Round Chaise

Made to work from every viewpoint, this wonderfully comfortable chaise combines maple burl with soft lines. Materials: Maple Burl, Boucle Dimensions: W – 24?, H – 40?, D – 71-3...

The custom made contemporary chaise lounge in the style of Juan Pablo Molyneux with an open side is upholstered with burgundy colored cotton velvet fabric and edged with a white and ...

Chaise longue sofa great rest with solid wood structure, upholstered and covered with grey velvet fabric (Cat B.). Cushion in option. Available ...

Chloe chaise sofa by Domkapa Materials: Bouclé (Columbia Taupe), black ash. Dimensions: W 350 x D 180 x H 75.5 cm. Also available in different materia...

Copacabana chaise right by Domkapa Materials: Black texturized steel, bamboo wood, fabric (Rhine Ice). Dimensions: W 165 x D 105 x H 75 cm. Also available in different materials. ...

Copacabana chaise left by Domkapa Materials: black texturized steel, bamboo wood, fabric (Rhine Ice). Dimensions: W 165 x D 105 x H 75 cm. Also available in different materials. ...

Taís Chaise sofa by Domkapa Materials: Natural leather (Desna Polvere), polished stainless steel. Dimensions: W 321 x D 185 x H 88 cm. Also available ...

Ambassador chaise longue by Gisbert Pöppler Dimensions: H62 (SH40) x W226 x D89 cm Materials: Coil springs upholstered with padding and down, forged steel feet Couched in the tr...

Edward Wormley for Dunbar chaise longue sofa.

Russian designer Maxim Scherbakov‘s new exhibition at Rome’s Contemporary Cluster gallery, he pushes that idea to the extreme: What if design could be all about emotion, and little else? His barely functional pieces, and his general conceit, feel uncomfortable at first — we’re not sure we want to live in a world where design is purely an aesthetic indulgence — but in an era when furniture is increasingly difficult to distinguish from art, it does feel in some ways like we already are. And the ornate backdrop of the gallery’s home, the 14th-century Palazzo Brancaccio, serves as a potent reminder that it’s possible we always have. Maxim Scherbakov, who works under the studio name Supaform, says that he developed the new collection “as a result of a careful visual search for the frontiers of comfort,” seeking to celebrate “beauty for no reason,” he says. His floor lamp has no bulb, his coffee table is too bumpy to hold a glass upright, and his desk has trick drawers and a gap in the middle where its writing surface should be. Yet his various seating elements look no less functional than, say, Rick Owens’s, and Scherbakov has a compelling raison d’etre: Also a longtime painter, he pulled all of the works directly from his canvases, making them a literal elision of the two-dimensional realm and the three. If he can celebrate fantasy and feeling in one of them, he wondered, then why not the other? This wooden sofa is a part of the 'Hidden Entourage...