Omani Furniture

19th century Middle Eastern Arabian tinned copper Dallah coffee pot. Antique decorative Arabic coffee pot hand-hammered and chased copper with riveted b...

The Shokunin Koshi Ember Bar Cabinet is a sculptural dry bar defined by layered black and charcoal veneers, warm tonal contrasts, and fine copper-overlay detailing. The interlaced Ko...

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass...

Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass finish and a ...

This antique Omani Saʿidi khanjar dates to the late 19th to early 20th century and represents a classic example of traditional Omani ceremonial daggers. The khanjar features a short,...

The Panthera Bar Cabinet is a sculptural dry bar combining hand-laid veneers, brushed nickel overlays and high-gloss lacquered finishes. Inspired by Japanese architecture and the sym...

Middle Eastern traditional Arabian brass Dallah coffee pot. Islamic Arabian Coffee pot hand-hammered and chased Moorish brass with riveted brass finish an...

The Panthera Natural Wood Tiger Marquetry Wall Art translates Patience & Gough’s Panthera pattern from textile into wood, combining hand-laid veneers, natural mother-of-pearl and hig...

Vintage Middle Eastern saddle seat lounge chair. Made of scrolled wrought iron featuring a teak chain link style sling seat, acanthus carved arms, and Fleur de lis accents. Made an...

19th century antique Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Islamic Moorish coffee pot hand-hammered and chased c...

Stunning and rare Omani tribal necklace in gold and silver featuring eight Burgau thalers dated 1780 and a large amulet box (Hirz) also in gold and silver. 19th century. Very good condition. Preserved and professionally framed. Dimensions of the necklace: 52 x 30 x 3 Dimensions of the frame: 70 x 47 x 5 Secure shipping. This fine Omani necklace of silver and gold comprises two strands of spiky, seed pod-like silver beads; gold-wrapped beads; eight silver Maria Theresa thaler coins; and a large silver and gold amulet box, with multiple chain tassels each of which finishes with a square-shaped pendant cut from sheet silver. The cigar-shaped amulet box called hirz would have contained some Koranic verse or religious text. Such a spectacular display of wealth would only have been worn at times of important festivities such as marriage celebrations. Maria Theresa thalers were made in Austria since the reign of Empress Maria Theresa of the Austro-Hungarian Empire. The Empress died in 1780 and since that time, all thalers that were subsequently struck were minted with that date regardless of the actual year that they were produced. The coins achieved such a level of trust for their silver content (which is 83.3% silver) in the Middle East that neither the design not the date was varied, and so for more than 200 years the coins were used as an international currency among the tribes and the states of the Middle East, in much the same way as the Spanish dollar was used as an international currency at the time elsewhere. The thalers were used to complete most important transactions locally and were also given as dowries. They were also an important source of silver and were melted locally for jewellery. The coins made their way to the ports of the Red Sea, Egypt and northern Africa from the ports of Genoa, Trieste, Livorno and Marseille. European traders used the coins to buy precious materials from the Gulf and northern Africa which it desired – commodities such as spices, coffee, gum Arabic, indigo, pearls, and tortoise shell. The importance and the beauty of the coins saw them incorporated into local jewellery most particularly in Oman and Yemen. References Al-Jadir, S., Arab & Islamic Silver, Stacey International, 1981. Harrigan, P., ‘Tales of a Thaler’, Saudi Aramco World, January/February 2003. Hawley, R., Omani Silver, Longman, 1978. Hawley, R., Silver: The Traditional Art of Oman, Stacey International, 2000. Rajab, J.S., Silver Jewellery of Oman, Tareq Rajab Museum, 1998. Ransom, M., Silver Treasures from the Land of Sheba: Regional Yemeni Jewelry...

Handmade reins with large colorful tassels circa 1960s. Arabian Desert Camel Oman Reins Folk Art. Camel reins in Oman are called a rubkah and khatam which is a camel neck lead with a...

Disappearing treasures of Oman: A fascinating story and Illustrated guide to recognising, buying and restoring antique bedouin artefacts. by Avelyn Fo...

19th century Middle Eastern Arabian tinned copper coffee pot. A bird on top of the handle. Hand-hammered and chased copper with figures and animal ...

The Panthera Jaspis Marquetry Wall Art translates Patience & Gough’s Panthera pattern from textile into wood, combining hand-laid veneers, natural mother-of-pearl and high-gloss lacq...

19th century Middle Eastern Arabian tinned copper Dallah coffee pot. Antique decorative Arabic coffee pot hand-hammered and chased copper with riveted br...

Middle Eastern traditional Arabian brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass finish and a very large spout....

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Coffee pot hand-hammered and chased copper with riveted brass...

19th century Middle Eastern Arabian tinned copper Dallah coffee pot. Antique decorative Arabic coffee pot hand-hammered and chased copper with riveted b...

This is a traditional brass pot from the Middle East, used for brewing and serving Arabic coffee, or "qahwa." Crafted in the 1800s, this piece reflects t...

The Panthera Totem Sculptural Pedestal was designed to blur the boundary between functional furniture and collectable art. Balancing geometric form with visual illusion, the piece br...

19th century Middle Eastern traditional Arabian tinned copper and brass Dallah coffee pot. Moorish Coffee pot hand-hammered copper with riveted brass fi...

The Panthera Opal Tiger Wall Art is a handcrafted decorative artwork combining pale blue figured sycamore with fine nickel-overlay detailing. Derived from Patience & Gough’s Panthera...

This exquisite book, "Myanmar Buddhist Imagery" by Denis Lepage, offers a comprehensive exploration of the evolution of Buddhist art in Myanmar. Spanning 491 pages, it showcases over...

The Panthera Sideboard is a sculptural marquetry cabinet designed to anchor an interior through pattern, proportion and architectural form. Wrapped in hand-laid marquetry, the sideb...

19th century Middle Eastern Arabian tinned copper coffee pot. A bird on top of the handle. Embossed, hand-hammered and chased tinned copper with figures and wild animal designs riveted finish on handle. Missing lid, probably used to make coffee, tea or boil water. Middle Eastern copper collectible...

19th century Middle Eastern traditional Arabian tinned copper Dallah coffee pot made into a table lamp. Coffee pot hand-hammered tinned copper with rive...

Middle Eastern Asian traditional Turkish ottoman copper Dallah coffee pot. Coffee pot hand-hammered and chased tinned copper with riveted brass finish a...

19th century Middle Eastern Arabian tinned copper ewer with lid. Hand-hammered and chased copper with geometric design and Arabic calligraphy writing rivet...

The Tora Coffee Table is a sculptural statement piece from the Shokunin Collection, designed around the contrast between strong architectural forms and richly figured natural materia...

The Panthera Side Table is a sculptural marquetry table balancing bold architectural form with intricate surface detailing. Designed as a side table, accent table or compact cocktail...

The Panthera Zinnia Marquetry Wall Art translates Patience & Gough’s Panthera pattern from textile into wood, using hand-laid veneers to create a richly detailed decorative artwork w...

With an amalgam of sizes and aesthetic influences ranging from art deco to Rorschach and modernist, the rugs in the Eclectic collection defy definition, asking instead to become intr...