” free flowing sculptures conceived through the ancient and precious process of lost-wax casting.
Between 1972 and 1975, she designed the “Quick Change Sofa”, the “Z” line ( “Z Bar,” “Z Desk” ) and the “Rising Sun” bamboo collection, material much loved by Crespi that, as she says, “unites strength and flexibility.” The famous “Fungo” lamps (1973) are part of this collection.
In 1976, the new “Plurimi” (“Ellisse” and “Cubo Tondo”), the “Sheherazade” collection, and the “Stone Sculptures” took shape.
Between 1978 and 1980, the bookcase-block “Menhir” (1978), the “Yang Yin” collection (1979), and the two sculpted tables “Ara” (1979) and “Lunante” (1980) were created.
In 1980, Gabriella Crespi designed three new “Plurimi” (“Blow Up,” “Eclipse,” “Sit & Sip”) and in 1982 she presented “Punto ’83,” her last “Plurimo” and a unique piece (one prototype was realized in the same year), at Milan’s Museo della Scienza e della Tecnica as part of the exhibition “I Plurimi di Gabriella Crespi” introduced by Vanni Scheiwiller.
In 1985 she released the last interviews on her work as a designer before setting out on a new life completely devoted to the spiritual quest, a path she follows to this today.
In 1987, she traveled to India where she met Sri Muniraji, who became her spiritual advisor. Gabriella lived in India almost without break for two decades.
In 2005, Crespi returned to Italy and started her book “Ricerca di Infinito, Himalaya” which was published in 2007.
In 2008, she created for Stella McCartney a limited reissue of some of her jewelry collection from the 1970s. The proceeds were donated to the Shree Baba Haidakhan Charitable and Research Hospital at Chilianaula, in the Himalayas, an institution specializing in eye care that was founded by Sri Muniraji, Gabriella’s spiritual advisor.
In 2011 Palazzo Reale dedicated the great anthology “The Sign and the Spirit” to Gabriella Crespi. The anthology was promoted by the Municipality of Milano-Cultura, sponsored by the National Chamber of Italian Fashion and made possible thanks to the exclusive sponsorship of the Mediolanum Farmaceutici S.p.A. Group. It is a tribute to a prominent figure of Italian creativity who has left a permanent mark in the shape of the design culture of our time.
In April 2012 Gabriella Crespi S.r.l was established with the aim of promoting the new creations of the Artist-Designer. In the same year the Archivio Gabriella Crespi was set up within the Company, managed by the Artist’s daughter Elisabetta Crespi.
In 2013 a new limited edition of the “Tavolo Scultura” was presented in a new version made of Belgian Black marble.
In occasion of the Salone del Mobile 2015, Gabriella Crespi presents “New Bronze Age” a series of new limited editions of her ‘classic’ works, realized for the first time in bronze.
In 2016 Gabriella Crespi realized her last work “Wave Desk...
Category
Mid-20th Century Italian Mid-Century Modern Rush Wall Mirrors
Materials
Brass
H 22.84 in W 55.91 in D 1.78 in
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