Irish Furniture

The molded rectangular hinged top supported over molded case opening to reveal fitted compartmental interior including two fitted spools, raised over shaped corner brackets supported...

19th Century Jardiniere with lion head masks and garland detailing decorated with blended rich red majolica glaze.

Early 20th century Edwardian four branch brass gasolier with central brass column and acanthus leaf scrolls.

19th century pair of neoclassical style giltwood rectangular girandoles. Later adapted for electricity. The frieze with carved tied ribbon and carved acanthus leaves flanked by class...

Pair of 18th century Irish mahogany side chairs on cabriole legs with carved shell on knees.

19th century figural bronze sculpture of William Shakespeare. William Shakespeare (1564-1616). Shakespeare was an English poe...

18th century George II flame mahogany miniature tallboy, the moulded top over five graduated drawers with brass pulls with integrated escutcheo...

18th century Serpentine two-door cabinet.

The Ford, by Thomas Creswick (1811-1869). Oil on canvas. Signed and dated.

19th Century Irish mahogany square footstool with tapestry top terminating on hairy paw feet. The weight and detail of the wood carving st...

Early 19th Century George III pair of mahogany knife urns. Of square form with carved blind fretwork design. The domed and finialled tops lift to reveal fitt...

The bottle holder with a carrying handle. The stand on turned and fluted legs.

Early 19th century George III mahogany wine table, the moulded top of circular form raised over turned pod with barley twist and baluster carved reeded detail supported on triform mo...

19th century giltwood convex mirror with asymmetrical carving. The convex with gadrooning and beading, surmounted with foliate and carved giltwood drapery to one side and scroll carv...

A rare example of an 18th century mahogany bureau bookcase, the whole with finely carved mouldings and a swan neck pediment above the two doors. Good flame mahogany to the doors, fal...

18th Century Irish Georgian mahogany games table featuring lift-off rectangular top. The reversible rectangular dished top with baise playing surface and sunk counter wells sits abov...

18th century George III wing chair, the straight back with outscrolled wings raised over outscrolling arms raised above hipped cabriole leg with ...

19th Century demi-lune table featuring central carved mask depicting Bacchus, the Greek god of wine, scrolled acanthus leaves and beaded detailing to apron. The piece stands on four ...

Set of three silver decanter labels, made by Yapp and Woodward, circa 1840.

18th Century George III mahogany petal tripod wine table, the circular petal top raised on turned and reeded column supported on three cabriole legs with ac...

19th Century oil on canvas animal scene of a resting dog alongside a monkey grasping a bone. Housed in a carved giltwood frame this painting is by the art...

18th century George III mahogany book/side table, the moulded shaped top above single shelf raised over single line inlaid drawer supported over Marlborough leg...

18th Century George II mahogany ladies writing bureau topped by brass pierced gallery. The sloped fall front enclosing six drawers above a shape...

Early 19th century pair of ceramic incense burners in the form of parrots perched on a stone in green glaze, circa 1800.

Early 19th century Regency neoclassical firegrate in the manner of Robert Adam. The pierced serpentine fretwork raised over square tapering leg on block foot surmounted by finials, w...

An imposing Regency statuary marble chimneypiece with a bold geometric design to the frieze and the jambs, and laurel wreath endblocks. This strikingly modern design embedded within ...

18th century George II figured Cuban mahogany bachelor chest of excellent compact proportions retaining excellent patina. The rectangular figur...

18th century mahogany pembroke table in the style of Chippendale, the shaped butterfly top with fret moulded edges raised over single drawer with brass pulls, carved bellflower and f...

Early 19th Century pair of Portland stone heads. The carved heads with carved neck ropes, depicting slaves, circa 1815.

Early 19th century Regency miniature crossbanded cabinet, the moulded top with pierced brass gallery of rectangular form raised over single frieze drawer with brass ring pulls and es...

Early 19th Century Irish Mahogany Stools, the drop in seats above rectangular frames with acantuhus leaf carved cabriole leges on ball and claw fe...

