Small Pink Velvet Settee

A stunning French 1920s Louis XV style settee upholstered in a rich red velvet upholstery with a creamy painted wood frame. The brass nailhead detailing adds an extra touch of sophis...

An elegant French early 20th century small scale settee in the Napoleon III style. This French settee is a timeless piece of furniture that embodies classic elegance. Its gracious cu...

This elegant French Napoleon III style settee is upholstered in a plush floral patterned gold velvet with tassel adornments and matching bullion fringe. The beautifully curved back a...

A wonderfully proportioned small French settee from the Napoleon III period with a gracious curved back. This late 19th century settee has been stripped down to the original muslin l...

Ward Bennett Style Mid Century Green Velvet Sofa Settee This sofa measures: 61 wide x 29 deep x 30.5 inches high, with a seat height of ...

A decadently designed Italian 1950's settee with a scalloped or petal shaped form and luxuriously upholstered channeled back tufting. The settee has been fully restored and newly reu...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

Italian antique settee of the period Louis XVI. Made of fine walnut wood and velvet covering, characterized by a simple and essential but very elegant line. We recommend replacing th...