Faux Leather Center Tables
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Material: Faux Leather
A Victorian Walnut Center Library Table / Partners Desk, C. 1885.
Located in Philadelphia, PA
In the Renaissance Revival style, this substantial desk features a shaped, molded top with an inset faux leather writing surface, over two drawers on each side. The piece rests on ca...
Category
Late 19th Century American Renaissance Revival Antique Faux Leather Center Tables
Materials
Faux Leather, Walnut
Gilbert Rohde Art Deco Dining Table for the Herman Miller Paldao Series
Located in Dallas, TX
Uncommonly seen 1940s dining / entry table designed by Gilbert Rohde for Herman Miller. The table has a beautiful marquetry design inlaid into the top and is accompanied by one leaf....
Category
Early 20th Century Art Deco Faux Leather Center Tables
Materials
Faux Leather, Mahogany
Chrome Plated Metal and Smoked Glass Trifoglio Table by S. Asti for Poltronova
Located in Varese, Lombardia
This table was produced in Italy by Poltronova in 1969. It is made from a chrome plated base with a shaped thick feet and a black skai top cover, it features a round smoke glass top....
Category
1960s Italian Space Age Vintage Faux Leather Center Tables
Materials
Metal, Chrome
$1,569 Sale Price
21% Off
Mid-Century Modern Italian Umberto Mascagni Green and Black Round Table, 1960s
Located in Prato, IT
Mid-Century Modern Italian six legs green and black round table by Umberto Mascagni.
The top of the table is in faux leather covered with glass and comes with its protective green c...
Category
1960s Italian Mid-Century Modern Vintage Faux Leather Center Tables
Materials
Brass
Solid Bronze and Faux Shagreen Center Table in the Style of Maison Bagues
Located in Los Angeles, CA
Center table with metallic faux shagreen top and solid bronze legs. In the style of Maison Bagues.
Category
1980s French Modern Vintage Faux Leather Center Tables
Materials
Bronze
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Sergio Asti for Poltronova 'Zelda' Coffee Table in Walnut
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Sergio Asti for Poltronova, 'Zelda' coffee table, walnut plywood, Italy, 1962.
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Nightstand by Gilbert Rohde for Herman Miller
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