Chaise Longue from Wood, Spring & Down Ltd.

Elegant tight back loose down seat sofa - 24 D seat depth. - 21 seat high. - 25.5 arm high.

Luxurious down filled genuine Raccoon throw pillows. The furs have been fully refreshed are in great condition and filled with 50/50 down/down feathers. Six of the backs are finished...

Luxurious down filled genuine Raccoon throw pillows. The furs have been fully refreshed are in great condition and filled with 50/50 down/down feathers. The backs are finished in a c...

A Bromwell custom, down-filled daybed with pillows. It features lightly padded wraparound supports, a removable button-tufted cushion and block feet. The piece is covered with suede-...

1950s chaise longue, mix of leather, sky and pony hair upholstery.

An incredibly beautiful antique French gilt wood chaise longue, we would date this to around the 1850-1870 period, possibly even earlier. It is of exceptional quality and is a lovel...

The chaise longue is the third piece of the collection Una (Articolo Indeterminativo) by Stefano Marolla. The name of the collection comes from the Italian grammar where the indeterminative article precedes a non-identified noun. The objects play on the ambiguity of the matter than can deceive the eye: a sturdy element like wood, hand-curved and levigated, looks like a light tapestry. The curves and the soft drapery of the wood are inspired by a long and attentive study on the usage of drapery in art’s history, going back from the ancient Greece to Bernini’s sculptures...

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...