Classical Italian Pietra Dura Stone Mosaic Round Table Top

Round Italian geometric pietre dure technique handmade mosaic table top with different marble and semiprecious stones.  

Classical Baroque 1990s Spanish handcrafted Pietra Dura mosaic inlay round white marble table top with lapis lazuli and an assortment of c...

Handcrafted 1990s Spanish Pietra Dura mosaic inlay white marble table top with lapis lazuli and an assortment of coloured marbles. Decorated with elaborate still life and classical Roman women scenes.

Classical Baroque 1990s Spanish handcrafted Pietra Dura mosaic inlay round white marble table top with lapis lazuli and an assortment of c...

The circular top decorated with various specimen marbles including Rosso antico, serpentino, Giallo antico, Palombino, Malachite , Granito, Carrara .. ecc. Masterpiece of Italian cr...

Pietra dura table platter in Classicist style. Colored inlaid mosaic pattern in facet shape with in itself tapered optic towards the middle. Inlaid with highly valuable semi preciou...

The circular top decorated with various specimen marbles including Rosso antico, serpentino, Giallo antico, Palombino, Malachite , Granito, Carrara .. ecc. Masterpiece of Italian c...

Circular tabletop in marbles and hard stones. Inspired by Italian models of the XVI-XVII centuries. In the centre of the board, surrounded by a garland of flowers, has been placed a pearl necklace with a bow. Around this element, four vases with birds perched on interspersed branches and, more towards the outside, a band with vegetal scrolls are presented. They frame this area with simplified scrolls and one with others more worked and interspersed with avenerated forms and heraldic shields, and posed birds. The fleur-de-lis on the edge clearly shows the influence of Gobelino's works on this board. The French workshop was created with the aim of making this type of inlay for the court of this country, and is the heir of the native centre of the "hard stone work": the Florence of Piero de Medici and Lorenzo the Magnificent, who wanted to revive a Roman technique called mosaic "opus sectile". It is also necessary to mention the Royal Workshop of Naples and the one created by Carlos III in the Real Sitio of El Buen Retiro in Madrid, which closed at the beginning of the 19th century. After 1600 the primacy of decoration that appeared in the fifteenth century is clear, and elements such as birds, butterflies and pearl necklaces were added over time. The present example inherits all this tradition: compare with the table realized by Francesco Ghinghi in the Real Laboratory Delle Piedre Dure of Naples (number of catalog O00511) and the board (O00466) of towards half-full of century XVIII, both in the Museum of the Prado from Madrid, those preserved in the Museo Opificio delle Pietre Dure in Florence (especially works such as the panel made as a model for a table by Jacopo LIgozzi...