Nicaraguan Furniture

A striking hand-thrown and hand-decorated ceramic bud vase by Nicaraguan master ceramicist Pedro Guerrero of San Juan de Oriente, Nicaragua, distinguished by its sculptural disc form...

A vibrant and highly symbolic contemporary Mexican folk art painting by Nicaraguan artist Ricardo Maya, celebrating Día de los Muertos (Day of the Dead) and the rich cultural traditi...

An exceptional hand-crafted studio pottery vessel by Master Ceramicist Jose Guerrero, created in collaboration with Carolina in San Juan de Oriente, Nicaragua. This sculptural red cl...

Unusual asymmetrical ceramic vase with partially rounded and partially dimpled body is decorated with carved abstract repeating geometric designs that help accentuate the complex, free-formed shape of the piece. Reserved, earthy dark caramel and chocolate brown palette lets hand carved, highly detailed, richly textured pattern to take center stage. The patterns follow the shape of the vase, hugging its curvature and guiding the eye along its lines; the base and the top of the vase are accentuated with solid chocolate brown glaze with incised concentric details. The vase is unsigned; in a separate listing we are offering a vase done in similar style and technique by Roger Calero, a renowned Nicaraguan ceramic artist. This vase could be attributed to the same artist, or it could be created by another Nicaraguan art...

Unusual round ceramic vase is decorated with carved abstract repeating geometric design. Minimal shape and reserved, earthy dark caramel , chocolate, and mocha brown palette lets ha...

A traditional Indian dance mask from the town of Monimbo, adopted by the rebels during the fight against Somoza. These were worn in order to conceal one's identity. It is a very un...

Alejandro Aróstegui “Cráter Chatarra” Mixed-Media Still Life, 1979 A monumental mixed-media still life on wood by important Nicaraguan modernist Alejandro Aróstegui, titled Cráter Chatarra, or Scrap-Metal Crater. Signed and dated “A. Aróstegui 79” at the upper left, the work retains its original Galería Tagüe label from Managua, Nicaragua. Aróstegui isolates a single piece of crushed industrial refuse against a nearly black, atmospheric background. The central object remains deliberately ambiguous: it resembles a flattened metal container or commercial satchel, while its broad central seam and divided lower sections also suggest a pair of empty breeches or trousers. Its buckled upper edge folds inward to form the dark concavity identified in the title as a crater. Red striping and the partial black letter “P” survive across the distressed surface, indicating that the source material—or the object represented—may once have been part of a painted sign, branded sack, industrial container...

Large Contemporary Painting by Efron Medina, “Bullfighting” Large impressive painting in oil on canvas by the Nicaraguan contemporary artist, Efron Medina (born 1949). He is a celeb...

**RARE** Nicaraguan Antiquities by Carl Bovallius From the Swedish Society of Anthropology and Geography, originally published in 1886, republished by the San Jose Publishing and...