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Material: Cherry
French 19th Century Walnut, Cherry and Mahogany Tray Top Table with Marquetry
Located in Atlanta, GA
A French walnut, mahogany and cherry tray top table from the 19th century with diamond marquetry and trestle base. Created in France during the 19th century, this exquisite small tra...
Category
19th Century French Antique Cherry Tray Tables
Materials
Cherry, Mahogany, Walnut
Italian trolley bar from fifties
Located in bari, IT
1950s brass and wood liquor bottle holder trolley, glass shelves, mid-1950s Italian production
Category
1950s Italian Mid-Century Modern Vintage Cherry Tray Tables
Materials
Brass
Pair of Louis XVI Faience Tray Tables with Hand-Painted Floral Decorations
Located in Kastrup, DK
A rare pair of elegant Louis XVI faience tray tables, crafted by Hannover-Münden circa 1780.
The tables feature original hand-painted faience trays with high, profiled edges.
One tra...
Category
Late 18th Century French Louis XVI Antique Cherry Tray Tables
Materials
Faience, Cherry
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This is a truly exceptional antique English Edwardian mahogany and satinwood marquetry oval two tier 'etagere', in the manner of Edwards & Roberts, circa 1890 in date.
Crafted from the best flame mahogany, note the wonderful grain to the wood and the beautifully inlaid decoration with musical trophies within scrolling foliage and kingwood crossbanding.
Masterfully inlaid with Sheraton influences, this etagere has an elegant refined look.
The removable glass bottomed tray can be used to serve drinks, etc.
It is raised on elegant square section tapering outswept legs with a shaped cross stretcher.
The craftsmanship and finish are second to none.
THE BOTANICAL NAME FOR THE MAHOGANY THIS ITEM IS MADE OF IS SWIETENIA MACROPHYLLA AND THIS TYPE OF MAHOGANY IS NOT SUBJECT TO CITES REGULATION.
Condition:
In excellent condition having been beautifully cleaned and waxed in our workshops, please see photos for confirmation.
Dimensions in cm:
Height 84 x Width 89 x Depth 55
Dimensions in inches:
Height 33.1 x Width 35.0 x Depth 21.7
Edwards & Roberts
was founded in 1845, and had premises at 21 Wardour Street London. By the 1892 they occupied more than a dozen buildings in Wardour Street, where they continued to trade until the end of the century.
They became one of the leading London cabinet makers and retailers working in a variety of styles, both modern and revivalist. Their business also involved retailing, adapting and restoring the finest antique furniture and there are many examples of their earlier furniture with later embellishments bearing their stamp.
Edwards & Roberts specialised in marquetry, inlay and ormolu.
Marquetry is decorative artistry where pieces of material (such as wood, pewter, or brass silver) of different colours are inserted into surface wood veneer to form intricate patterns such as scrolls or flowers.
The technique of veneered marquetry had its inspiration in 16th century Florence. Marquetry elaborated upon Florentine techniques of inlaying solid marble slabs with designs formed of fitted marbles, jaspers and semi-precious stones. This work, called opere di commessi, has medieval parallels in Central Italian "Cosmati"-work of inlaid marble floors, altars and columns. The technique is known in English as pietra dura, for the "hardstones" used: onyx, jasper, cornelian, lapis lazuli and colored marbles. In Florence, the Chapel of the Medici at San Lorenzo is completely covered in a colored marble facing using this demanding jig-sawn technique.
Techniques of wood marquetry were developed in Antwerp and other Flemish centers of luxury cabinet-making during the early 16th century. The craft was imported full-blown to France after the mid-seventeenth century, to create furniture of unprecedented luxury being made at the royal manufactory of the Gobelins, charged with providing furnishings to decorate Versailles and the other royal residences of Louis XIV. Early masters of French marquetry were the Fleming Pierre Golle and his son-in-law, André-Charles Boulle, who founded a dynasty of royal and Parisian cabinet-makers (ébénistes) and gave his name to a technique of marquetry employing brass with pewter in arabesque or intricately foliate designs.
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