Algerian Furniture

Fabulous Lamartine enamel and acid cutback cameo depicting a spring or early Summer scene -large trees, a pleasant meadow and a river, polychrome enamelled on a blue grey mottled gro...

Fabulous Lamartine enamel and acid cutback cameo depicting a winter scene -large trees, and a frozen river, enamelled in seasonal tones over a orange mottled ground. It is signed 'M...

Antique Handcrafted Vintage Berber Kabyle Box. Handcrafted vintage North Africa. Algeria Berber Kabyle box crafted in nickel silver in traditional style of red and green enamels and ...

A beautiful fragment from a lunar meteorite, among the rarest of all geological finds. This specimen belongs to NWA 11303, a feldspathic regolith breccia which formed when the shock ...

Original vintage travel poster for The Algerian South / Le Sud Algerien featuring a stunning image set in the north Africa desert of a man on a camel with buildings on the horizon, a...

A beautiful multicoloured square rug in warm colour pallet that could be used on either can be side, making it versatile and functional. The base of the rug is a light beige colour...

Maison Myrbor was a French manufacturer and retailer of carpets founded by Marie Cuttoli (1879-1973). The first workshop was set up in her home in Sétif,...

Oil on Canvas of Bathsheba ( one of the wives of David ) by Émile Aubry (1880-1964) Signed: "Émile Aubry" France: circa 1928 Emile Aubry was born in Algeria but moved to Paris as a c...

Amazing and scarce JUDAICA object, we have here one of the most touching jewish objects we had for a long time, this small silver dowry box was made in Algeria in the early 19th century, it is all covered with symbols of jewish faith and of couples, the sliding lid has 2 flanking birds with hamsa (protective hand) on each side and a flower vase in the middle. one side shows two flanking lions with a tree in the middle and the other side shows again two big and two small birds with a flower bowl in the middle, front side has a key hole and next to it there is the Hebrew inscription ס״ט״" which says Siman tov or in English "a good sign" it is taken from the wedding blessing, underneath the lock there is another inscription with the name ״עזיזה בת אברהם בן חמו״ which is the name of the bride, her father and her grandfathers name. the box is full marked a lot of times with the silversmith mark, every side of the box is marked. this box was probably ordered by the grooms family to hold the jewelry they are giving to the bride as dowry, this type of objects are rare and there are just a few of them on museum collections. DOWRY (Heb. נְדֻנְיָה), the property a wife brings to her husband at marriage; the Yiddish equivalent, nadn, is from the same root. The custom of nedunyah became clearly defined and institutionalized only in the talmudic period. In biblical times, mohar (מֹהַר), whereby the groom bought his wife from her father (Gen. 24:53; Ex. 22:15–16; Hos. 3:2), was the accepted practice. It was then customary that the groom give the bride gifts, and that she bring certain property to her husband's home upon marriage: slaves, cattle, real estate, etc. (cf. Gen. 24:59–61; 29; Judg. 1:14ff.; I Kings 9:16). Evidence of the custom of nedunyah is to be found in Tobit (7:14; 8:21) and in the Assuan papyri (Cowley, Aramaic, nos. 15, 18). Gradually, mohar was superseded by the ketubbah custom according to which the husband merely assumed the responsibility of compensation to his wife in case he divorced her: he had to pay her 200 zuzim if she had been a virgin at the time of marriage, and 100 zuzim if a widow or divorcée (see *Ketubbah). By talmudic times, the institution of nedunyah was prevalent; the father gave a dowry to the bride since the daughter was excluded from paternal inheritance. Fifty zuzim (equivalent to the worth of 180 grams of silver) was the minimum amount a father was obliged to give to his daughter (Ket. 6:5). Parents usually gave much more, according to their social standing. Community funds provided the dowry for an orphan or a very poor girl (ibid.; cf. Sh. Ar., YD 251:8). In case of her father's death, the brothers of a minor girl were obliged to give her the minimum dowry, and the court estimated how much her father would have given her above the minimum dowry. The sum was then taken out of the father's estate and given to the daughter upon majority (Ket. 6:6; 68a–69b). In the absence of such an estimate, each daughter was entitled to receive one-tenth of the value of her father's estate in money, or in valuables (Yad, Ishut, 20:4–7; Sh. Ar., EH 113:4). If the father was unable or unwilling to pay the promised dowry at the betrothal ceremony, the groom could refuse to marry his bride (Ket. 13:5; Ket. 108b–109a). Insistence on exact payment of the promised dowry, however, was frowned upon by later rabbinic authorities (Rema to Sh. Ar., EH 2:1). In certain communities it was customary for the groom's father to make a dowry contribution equal to that of the bride's father (Ket. 102b). The dowry, whether given in real estate, slaves, money, or chattel was recorded in the marriage contract (the ketubbah) and in some instances one-third or one-fifth of the actual value of the dowry was added to the sum mentioned in the ketubbah. Based upon a decree enacted by *Simeon b. Shetah (first century C.E.), the Talmud ruled that the husband and his entire property were liable for compensation as stipulated in the ketubbah, either in case he died (when she collected the sum specified in the ketubbah from the heirs) or in case he divorced his wife (Ket. 82b). For the status of the dowry and the husband's rights and obligations, see below. The rabbinic enactments (Takkanot Shum) by R. Jacob *Tam and by the rabbinic synod of the communities of Speyer, Worms, and Mainz (Germany) stipulated that if a woman died...

