Malachite Center Tables

A visually striking Empire style bronze mounted mahogany guéridon centre table with spectacular round exhibition style specimen marble top with central inlaid chessboard. Featuring ...

An impressive empire style malachite and ormolu center table after the imperial model by Francois Honore Georges Jacob-Desmalter, 1770-1841. "AUX CARIATIDES", Empire style round m...

Monumental Cactus Table In Malachite Lalique Style MAGNIFICENT 20TH CENTURY MALACHITE TABLE POSSIBLY FRENCH OR ITALIAN MADE ON ORDER. THE BASE IS MADE OF GILDED BRONZE IN THE SHAPE ...

Large Empire-style ormolu and malachite centre table French, 20th Century Height 85cm, width 165.5cm, depth 85.5cm This superb centre table pairs vibrant malachite with classical o...

A large French Empire style gilt-bronze and malachite centre table. French, 20th century. Height: 85cm, width: 160cm, depth: 79cm This superb table, a grand and highly impressiv...

Russian malachite and silver table by Imperial silversmiths the Grachev Brothers Russian, 1884 Measures: Height 85cm, width 113cm, depth 63cm This beautiful silver table was man...

A large and impressive Empire style Gilt Bronze & Malachite center table. The table features a circular top, which has been beautifully inlaid with malachite and edged with gilt bron...

A Grand Tour Centre Table The Top Attributed to Cesare Roccheggiani The carved gilt wood base in the manner of George Smith having four monopedia supports, each depicting leopards heads atop, with paw feet below, and conjoined by an incurved stretcher base having carved stiff leaf decoration, and raised on castors; the circular platform of marmoro nero, with a stylised Greek Key border within double Malachite reserves; the central micromosaic roundel depicts The Vatican from St Peter's Square, surrounded by eight separate roundels of The Pantheon of the Gods; the smallest of Rome's seven hills, the Capitoline; The Mauseoleum of Hadrian on the Tiber; The Roman Forum, with the remnants of the Temple of Vespasian; The Colosseum; the Temple of Vesta; The Arch of Titus, and the Tomb of Cecilia Metella. English / Italian, Circa 1875 The attribution to Cesare Roccheggiani is supported by Jeanette Hanisee Gabriel, former curator of the Gilbert Collection and Honorary Curator for the Gilbert Collection at the Victoria & Albert Museum. Provenance: From a Noble family, the 6th Earl of Macclesfield (1811-1896) then by descent. The base is similar in design to designs published by George Smith's A Collection of Designs for Household Furniture and Interior Decoration, 1808. The taste for monopedia supports was of fashion, in the Regency period and models of such were displayed in the 1851 Great Exhibition. The Macclesfield coat of arms depicts a shield with a central chevron and three leopard's faces. Views of Roman monuments was the most popular theme used by mosaicists in Rome in the beginning of the 19th century, supplying the flow of wealthy Grand tourists from Northern Europe. From small gold boxes...

Round center table in Neoclassical style with a stunning malachite veneer tabletop. The base is made in silvered and gilt bronze, with four caryatids on claw feet bases, supporting a...

An Impressive 'Grand Tour' Specimen Marble Top Centre Table The base attributed to William Trotter of Edinburgh Constructed in a finely patinated mahogany, with a Florentine Pietra ...

This incredible, unique, elegant and exquisite dining table. Tiger's eye has been meticulously cut into small pieces, then pieced together to create an intricate pattern.  There's a ...

Elegant mid-20th-century malachite pedestal featuring a solid steel base with gilded bronze accents. The rich green malachite surface displays natural veining, characteristic of high...

A beautifully restored and reimagined center table by Anthony Redmile. This table is signed on the base. This table has all the exotic features a Redmile piece has. A stylish table...

For your consideration, a square table by Pepe Mendoza Solid Brass with Malachite Sun Sculpture Patinated Solid Brass Faux Bamboo. Wood Tabletop with Beveled edges. Tabletop and bas...

An amazing Regency period gilt and ebonised centre table with a specimen marble and micro-mosaic top. The wonderful top is built up out of a plethora of different marbles and stones all mosaiqüed together and banded by a border made of 44 different marble specimens, including samples of lapis lazuli, red and green porphyry, several types of onyx, jasper, breccia and many others. In the centre of the top sits a micro-mosaic panel depicting in detail the ruins of the Roman forum bordered by a slate and malachite band. The top sits on a wonderful anthemion decorated frieze on a fluted column and tripartite base decorated with a greek key finished on scroll feet. The wonderful base still retains its original decoration. Depicted within the micro-mosaic from left to right Displayed on the left The Arch of...