Early 19th Century Regency mahogany three tier dumbwaiter with brass gallery top, brass upright all above carved pod with four outstretched legs ...

An early 20th Century brass and glass dish light with foliage and berry design. Circa 1920.

A Georgian profile portrait of a gentleman carved from Pentalic marble. Possibly 'The Old Pretender', cousin of the Duke of Cumberland, House of Stewart.

19th century pair of brass and marble table lamps. In the form of a classical urns raised on brass plinths.

19th century, Staffordshire hen egg holder in white ceramic.

19th century three compartmental overmantle mirror. The mirror with three carved columns with detailed foliage design at the top edges.

18th century Irish occasional chair in the manner of Thomas Chippendale, the bow shaped top rail with carved acanthus leaf and bell husk flanked with scrolling acanthus and C scrolls...

18th century George II Chippendale kettle stand, the pierced galleried top raised above drawer supported four turned legs terminating on splayed feet, circa 1740.

18th century serpentine gesso and marble console table, the moulded specimen marble top raised over ornately carved frieze with centred plumed foliate motif flanked with C-scrolls an...

18th century mahogany Chippendale style carver. The back and arms fluted and centred by pierced wheat leaf shape splat, raised on square section legs

19th century mahogany stool with drop in seat raised on cabriole legs with leaf and shell carving terminating on hoof feet

Well listed Irish artist signed mixed media piece by Brian Palm. The medium is mixed media on board and it is framed as shown. The title of the piece is "Th...

An early 19th century Irish Regency carved and upholstered walnut armchair.

Cork. A Very Rare George III Wine Label Made in Cork circa 1780 by M. Mcdermott. The Wine Label is modelled in an unusual design with narrow rectangular banner below engraved for MA...

A fantastic quality copy of a mid 18th century Irish register grate in steel. The pierced, engraved fret surmounted by wrought iron bars and steel finials. The steel frame with fine ...

Beautiful hand cut crystal lamp with hand painted parchment shade. Newly wired. On a double click "low" and "high." Most beautiful color of Lilac.

Irish mahogany console with great patina.

Early-mid 18th century walnut mirror with original engraved plate glass. Provenance: Howth Castle, Co. Dublin

Early 19th century Regency burr walnut cabinet with satinwood inlay. The top four doors enclosing fitted interior both top and bottom doors are glass.

19th century William IV Fruitwood Teapoy with rectangular caddy top above lotus carved body on slender pod over finely carved base

19th Century English mahogany bottle holder in the Georgian style with six compartment each with shaped solid side and central handle.

Pair 19th century Regency era cast iron Campana-shaped petite garden urns. The pair feature Classical style design with dentil detailed rims, decorative foliate relief to the bodies, and flared masked handles on reeded round bases. Each urn sits on a four-sided raised plinth pedestal...

The connected forms comprising Blackscape, like those in Barry’s commission for the Central Bank of Ireland, are inspired by the Broighter boat, an Iron Age gold artifact...

As with her previous iterations of Artist's Hand, Niamh Barry once more shows her mastery in conveying beautiful forms of movement with polished bronze and LED. In this case the Iris...

Niamh Barry often says that her sculptures are drawings in bronze and light. Inspired by natural beauty, her work transcends utility. She strives, above all else, to achieve striking...

Niamh Barry often says that her sculptures are drawings in bronze and light. Inspired by natural beauty, her work transcends utility. She strives, above all else, to achieve strikin...

This gently swelling bench, completely finished in polished bronze (and the product of hundreds of hours of work), is totally reflective and appears to float on its three rectilinear...

Limited edition of 20. Niamh Barry often says that her sculptures are drawings in bronze and light. Inspired by natural beauty, her work transcends utility. She strives, above all e...

Niamh Barry often says that her sculptures are drawings in bronze and light. Inspired by natural beauty, her work transcends utility. She strives, above all else, to achieve striking...