British Photography

A wonderful image of an airplane pilot. Silver gelatin print. On card Photogapher and sitter both unknown Unframed Free shipping.  

'PANORAMIC VIEW', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with burgundy undercoat, the glazing is clarit...

'LIEBE IM SCHNEE', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clarity+ premium synthetic glass. Black & white alpine photos are the perfect addition to any home or ski lodge, so please do check out our other ski photos...

Vintage Ski Photography, antique Alpine Ski photograph. 'OPPS!', a new mounted black and white photographic image after an original 1930s skiing...

'A COURAGEOUS JUMP', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clarity+ premium synthetic glass. Black & white alpine photos are the perfect addition to any home or ski lodge, so please do check out our other ski photos...

Vintage style ski photography, framed Alpine ski photograph, Matterhorn & Skiers. 'MATTERHORN & SKIERS', a modern framed and mounted bla...

This Item is not mounted. Vintage Ski photography, antique Alpine Ski photograph. 'A COURAGEOUS JUMP', a new mounted black and white photograph...

Vintage style photography, framed alpine ski photograph, Opps!. 'OPPS!', a modern framed and mounted black and white photographic image after an original 1930s skiing photograph. Th...

'DESCENT IN POWDER', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with burgundy undercoat, the glazing is clarity+ premium synthetic glass. Black & white alpine photos are the perfect addition to any home or ski lodge, so please do check out our other ski photos...

MICHAEL ROBERTS (1947-2023) PLEASE NOTE: This photograph is a one of a kind original photograph. Every photograph in the show was available to purchase, and only one of each was printed. This large black and white hand printed silver gelatin photograph of "Michel Nude" by the legendary fashion icon, Michael Roberts, London. This image was part of a Michael Roberts show in 1989 at Hamilton's gallery, London. Signed on back. Black metal simple frame. Image: 15" x 19", framed: 22' x 26". This image is one of two that were in the gallery show in London. The images from the show were very rare and now highly sought after and collected after Mr. Robert's death but there are NONE available to purchase. These two images were purchased from that Exhibit from Hamiltons. The second one, "Nude of Michel" is available on separate listing. We hope they are purchased together as they were hung next to each other in the exhibit. MICHAEL ROBERTS: The preferred medium of the fashion journalist Michael Roberts was Canson art paper, which he scissored freehand into crisp-cut collages, or snipped into minute dots to reassemble into mosaics, for magazine covers or book illustrations. His art, bit by bit putting it together, reflected his life in fashion. He wrote about it, commissioned unexpected others to do so, photographed for media and ads, and charmed cranky legendary lensmen into snapping for him. He could source the clothes, choose the crazy locale, stage the shoot’s story, and write a witty critique of the enterprise. He was also always the most elegant person involved, effortlessly cool. Roberts, who has died aged 75, never bothered with a résumé, since every new role or venture seemed to just develop, but they totted up to a serious career. He was a writer on the Sunday Times in the 1970s, when new couture catwalk drama and heightened designer celebrity demanded a fashion voice that was both theatre critic and gossip columnist. Then from 1979 he was art and style director of Tatler magazine, when the editor, Tina Brown...

An original one-off large format Polaroid photograph of Naomi Campbell for the Vivienne Westwood Active Resistance limited edition book produced by Opus. Signed by Naomi Campbell and photographer Zenon Texeira in marker pen. Large-format polaroids are extremely rare and unique and as the name suggests, they are of a large scale, the visible image dimensions being 52 cm x 67 cm. It is an autographed and one-off, unreproducible photograph, as there is no negative. Large Format Polaroids: The Polaroid 20×24 camera is a very large instant camera made by Polaroid, with film plates that measure a nominal 20 by 24 inches. Throughout its history, it has been used by many famous photographers, including Robert Rauschenberg and Andy Warhol. Ansel Adams also used the camera, notably to make the first official photographic Presidential portrait, of President Jimmy Carter in 1979. To celebrate Lady Gaga's new role as Creative Director of Polaroid, a portrait of her was shot with the 20×24 camera on June 30, 2010, at the Massachusetts Institute of Technology. This is the actual one-off Large Format Polaroid Photo taken on one of three of these cameras in existence which are soon to be obsolete because no more of the photographic paper can be made. The rare Polaroid 20 x 24 camera was brought from Prague to Paris and London for three separate photo shoots for The Official Vivienne Westwood Opus. Featuring Vivienne Westwood’s family and friends wearing clothes from her stunning collections, 97 selected Polaroids, shot by Zenon Texeira in black-and-white, colour and sepia, are displayed in the Opus. The photos were shown in various venues including the Serpentine Gallery in London on a worldwide tour to promote the book. Participants included: Vivienne Westwood, Pier Vittorio Aureli, Hilary Koob-Sassen, Ingo Niermann & Zak Kyes, Rasheed Araeen, Peter Cook, Richard Wentworth, Gilbert & George, Ben Vautier, Jonas Mekas, Jean-Jacques Lebel, Tom Mccarthy, Mark Wallinger, Yoko Ono, Barbara Steveni, Ekaterina Degot, Raqs media collective, Nathaniel Mellors, Lee Scrivner, Andrea Branzi, Henry Flynt, Marina Abramovic, Agnès Varda, Susan Hefuna, Stephen Willats, Falke Pisano, Adam Pendleton, Jimmie Durham...

