Pearwood Side Chairs

A pair of beautifully honey colored fruitwood Biedermeier side chairs, with gently curved rectangular backs, the top and side inlaid with banding, the splat carved with a stylized flower head, on sabre legs. Newly upholstered in black Prussian horse hair fabric...

Two french chairs Napoleon III, made circa 1880. Beech and cane in faux-bambou style. Antique, late 19th century. Sound and solid. Shipping: L42 / H 89 / P 55 cm 13 kg.

Classic upholstered Biedermeier chair. The chair dates from the Biedermeier period, circa 1815 and is newly upholstered in the traditional style with straps and springs. The chair is...

A gorgeous pair of 19th century Napoleon III opera chairs in ebonised wood, each with a wonderfully ornate spindle back and a gilded decoration of flowers and foliage on the top rail...

Matrice side chair is a steel corset compressing a velvet fleece, an organic, carnal form, compressed by a wire mesh. The interaction of two antagonistic materials reminds us of the poetry of blown glass, the bodice on the waist, the imprint left on the body by the wicker chairs. We tried to give the seat a feeling of comfort, both visually and in its use. The iconic Chesterfield sofa quickly became a reference to be summoned. Matrice is a reinterpretation, a sensitive statement of its imprint: the upholstery here is turned over like a glove, revealing the wire mesh structure. The latter forms a corset compressing the softness of the seat and backrest to give it an organic geometry. Matrice is customizable on demand (colors of steel and fabrics, other fabrics), modular in chair or multi-seater bench, and each piece is numbered. This handcrafted chair...

This hand-carved and blackened reclaimed oak chair, designed by Rooms Studio (from their 2018 Wild Minimalism collection), is inspired by the legacy of traditional Georgian craftsmanship. The Sculptural Chair is meticulously handcrafted of ancient wood, and features a diamond shape cut-out on the top rail, which is curved gently, cradling the back, with a round seat and circular cross stretcher. About the Design Studio: Works of Rooms Studio refers to the sculptural forms and abundant materials in juxtaposition with the feminine instincts. Born and raised in Tbilisi, Georgia, the duo behind the Rooms, Nata Janberidze and Keti Toloraia, lean towards preserving the inherited craftsmanship techniques unique to the region. Massive wood and stone objects are hand-crafted using traditional techniques to create raw and symbolic forms often rooted in the designers' childhood memories. Growing up in a culturally diverse environment, where the two worlds - Western and Eastern collide, remarkably influenced their design language. Over the years, Rooms has created eight independent collections and collaborations equally memorable and representative of the duo's perpetual mission to bring life to omitted elements of a former life. Through their series of works, Janberidze and Toloraia try to examine the boundaries between the public and private. Experiencing adolescent years in the 90s - a significant decade of cultural and societal shifts - their work is a narrative of personal experiences of womanhood. By contrasting the new feminine monumental shapes with architectural brutality, Rooms challenges the status quo and also bridges the conventional and contemporary design with a confluence of female energy. The work of Rooms Studio has concerned itself with questions of nomenclature since the Tbilisi-based design atelier was co-founded by Nata Janberidze and Keti Toloraia in 2007. Take, for instance, the studio’s name: in adopting the basic unit of interior space as the title of their practice, Janberidze and Toloraia also emphasized the emotional force of interiority and inner life in determining their creative output. The studio’s largest U.S. exhibition to date, "Distant Symphony," expands upon this impulse to focus inward. The title is again a chief concern—some of the objects included here were designed during the global pandemic, under a regime of forced isolation that made the studio’s typically collective work process untenable. The pieces shown here are the results of Rooms’ search for a way forward. The first room, an antechamber of sorts, evokes the intimate quality of a private home. Shown here are trinkets and personal effects chosen by Janberidze and Toloraia for their emotive qualities; a low background noise emphasizes the climate of urban domesticity. The ensuing gallery space features highlights of Rooms’ recent design output. Here, the subtle scent of organic materials provides a sensory indication of the atelier’s interest in dichotomies: natural and man-made, personal and collective, local and cosmopolitan.   In light of the global circumstances, Janberidze and Toloraia felt it was especially important to pursue collaborative work. Rooms invited three artists—Shotiko Aptsiauri, Salome Chigalashvili and Mariana Chkonia—to conduct a dialogue and shared design process. As such, this exhibition is a kind of polyphonic meditation on a need for solitude and desire for companionship. The practice of polyphonic singing, essential to Georgian folk culture, is reinterpreted here as a design endeavor. Chigilashvili, working with unprocessed yarn, interpreted folk motifs by adapting embroidery to the scale of furniture with expansive stitches applied to painted boards...

Set of 4 Biedermeier chairs with upholstered seat, around 1820, Germany, so called shovel chairs, solid walnut, newly upholstered and covered, horsehair cover, restored condition, sh...

A fine pair of antique hall chairs with carved relief decoration on the backs of a heraldic lion on top of a castle turret, likely English....

A chair from the time of the Biedermeier, circa 1830. The chair is made of solid walnut. The chair is newly upholstered. In very good restored condition. The surface is semi-glossy ...

Chair in turned and blackened wood, the back with columns and the front legs as well as the spacer decorated with golden branches. Cane seat. French work from the Napoleon III period...

Set of four 19th century French Louis XV giltwood chairs is a wonderful find, indeed! The gracious, naturalistic form of the Rococo style so favored by King Louis XV has been aptly expressed in exquisite giltwood, with an arched seatback crowned with an heraldic crest flanked by floral and foliate sprays. The seat framework is comprised of a subtly undulating apron enhanced with shell and foliates, repeated on the scrolled legs. Silk damask upholstery is serviceable but should be replaced. As of this writing, the original matching table, pair of canapes...

Nice pair of Napoleon III style chairs. The structure of this chair is made of blackened wood. The uprights are made of turned wood. The seat ...