German Buffets

Elegant small Biedermeier half cabinet from Southern Germany, circa 1830. The charming piece is veneered in richly grained walnut on a solid spruce body, displaying the warm tones an...

Art deco bar cabinet with glass tray. Professionally stained and repolished.

Clean Lined Art Deco Bookcase, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. Part of Rohde's modular East Indian Laurel Group. This piece is currently being ref...

Clean Lined Art Deco Cabinet, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. This is from Rohde's Modular East Indian Laurel Line of furniture, which was Herman ...

This fine Biedermeier chest of drawers was crafted in Southern Germany around 1830 and is distinguished by its richly figured walnut veneer with beautiful book-matched grain. The fro...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Style:19th century Biedermeier Period:1830-1839 Origin:Germany Measures: Height:214 cm / 84.25" Width:178 cm / 70.08" Depth:53 cm / 20.87".

The buffet is mobile and can be driven in the wall unit. The bar has a beautiful copper countertop installed. The cabinets of the wall unit is equipp...

An elegant Biedermeier commode crafted in Germany circa 1830–1840, veneered in beautifully figured cherrywood. The front showcases a striking, symmetrical grain pattern with rich fla...

A Fine French Art Deco rosewood marquetry and mahogany bar with a pull-out mirrored tablet and brass details.

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...

This stunning Biedermeier secretary desk is an authentic antique piece crafted from walnut wood, both inside and out. Dating back to the early 19th century, this masterpiece showcase...