Polyester Corner Chairs
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Material: Polyester
Colony Armchair in Black Legs, Walnut Structure, Upholstered Cushions, by Skrivo
Located in Brooklyn, NY
Colony armchair with metal base varnished is offered here in black, however, also available in white, silk grey, dusty grey, intense blue or bronze. Th...
Category
21st Century and Contemporary Italian Modern Polyester Corner Chairs
Materials
Wood
Jacobean Walnut Barley Twist Arm Chair by Kittinger 19th Century
Located in Southampton, NJ
A beautiful and solid turned walnut Jacobean Barley Twist Armchair by Kittinger Furniture Compan, circa 1890 having fresh tweed cotton/poly blend...
Category
Late 19th Century American Jacobean Antique Polyester Corner Chairs
Materials
Brass
Mula Chair in Stained Black Ash Base, Upholstery Seat, by E-GGs
Located in Brooklyn, NY
Mula chair is offered with black stained wooden ash base with seat and back in injected flame-retardant polyurethane foam upholstered in the listed fabrics. The body is packed separately from the base. The leg base finish is also available in a natural ash finish, anthracite metal or ash, black metal, and copper metal. If you are interested in one of the previously listed bases.
Formed by Gaia Giotti, Giona Scarselli and Cristina Razzanelli, E-GGS deals with design with a transversal approach, ranging between product design, interior and architecture. Attention and curiosity are captured by the discovery of the unusual in everyday life, in the search for new expressive and material languages.
Additional information:
Dimensions: Seat height 46.7 cm, overall chair height 78 cm, width of chair 57...
Category
21st Century and Contemporary Italian Modern Polyester Corner Chairs
Materials
Upholstery, Wood
Mula Chair in Black Metal Leg Base with Upholstery Seat, by E-GGs
Located in Brooklyn, NY
Mula chair is offered with iron rebar metal base, varnished in black. The seat and back are made with an injected flame-retardant polyurethane foam, upholstered in the listed fabrics. The body is packed separately from the base. Here you are shown the Mula Chair in Black Metal Base with Upholstery Seat. This item is also available in a swivel office chair option.
Formed by Gaia Giotti, Giona Scarselli and Cristina Razzanelli, E-GGS deals with design with a transversal approach, ranging between product design, interior and architecture. Attention and curiosity are captured by the discovery of the unusual in everyday life, in the search for new expressive and material languages.
Additional information:
Dimensions: Seat height 46.7 cm, overall chair height 78 cm, width of chair 57...
Category
21st Century and Contemporary Italian Modern Polyester Corner Chairs
Materials
Metal
Louise Upholstered Armchair in Beechwood Legs, by Miniforms Lab
Located in Brooklyn, NY
Here you are shown the Louise upholstered armchair with beech wood legs, and multiple upholstering options by Miniforms Lab. The Louise Armchair is also available with an ash stained...
Category
21st Century and Contemporary Italian Modern Polyester Corner Chairs
Materials
Upholstery, Beech
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The structure is composed of curved arms & feet, and were designed by Joaquim Tenreiro in the 1940’s. The wood joints are composed of delicate wood pins in Pau Marfim also, which were typically used by the artist at the time. Sold as set of two.
For the restoration process, both armchairs where dissembled to understand their condition and to restore them following Tenreiro’s technique. This is shown in the last 3 images. The set comes from a private residence in Copacabana, Rio de Janeiro.
This mid-century modern pair would look incredible in any modern, mid-century modern, boho chic or contemporary environment.
Joaquim Tenreiro (1906–1992) was among the leading furniture designers and visual artists in mid-20th century Brazil. Tenreiro was born in Melo, Gouveia Municipality, Portugal into a family of woodworkers and carpenters. In the late 1920s, he emigrated to Rio de Janeiro and began working for the firm of Laubisch & Hirth.
In the early 1940s, Tenreiro was among the first designers in the Brazilian furniture industry to adopt a European modernist vernacular. His initial efforts, including the 1942 "Poltrona Leve," met with considerable success, and in 1943 he established his own firm with factories in Rio de Janeiro and São Paulo. However, it was not until the 1950s that he began to be recognized as a master furniture designer in Brazil. His design philosophy found a great response with architects who supported modernism.
A forerunner in the use of rediscovered raw materials (like cane and jacaranda -Brazilian Roswood) as well as the creator of a new formal language in 20th-century Brazilian furniture design, he drew on the lessons of past furniture-making as a vital source, not only in the mastery of technical and constructive solutions but also in the aesthetic experience, craftsmanship, and the cultural meaning of his production. As a result, his exquisitely crafted pieces evoke a refined coexistence of traditional values and modern aesthetics, firmly bound to the Brazilian cultural milieu.
Literature:
• Arquitetura e Decoracao, no. 12, Jul-Aug 1955
• Tenreiro book...
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Materials
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