A gilt-bronze and malachite Empire-style 'Aux Caryatides' centre table after Desmalter French, 20th Century Height: 82cm, diameter: 109cm This ma...

French Empire style ormolu mounted malachite centre table French, 20th Century Height 77cm, diameter 100cm Wonderfully crafted from a selection of high quality materials, this Fren...

One of the most important early nineteenth century specimen hardstone table tops ever created, with 373 specimens, mounted on a beautifully designed and constructed base by Gillow. ...

This remarkable rosewood centre table attributed to legendary firm Gillows showcases masterful craftsmanship and stunningly rare hardstone specimens. The table's base is ornately crafted, complete with lion's paw feet, emphasizing the quality of the wood. The most impressive element of this beautiful piece of furniture, however, is the exquisite inlaid table top. Featuring eighteen semi-precious and hardstone specimens artfully arranged in alternating geometric shapes, rare stones like gem quality Lapis Lazuli, Egyptian porphyry and Siberian amethyst dazzle the eye. Other stones and specimens inlaid in square, circle and hexagon shapes include pyrite lapis lazuli, malachite, green aventurine, agate of amethyst, greek spartan porphyry, labradorite, fossilized wood, occhio di pavone, brèche verte d'égypte, sicilian jaspers, blood stone, spanish brocatelle, siena brocatelle, convent siena and nero antico. The sheer variety and superb quality of these features is an overwhelming visual delight and a triumph of craftsmanship. Hardstone pieces such as this were popular among the British aristocracy...

A rare grand tour table Possibly by Cesare Roccheggiani The circular platform of marmore nero, inset with fine micromosaic panels consisting of thousands of coloured glass tesserae; a central roundel depicting The Vatican from St Peter's Square within a malachite border, surrounded by a border including four cartouches in polychrome reserves of Roman views including the Coliseum, the Roman Forum, with the remnants of the Temple of Vespasian; the Temple of Vesta, and the Pantheon, all interspersed and linked by voluminous bouquets of fruit and flowers representing the 4 seasons; the outer stylised border inlaid with deep blue tesserae evocative of exotic Lapis Lazuli. Supported on a finely carved Italian giltwood base, its design incorporating baskets of fruit and floral garlands echoing the 4 seasons theme of the table. Italian, Circa 1875 Other table tops inspired by this design, although not as finely executed, can be found in several Russian collections (which house the greatest micromosaics) including Vorontsov Palace, Muranovo House, as well as the imperial State Hermitage Museum. A tabletop with profuse floral micromosaic work was commissioned by the Belgian Royal family (sold Sotheby's, 2003). The floral garlands, the magnificent quality of the inlay and the use of distinct curved tesserae support the present attribution to Cesare Roccheggiani. According to Jeanette Hanisee Gabriel, the world expert on micro mosaics, curved tesserae pieces were used in foliage, grass and animal fur by only the very best mosaicists such as Roccheggiani. Evidence of curved pieces, for instance, is observed in the foreground of the Temple of Vesta cartouche, to name but one observation of the master's hand. The scion of a dynasty of mosaicists, Roccheggiani was perhaps the most successful mosaicist in the last quarter of the nineteenth century. He is doubtless related to Lorenzo Roccheggiani, a late eighteenth-century master mosaicist at the Vatican, whose work included the altarpiece, Crucifixion of St. Peter after Guido Reni. Nicolo Roccheggiani, possibly Lorenzo's son, was also a principle artist at the Vatican, involved in executing the famous tabletop Achilles Shield...

Empire Style Gilt Bronze Mounted Malachite Commode Late 19th Century.The shaped malachite veneered top above a conforming case, fitted with two drawers flanked by cabinet doors, on ...

Transform your space with this beautifully one of a kind jasper round table, hand crafted from top-quality, natural Jasper and Agate. This stunning piece brings an organic element in...

A French Ormolu bronze malachite and white marble Gueridon table, in the Empire style, circa 1870 The circular top supported on three bronze winged female...