Paldao Cabinets

Rare Antique Edwardian filing cabinet secretary desk / console / music stand. Made of mahogany featuring a unique stacked design with upper secretary and lower filing cabinets. Pat...

Pennsylvania House Executive Solid Cherry Filing Cabinets with keys, Pair 1970s Very good condition Measures 18"W x 28"D x 22"H W1053122.  

1930s Art Deco Brazilian rosewood chest designed by Gilbert Rohde. Amazing quality and design, slightly bowed front design, five drawers behin...

Clean Lined Art Deco Bookcase, designed by Gilbert Rohde for Herman Miller, American, circa 1930s. Part of Rohde's modular East Indian Laurel Group. This piece is currently being ref...

Midcentury style walnut cabinet with off white storage doors and drawers. (Please confirm item location - NY or NJ - with dealer)..   

Gilbert Rohde for Herman Miller Open Display or Bookshelf. Newly refinished and ready to go! Perfect for your amazing collection! Pe...

Rare small cabinet designed by Jens Risom. Produced by Gutenberghus in Denmark. Large desk is also available.

An exceptional midcentury walnut file cabinet/credenza by iconic designer Jens Risom, circa 1960s, manufactured in the USA. This absolutely stunning piece features gorgeous walnut, s...

Chic pair of streamline Art Moderne dressers designed by Gilbert Rohde, for Herman Miller c 1936. The dressers feature opposing right and left c...

Three drawer mid-century style file cabinet with teak grain wood veneer. Metal gliding rails, finished back and wood handles. The drawers measure 9.25"h...

Art Deco drop front secretary in the manner of Jean Pascaud. Made in France, circa 1935. Sycamore with a giltwood base, mahogany interior...

Gilbert Rohde designed this chest for Herman Miller as part of his 1941 Paldao Line of streamline modernist and modular furniture in exotic veneer. This is model no. 4103, two-door cabinet with distinctively incised large round pulls, interior fitted with two adjustable shelves behind the left door and five pull-out drawers behind the right door, fronts finished in black enamel. The case top and sides are Paldao wood; the doors are in highly figured burl Acacia. The finish is called "Beaver" which is natural color, no stain, satin varnish. The back is numbered "4130." All of Rohde's designs for Herman Miller are marked with a 4-digit number; the first two numbers indicate the year, and the second two numbers indicate the individual piece. Newly refinished and ready to place in your home. The Herman Miller Furniture Company was devoted to manufacturing period reproduction furniture until Pioneer industrial designer Gilbert Rohde walked into their Grand Rapids showroom in 1930. A devout modernist, Rohde convinced D.J. De Pree to focus on modern furniture throughout the 1930s, and to produce exclusively modern furniture by the time Rohde died in 1944. Work by the pioneering American industrial and furniture designer, Gilbert Rohde, is notable for its thoroughly modern, informal, and multifunctional qualities. Rohde’s ability to create appealing modernist furnishings for middle-class homes, while also devising merchandising strategies to sell these goods, places him within a unique framework in American design history. Born and raised in New York, Rohde was the son of a cabinetmaker. He attended New York City public schools and his post-high school education included courses at the Art Students League and the Grand Central School of Art. Rohde’s visit to Europe in the spring and summer of 1927 (with later trips in 1931 and 1937) to see the Bauhaus in Dessau and the French modernist design that debuted in the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris, profoundly inspired his concept of design and the role it should play in daily life. The French Art Deco and German rationalist styles he saw in Europe influenced the furniture he designed from the late 1920s into the 1940s, pieces he created to suit a rapidly changing American lifestyle. In addition to his work for Herman Miller Inc., Rohde also designed for several other furniture firms, including Thonet, Troy Sunshade, and Heywood-Wakefield. What set Rohde apart from his contemporaries was his all-encompassing understanding of the furniture industry, from design and production to marketing and showroom display.[1] During his time with Herman Miller Inc. (1932-1944), Rohde set the standard for collaborative efforts between designers and furniture firms, with George Nelson and Charles and Ray Eames later...