Archaistic More Carpets

52094, vintage Turkish Oushak Prayer rug, Anatolian Prayer rug. This hand knotted wool vintage Turkish Oushak prayer rug features a stepped Mihrab prayer n...

52748 vintage Turkish Oushak Prayer rug, Anatolian Prayer rug. Immersed in Anatolian history and refined colors, this hand knotted wool vintage Turkish prayer rug combines simplicity...

51059 distressed vintage Turkish Oushak Prayer rug with Modern Rustic style, Yastik Scatter rug. From casual elegance to fresh and formal, relish the refinement as this vintage Turki...

A vintage Turkish Anatolian rug from the mid-20th century. Measures: 2' 2" x 3' 1"

A vintage Turkish flatweave Kilim accent rug handmade during the mid-20th century. Measures: 6' 3" x 9' 7".

A vintage Turkish Anatolian rug from the second half of the 20th century. Measures: 2' 11" x 6' 2"

52755, vintage Turkish Oushak rug, Anatolian Prayer rug with modern rustic cabin style. Immersed in Anatolian history and refined colors, this hand knotted wool vintage Turkish praye...

61214 antique Persian Tabriz rug, 04'08 x 06'03. With its timeless design, incredible detail and texture, this hand knotted wool antique Persian Tabriz rug is poised to impress. The ornate details and sophisticated colors woven into this piece work together creating a truly Classic look. The abrashed red field features a sixteen-point medallion surrounded by an allover floral pattern. Elaborate corner spandrels echoing the floral medallion provide a great deal of depth and interest. A Classic border and delicate incrustations creates a lavish enclosure to the formal composition. Set off with its highly decorative aesthetic and stylish levels of complexity, this decadent antique Tabriz rug is poised to impress.? Perfect for a small space, kitchen, entry, foyer, home office, bedroom, study, studio, private library, reading nook, den, walk-in closet, alcove, mudroom, intimate parlor, sitting room, or sunroom. Iconic in its styling, this antique Persian rug is well-suited for a variety of interior styles. Well-suited for a wide range of interior styles: Traditional, Jacobean, English, Manor House, Tudor, London Proper, Elizabethan, Baroque, Regency, Victorian, Medieval, Henry VIII, Hepplewhite, Neoclassical, Old World, Contemporary, Modern and Eclectic. Whether in a formal setting with elaborate furnishings or in an Ottoman style interior, this beautiful Persian rug...

A vintage Turkish Anatolian rug from the mid-20th century. Measures: 3' 11" x 7' 5"

A vintage Turkish flat-weave Kilim room size carpet handmade during the mid-20th century. Measures: 10' 7" x 13' 7" Flat-weave rugs & carpets: Knotted pile rugs are just one small part of a vast universe of textile techniques suitable for heavy use. If you can imagine it, some weaver has tried it out. Pieces can be roughly divided into those reversible from the start and those never, or at least not initially, reversible. Thus, kilims are considered reversible, while everything else is not. Kilims are tapestry woven rugs with both sides the same, in either slit technique where colors change, or with various methods of avoiding slits. Slit tapestry weave goes back to ancient times and Coptic Egyptian weavers used it for ornaments on garments and larger wall hangings. Slits can be avoided by dovetailing of colors (warp sharing) or by interlocking the wefts. The Navajo weavers of the Southwest practice the first while the fine shawl weavers of Kashmir and Kerman employed the second. Interlocking produces a one-faced fabric, with smooth and rough, ridged faces. The typical Turkish, Caucasian, or Persian rustic kilim shows slits, but never long ones. Aubusson French carpets are also slit tapestries and the long color transitions are sewn up as part of the regular maintenance. Some kilims are very fine. The best antique urban Sehna (Senna) kilims on wool, cotton or silk warps approximate the comparable rugs in refinement and are the most desirable of all Persian kilims. Although the various flatweave techniques are usually expressed in geometric, simple, often repeating, patterns, Sehna kilims demonstrate that even the most intricate designs can be effectively rendered in flat-stich. The term ‘kilim’ has been extended to cover any pileless, weft-faced heavy textile. Thus, the sectioned and joined northeastern Persian horizontally striped wool rugs are called ‘kilims’. So are the plain-weave end finishes of pile rugs. All these are weft-faced, weft patterned flatweaves. These sectioned pieces are woven not on a frame loom, but one steadied by the weaver at one end and with the warps fastened down at the other. Only relatively recent have these tribal pieces become available. They are used as floorcoverings, hangings, room dividers, furniture covers. They are mostly bitonal in shades of natural dark brown and beige. Some more recent pieces show weaver innovations with ikat and moire effects. Work proceeds quickly and a skilled weaver can complete a thirty foot strip in almost no time. Wefts, the elements added as weaving progresses, play an essential part in what is a flatweave. The best-known example of an extra-weft, wrapping technique is on Caucasian and tribal Persian Soumaks, where a pattern weft wraps around the fixed warp, changing as weaving progresses. Soumaks can be large carpets, Kuba in the Caucasus, small bag faces (Caucasian and Persian Shah Savan saddle bags), or cover scatter rugs (Persian Afshars). The Soumak technique is fast, and a weaver can work much more quickly than tying knots. The left-over wefts are cut off on the back, so the front and back are initially different. As a Soumak on the floor gets used, these weft yarns wear away and the two sides converge although the exact texture remains distinct. There are other ways of pattern by weft. Often on smaller tribal pieces, the pattern weft(s) is (are) part of the weft structure, moving in an out, and holding the whole thing together. These wefts can be complementary or added (supplementary), continuous across the flatweave or cut off as they travel unneeded across the verso. Supplementary weft flatweaves are often very compact and substantial. The nomadic Turkmen and Balouch tribes employ both supplementary and complementary weft techniques on their pieces. Supplementary wefts are often raised on the recto (front) while complementary wefts are flat to the surface. Tribal Kurds employ this extra-wefting technique. The Balouch of Pakistan use complementary wefts almost exclusively on their small woven paraphernalia like salt bags. Flatweave techniques may be combined on a single piece. Afshar rugs employ plain-weave end strips, preceded by Soumak bands, with pile sections between. The large Bakhtiari saddlebags feature Soumak work, pile “islands” an areas of plain-weave. Qashqai rugs and kilims frequently displays checkerboard end strips in continuous, complementary wefting. Another distinct flatweave type is the jajim (jijim, cecim) in which a pattern is added with colored wefts as the weaving of the plain-weave ground progresses. Here the wefts are discontinuous and the pattern stands proud from the voided ground. Often made in two pieces on narrow looms and edge-sewn together, these may have geometric patterns. The term ‘jajim’ also refers to the assembled warp-faced strip and stripe covers from the Shah Savan of northwest Persia, the pattern is defined by warps alone, usually in plain stripes, but sometimes in designs of ladders, snakes, human figures and various animals. Here the color changing warps are continuous. Most are wool, a few are silk. Better to call these something else. Indian ‘Dhurries’ are all cotton kilims and ‘shatrangis’ employ wool wefts on cotton warps. Dhurries are slitless. The cotton texture is more appropriate to the humid and warm climate of the Indian subcontinent. Modern Dhurries...

53110, vintage Anatolian Kirsehir Village Prayer rug, Turkish Pictorial rug. With its luminous warm hues and beguiling beauty, this hand knotted wool vintage Anatolian Kirsehir praye...

Peking Rug, c. 1900 Additional Information: Dimensions: 8'1" W x 9'8" L