Bronze Slipper Chairs

An impeccably upholstered diminutive Slipper Chair on four legs and apron to conceal with trim bands to the base. The upholstered chair with rolled and tufted seat back. Dimensions:...

A pair of rattan and black-lacquered iron slipper lounge chairs designed by Maurizio Tempestini and produced by Salterini, Italy, 1950s. Stamped "Made in Italy". Seat height: 12.65”

Of typical form, raised on legs ending in casters.

Spanish neo-classical high-back auxiliary chair designed by Pierre Lottier for Almazan, 1950s. Oak wood structure with curved and harmonious lines where the reddish-brown leather ba...

Classic pair of Slipper Chairs designed by Billy Baldwin manufactured by Sherrill Furniture. Exceptionally well maintained ready for use. Seats: 19" H.

One mid-century modern armless lounge chair designed by Jens Risom for Knoll originally in 1946. This early design has a hard maple frame with new linen upholstery.

Sleek Black Leather and Chrome Lounge Chair, designed by Nicos Zographos, American, circa 1960s. Similar in design to the Barcelona Chair by Mies van der Rohe for Knoll, but much mor...

The Paris based label has distinguished themselves since their launch, with their iconic use of shagreen mixed with brass and other exotic materials. All furniture is handcrafted by ...

A pair of slipper chairs with upholstered seats, backs, and skirts in a striped fabric of yellow, green, and lavender tones. Each chair has a low rectangular back within a painted fr...

Beautiful and elegant Danish slipper chair dating from the 1940s, showcasing the refined craftsmanship and organic design language characteristic of mid-century Scandinavian furnitur...

Florence Knoll for Knoll International, lounge chair, model '51', teak, fabric, United States, 1955 This slipper chair model 51 is designed by Florence Knoll. The teak frame of the chair is sleek in form. The angled seat is placed upon the squared-off frame. Maximum seating comfort is ensured by the wide seat and tilted backrest. Florence Knoll (1917-) was trained as an architect and had a sense of style from a very young age. In 1936 she met Alvar Aalto and was trained by Marcel Breuer, Walter Gropius and Mies van der Rohe. This meant that although she was barely out of her teens, she was educated by the best of the European modernists. When she arrived in New York Knoll worked on interior projects (being the only female) which is how she came to know Hans Knoll. When Florence joined Knoll, the planning unit started. Florence also made sure that the designs where more 'American Modernist' instead of Scandinavian, When Hans Knoll died she...

Our Foot Stool came about as a reimagining of our Foot Vessel planter design. The feet have been transformed into bronze, adding textured upholstery to enhance its visual appeal. The...