Fabulous large Lamartine enamel and acid cutback cameo depicting a late summer or Autumn scene -a large fir trees, in a landscape with white flashed rocks, polychrome enamelled on a ...

Explore the heritage of North African craftsmanship with this vintage Berber rug from 1960s Algeria. Featuring long, striped patterns and occasional diamonds and arrows, this unique ...

Two Large Kabylie Ceramic Dishes Kabylie Berber People Algeria Late 19th to early 20th century Hand molded ceramic, painted designs Diameter: 17" and 17.75" Depth: 2 3/4...

Antique Framed Orientalist Print of "Midday in Algiers" after James Greig original dated circa 1900. This piece, is a print from the original Orientalist masterpiece, it showcases th...

855 - ancient African Kilim.

As featured in architectural digest's article (August 31, 2013) of Geoffrey Beene's guest bedroom, this rug was acquired at his estate sale after his passing. Conceived, circa 1928-1930 and executed in the 1960s by Marie Cuttoli...

This wine red rug features a classic tartan pattern with white and green interlocking lines made out of cotton mixed strips, creating a timeless and invit...

Antique Berber Kabyle box container to hold rings and pins small jewelry or khol. Made of silver wash with filigree enamel in pagoda shape. Enamel and rhinestone made of silver tone ...

Long Algerian double sided rug, tribal, Berbere mid-20th century, wool velvet on cotton foundation, wears.   ✨✨✨ "Experience the epitome of luxury and craftsmanship with our exquisit...

A very large Algerian Berber rug with many different colorful patterns, such as arrows, diamonds, triangles, and more, stacked and organized in horizontal lines on a white/beige base, is a stunning work of art that is characterised by its standout colors of pink fuchsia and blue red purple palette. The different shapes on the rug's patterns hold cultural and historical significance, and the use of these standout colors adds an extra layer of meaning to the design. For instance, pink fuchsia is often associated with love and femininity, while blue red purple is often associated with royalty and spirituality. The combination of these colors and the different shapes on the rug's patterns reflect the Berber people's cultural and religious beliefs, as well as their skilled craftsmanship. The use of the white/beige base creates a neutral and versatile backdrop, allowing the vibrant colors and patterns to stand out even more. This rug's large size makes it a perfect centrepiece for a living room, dining room, or bedroom, adding warmth and character to any space.. This rug is handwoven using traditional techniques by Berber tribes in Algeria, and the use of high-quality natural materials such as wool and cotton ensures its durability and longevity. From a cultural and historical perspective, this rug is unique as it is a product of the Berber people's long-standing tradition of weaving, which dates back centuries. The Berbers are indigenous people of North Africa, and their weaving traditions have been passed down through generations, preserving their cultural heritage. Unlike other Berber rugs that originate from neighbouring touristic countries and anyone could grab a rug, Algeria is not a touristic destination and therefore extremely difficult to find these rugs outside the country. We have a large collection of Algerian Berber Amazigh rugs...

A vintage "Amazigh" Berber wool rug featuring a beige base color adorned with multicolored stripes arranged in distinct groups. The stripe groups follow a consistent pattern, with a ...

Beautiful long European style Algerian rug with nice colors and patterns very decorative with a curious design showing Santa Claus on each detail design, a...

Palaeolithic Acheulean hand axe measuring thirty centimetres in stand overall. With an accomplished working form, executed by the hands of Homo Ergaster ancestor, contemporaneous to European Homo erectus. Now set into a bespoke bronze cradle mount enabling removal and study of this pristine prehistoric axe...

