Plywood Corner Chairs

The Velo armchair by Uultis embodies sculptural simplicity, crafted entirely from sustainably sourced teak veneer. Defined by its dynamic silhouette, the Velo features an organically...

A Chinese Hongmu corner chair, 19th century. The horseshoe-form back with molded crest above a pair of open carved splats with fruiting and fl...

Available now, this beautiful pair of Brazilian Modern armchairs are made of ebonized Pau Marfim hardwood & white leather in buttone style. The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two. For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro. This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment. Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth. In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism. A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu. Literature: • Arquitetura e Decoracao, no. 12, Jul-Aug 1955 • Tenreiro book...

This is an LCW Lounge Chair, originally designed by Charles and Ray Eames in 1948. It is an early Herman Miller example featuring the 5-2-4 screw pattern. The chair is composed of wa...

The LCM is our favorite of the Eames plywood chair designs. The metal frame gives an overall visual lightness and makes the wood seat and back appe...

DCW by Charles and Ray Eames for Herman Miller in original condition. Legs attached with 5/2/4 screw configuration. Original patina.

Iconic Charles & Ray Eames LCW lounge chair in Ash plywood. Early Herman Miller production from the fifties (5-2-5 screw configuration), just after Herman Miller took over production...

Mid-Century Modern Italian pair of faux leather and fabric little armchairs or poufs. The armchairs have been reupholstered using a vintage Rubelli fabric from seventies.  

An early LCW (Lounge Chair Wood) in Walnut veneer. Chair sold by Herman Miller, but produced by Evans Plywood in 1948-1949. The 5-2-5 screw arrangement beneath has only be used by E...

Postmodern whimsical cardboard sculptural chair from Germany 1980s in brown cardboard and reminiscent of Frank Gehry. The chair is surprisingly ergonomic and comfortable. It certainly adds playful flair and amusement to your space. Condition is good vintage condition with some minimal and acceptable signs of wear. Dimensions as follows: Depth: 22.5 in (57 cm), width: 20 in (51 cm), height: 34.25 in (87 cm), seat height: 17.3 in (44 cm). Having established his own firm in Los Angeles in 1961, Gehry saw a pile of corrugated cardboard outside his office and started to experiment. Inspired by a childhood spent exploring his grandfather’s hardware shop, Gehry set about creating the Easy Edges furniture series, highlighting the strength and versatility of cardboard. “I discovered that by alternating the direction of layers of corrugations, the finished board had enough strength to support a small car...

Charles and Ray Eames for Herman Miller Mid Century Walnut Eames Lounge Chair with Ottoman The chair measures: 33 wide x 37 deep x 34 high, with a seat height of 17.5 inches and arm...

Charles and Ray Eames for Herman Miller Mid Century Rosewood Lounge Chair and Ottoman The chair measures: 32.75 wide x 38 deep x 31.75 high, with a seat height of 16 inches and arm ...