Belgian Black Marble Center Tables

A visually striking Empire style bronze mounted mahogany guéridon centre table with spectacular round exhibition style specimen marble top with central inlaid chessboard. Featuring ...

A stunning vintage Italian Empire Grand Tour style specimen marble 'pietra dura' table. Topped with a spectacular exhibition quality round specimen marble slab, featuring a large va...

This fascinating 19th century table, created in the style of ancient Egypt, is an outstanding example of the Egyptomania of the time. Made between 1867 and 1870, the table impresses with its elaborately carved, gilded and polychrome-painted surface. The table top is made of original black Belgian marble, which gives the piece a noble appearance. This table was a central component of the exhibition Egyptomania: Egypt in European Art 1730-1930, a groundbreaking show that was shown in 1994 at the Musée du Louvre in Paris, the National Gallery of Canada in Ottawa and the Kunsthistorisches Museum in Vienna. The exhibition illuminated the profound fascination that Ancient Egypt exerted on European art, architecture and design from the 18th to the early 20th century. A piece of history The table was originally commissioned for Khedive Ismail Pasha...

An amazing Regency period gilt and ebonised centre table with a specimen marble and micro-mosaic top. The wonderful top is built up out of a plethora of different marbles and stones all mosaiqüed together and banded by a border made of 44 different marble specimens, including samples of lapis lazuli, red and green porphyry, several types of onyx, jasper, breccia and many others. In the centre of the top sits a micro-mosaic panel depicting in detail the ruins of the Roman forum bordered by a slate and malachite band. The top sits on a wonderful anthemion decorated frieze on a fluted column and tripartite base decorated with a greek key finished on scroll feet. The wonderful base still retains its original decoration. Depicted within the micro-mosaic from left to right Displayed on the left The Arch of...

One of the most important early nineteenth century specimen hardstone table tops ever created, with 373 specimens, mounted on a beautifully designed and constructed base by Gillow. ...

Beautiful wood and brass side table designed by Osvaldo Borsani for Tecno. The coffee table has a round curved plywood top, brass frame reaching to a black marble base from Belgium. ...

A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...

Black cube shape marble base brass stretchers square glass top coffee table. Cantilever design base Italian coffee table.

Exceptional vintage Italian Pietra Dura Sienna marble table supported by a squared base. The inlaid geometric patterned top is decorated with vario...

Table or pedestal table with a mosaic top, iron base, all made in the old fashioned way, in an antique way, the mosaics are highlighted, unique piece. The outline of the mosaic tray...

A stunning and extremely high quality Italian 19th century Neo-Classical st. ormolu and black Belgian marble center table. The rectangular shaped table is raised by handsome square t...