A unique algerian berber rug with a multicolored pattern consisting of zigzags, lines, and diamond shapes. This handwoven rug is using traditional techniques by Berber Kabyle tribes ...

This minimal, off-white colour berber style cotton rug with its origin from Morocco is beautifully crafted with small geometric, diamond shape knots all over it. The texture is quite...

A vintage "Amazigh" Berber wool rug in beige base colour with multicoloured stripes organised in groups. The stripe groups are organised in random yet organic lines with a striking r...

A rare weaving attributed to the Djebel Amour tribe, located in Algeria close to the border with eastern Morocco along the Saharan Atlas. Although the tri...

Desert Rosette Crystal, a desert rose, crystal formation of the Western desert of the northern Sahara, naturally formed approximately 2 million to 500 thousand years ago. Desert Ro...

Large oriental-style sideboard in carved wood, with bone inlay; wrought iron handles; pewter wire inlay small losses of bone Provenance the Old Palace Saint George in Alger, circa 1...

Large oriental-style sideboard in carved wood, with mother-of-pearl inlay; wrought iron handles; pewter wire inlay small losses of mother-of-pearl. Provenance the Old Palace Saint G...

Original vintage travel advertising poster titled "Chemins de Fer Algeriens de L'Etat, Le Sud Algerien, Le Figuig" - "Algerian State Railways, Sothern Algeria, Figuig." The artwork i...

An elegant expression of North African artistry, this silver bracelet, crafted circa 1900 in the Morocco-Algeria region, beautifully combines strength and refinement. Formed from a s...

Antique Hanukkah lamp, cast brass, rivets, Algeria, circa 1880. Crescent-shaped back plate, with eight gates, a vase with flowers, apertures in veget...

A late 19th century brass casted Hanukkah lamp made in Algeria. The lamp is made of three central parts: its body, a tray for placing the oil candles, and a holder for the servant li...

Hanukkah lamp shaped like a palace, surmounted by Islamic crescent. Made in Laghouat, Algeria. The Hanukkah lamp is made of two parts: a pierced and engraved brass in the shape of ...

Script in the center reads ' El Cezir ', Algeria First the fragment has been hand backed on a linen fabric, then stretched over a wooden stretcher and finished with a wooden frame. L...

Hand-painted terracotta broth pot, Kabylie, early 20th century. With its pretty shape and mineral tint, this pottery will be perfect in a natural, refined and delicate decoration. ...

Vintage Algerian Berber rug in original condition. The rug has traditional Berber design with the large diamond shaped medallion in the centre in pink color. The deep burgundy border...

Large oriental style folding pedestal table in wood inlaid with bone circa 1900

This Exceptional and rare oriental lantern is all made of brass. This is a very beautiful Oriental work, very fine. End of 19th Century

VINTAGE RECTANGULAR REVERSIBLE CARPET A good quality North African Berber rug probably originating from Algeria or possibly Morocco and dating from the Mid-20th century. Reversible...

Late 19th century Pair of Hand Crafted and Hand Painted Kabyle Jars, Beautifully Decorated with Black, Red and Beige Colors, Long Neck with Handles, Dimensions: Tall One: 7"D X 18"H...

A beautiful vintage Berber rug from the 1960s Algeria, a colorful expression of tribal geometrical patterns that reflects the craftsmanship of its time. With vibrant hues of yellow,...

Antique Moorish North Africa Silver Cuff Bracelet. Antique Tunisian, Algeria or Moroccan silver cuff. In good condition, sturdy and high quality design, Maker's mark on outer edge. A well made silver bracelet from North Africa from the French Colonial Times. The Arabic calligraphy is stylized Arabic script. This type of bracelet was produced for European rather than local consumption and were mentioned in the seminal work of Paul Eudel: Dictionnaire des bijoux de l'Afrique du Nord : Maroc, Algérie, Tunisie, Tripolitaine (1906). They were known as "Meqiâsat Tounès" or Tunis bracelets, because they mimic a style of bracelet that was originally made in Tunis after the Turkish Islamic design. Vintage Moorish Etruscan Style Silver Filigree Hinged bangle...

This vintage Berber rug from Northern Algeria features a striped design with colourful stripes organised in groups on a beige base. Predominantly showcasing red, blue, and purple, th...

