Small Pink Velvet Settee

Fantastic Mid-Century Modern settee designed by Italian architect Adriano Piazzesi for Harvey Probber, Inc. Burger bun is a whimsical kidney shaped form des...

A decadently designed Italian 1950's settee with a scalloped or petal shaped form and luxuriously upholstered channeled back tufting. The settee has been fully restored and newly reu...

Ward Bennett Style Mid Century Green Velvet Sofa Settee This sofa measures: 61 wide x 29 deep x 30.5 inches high, with a seat height of ...

Incorporating 'Stones of Bath' into this settee is inspired the pipers use of one of the five designs commissioned for their centenary, ‘The Glyders’, as loose covers for the chairs at their home Fawley bottom which John Betjeman called ‘Fawley Bum’. 'Stones of Bath' is one of five John Piper (1903-1992) designs commissioned by Arthur Sanderson & Sons in 1959 for their 1960 centenary celebrations. In 1962 Sanderson's screen printed ‘Stones of Bath’ on their Sanderlin fabric, a satinised linen which gave the design a shimmering, restless texture. This was ideally suited to the play of light depicted on the stone in the architectural repeat of buildings in the city of Bath. A piece of this fabric which is in the collection of the V&A was exhibited at the John Piper retrospective held at the Tate Gallery, London, 1983. Reference: 'Artists’ Textiles in Britain 1945-1970', Cat. No. 74. From the late 1950s-early 1960s there was interest in painterly textiles that demonstrated the unique potential of screen printing, with its ability to capture the quality of brush-stroked color. 'The monumental grandeur of many artists' textiles in the early 1960s was necessary if they were to work in the large scale architectural interiors of the era which witnessed a rapid growth in new public buildings, all which required furnishing with suitably prestigious fabrics'. Artists' Textiles in Britain 1945-1970 by Geoffrey Rayner, Richard Chamberlain...

Italian antique settee of the period Louis XVI. Made of fine walnut wood and velvet covering, characterized by a simple and essential but very elegant line. We recommend replacing th...

An opulent, cut-velvet, three seater sofa, by Italian architect & designer Toni Facella Sensi della Penna This sofa epitomises elegance, opulence and com...

Delicate seaming in diagonal shapes throughout Croix upholstered back contrast with the smooth seating. Stylish and elegant, this settee is extremely comfortable in its’ perfect fini...

A fine and delicate work of textured seaming, as if a geometric embroidery was made, makes this settee detailed and rich. An astonishing surprise, to perceive how embellished a space...

A fine and delicate work of textured seaming, as if a geometric embroidery was made, makes this settee detailed and rich. An astonishing surprise, to perceive how embellished a space...

Elegant and restrained, this loveseat is perfect for a study, entrance or a bedroom sitting area. Although the existing upholstery is serviceable, it is not the original, and as such a "face-lift" would make a huge difference. Of the late 19th century revivals, examples of Baroque revival are more sedate and less ornate that its cousin, Renaissance Revival. Crafted of solid walnut and fir with select French walnut veneers...