A vintage Berber 'Amazigh' multicoloured wool rug from northern Algeria is a beautiful and intricately crafted piece of textile art. The rug has a square shape and is double-faced, meaning that it can be used on either side. The base colour of the rug is beige, which provides a warm and neutral backdrop for the striking geometric patterns that adorn it. The rug features stripes of diamond shapes, zigzags, and eye-like motifs, which are arranged in a balanced and symmetrical manner. The colours used in the rug are predominantly bright, bold, rich and vibrant, with a mix of pinks, blues, greens, and yellows standing out against the beige background. The use of multiple colours adds depth and vibrancy to the rug, making it a visually striking piece. The wool used in the rug is of high quality, providing a soft and plush texture that feels luxurious underfoot. The rug is also durable and well-made, able to withstand the test of time and repeated use. Unlike other Berber rugs that originate from neighbouring touristic countries and anyone could grab a rug, Algeria is not a touristic destination and therefore extremely difficult to find these rugs outside the country. We have a large collection of Algerian Berber Amazigh rugs...

Discover this magnificent orientalist watercolor, dating from the end of the 20th century. This masterpiece captures the vibrant and mysterious essence of the Orient through soft col...

Original antique North Africa travel poster for Meknes Ancient Residence Of The Sultans Of Morocco / Antique Residence Des Sultans Du Maroc featuring artwork by Matteo Brondy (1866-1...

A large, beautifully patinated late 19th century water pitcher or vessel, of dovetailed copper construction with forged iron handle. Indistinctly engraved ??? to the neck, meaning ‘u...

Discover a piece of history with this vintage Berber rug from 1930s Algeria, showcasing tribal geometrical patterns in groups of parallel lines. The rug's dominant neon pink, burnt ...

A vintage handmade wool rug from 1970s Algeria, in tricolour stripes of pleasing reds, browns, and blacks. The wool yarns come from ethically grown livestock, and are hand dyed and ...

A vintage Berber wool rug in beige base colour with multicoloured stripes organised in groups. The stripe groups are organised in lines of ten....

This handwoven Algerian Berber rug is a beautiful piece of craftsmanship with a simple stripped design and vibrant colors. This generous size rug features stripes of various colors such as red, yellow, green and many more all set against a beige background. The rug is made using traditional Berber weaving techniques to create a unique and durable textile. The use of natural materials, such as wool or cotton, ensures that the rug is not only beautiful but also eco-friendly. The stripes on the rug are arranged in a horizontal pattern, with each color blending seamlessly into the next. The red stripes are a bold, rich shade, while the yellow stripes are a bright, sunny hue. The green stripes are a deep, earthy tone, and other colors may be incorporated into the design as well. The beige background of the rug provides a neutral base for the colorful stripes, allowing the colors to stand out and make a statement. The texture of the rug is soft yet hardware, making it a comfortable and cozy addition to any room. Unlike other Berber rugs that originate from neighbouring touristic countries and anyone could grab a rug, Algeria is not a touristic destination and therefore extremely difficult to find these rugs outside the country. We have a large collection of Algerian Berber Amazigh rugs...

Discover this magnificent orientalist watercolor, dating from the end of the 20th century. This masterpiece captures the vibrant and mysterious essence of the Orient through soft col...

A strikingly visual shawl composed of alternating rows of horizontal stripes in undyed dark wool and insect dyed fuchsia red silk. The differing widths of each stripe imparts this te...

Silvered metal lidded box of a circular form for powder kohl eye liner. Designed into two detached sections, finely handcrafted and decorated with scrollwork designs with a yellow amber stone on the top lid and lots of great detail. Berber Kabyle box container to hold loose powder kohl eye liner. Made of silver tone metal with filigree scales with a coral stone. A beautiful antique example of a traditional box handcrafted by Berber Women in Kabylie, Algeria. The circular container is richly decorated with detailed raised filigree silver work. Decorated with an amber color cabochon on the cover top. An amazing collector’s piece due to its rarity and the beauty of its intricate workmanship. Collector collyrium kohl pot...

Remarkable 19th century watercolor on paper depicting a sunny day in french Algeria with figures, horses and a dog in the distinctive architecture. Presented under glass in a gilt wo...

Pair of Art Deco Colonial Armchairs in Carved Wood, French Algeria, Circa 1930 We are delighted to present this elegant pair of Art Deco Colonial armchairs, crafted from carved wood...

Oriental “Bonheur du jour” in carved wood, bone inlays, “Moucharabiehs” leaf late 19th century, small gaps in inlays