Title:                  ‘Sicilian Lemon’ Photographer:   Scarlett Casciello Stylist:               Annie Hertikova Printed On:        Hahnemuhle Paper W...

Original British film poster for the for Snow White and the Seven Dwarfs 1937. This poster was designed to be used for the films re-release in 1951. This was Walt Disney's first fea...

Vintage style Photography, framed Alpine Ski Photograph, the lift. 'THE LIFT', a modern framed and mounted black and white photographic image after an original 1930s skiing photogra...

Original vintage B&W press photo from 1937 of the world land speed rekord car Thunderbolt with 5000 bhp and 312 mph. Driven by Captain George Edward Thomas Eyston MC OBE (28 June 18...

Original photographic production still for The Man Who Fell to Earth 1976. This film starred David Bowie and was directed by Nicolas Roeg The pho...

Original US British special advance Aston Martin car grill poster from the 1987 Bond film The Living Daylights, directed by John Glen and starring Timothy Dalton. This poster is unfo...

Vintage Style ski photography, framed alpine ski photograph, descent in powder. 'Virgin Powder', a modern framed and mounted black and w...

Original US special souvenir magazine poster for Jaws, (1975) Jaws invented the summer blockbuster and was a massive hit that shattered box office records. It was the film that prope...

Original British film poster from Warren Beatty and Faye Dunaway's 1967 crime romance directed by Arthur Penn. This poster is conservation linen backed and it would be shipped rolled...

Colour photoprint image featuring Sean Connery as '007' with the Aston Martin DB5 at the Furka Pass, signed by Connery in black marker, 29 x 19cm, mounted, framed and glazed. Cond...

Original candid photographic production still for The Way We Were 1973. This film starred Barbra Streisand and Robert Redford. This piece is framed in a Sapele wood frame with acid f...

A black and white zebra animal photo print with white handcrafted frame, from London-based gallery, William Stafford, circa 21st century, England. Ava...

Vintage, Alpine Ski photograph. 'LIEBE IM SCHNEE', a new mounted black and white photographic image after an original 1930s skiing photograph. Black and white alpine photos are the perfect addition to any home or ski lodge. Prior to being a recreational activity skiing was purely a means of travelling from A to B through the snow, it only started to become the sport it is today in the mid-1800s. 'Liebe im schnee oder: Wie man's macht' or 'Love in the snow or: How to do it'. The price displayed is for the mounted photo only. Image size 25.5cm x 40cm = 10 X 15 ½" ". The alpine photograph...

Vintage Style Ski Photography, Framed Alpine Ski Photograph, Scheidegg. 'SCHEIDEGG', a modern framed and mounted black and white photogr...

The Complete book of traditional Aran knitting Book by Shelagh Hollingworth. Collects patterns for knitting shirts, sweaters, jackets, coats, and other clothes in the style of the Aran Islands...

'St. MORITZ', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clarity+ premium synthetic glass. Black & white alpine photos are the perfect addition to any home or ski lodge, so please do check out our other ski photos and winter landscapes. Prior to being a recreational activity skiing was purely a means of traveling from A to B through the snow, it only started to become the sport it is today in the mid-1800s. St. Moritz is a luxury alpine resort town in Switzerland's Engadin valley. It has hosted the Winter Olympics twice, has the Cresta Run...

Above London. Visitors to England who marvel at this lush land on their first incoming flight now have a volume to treasure forever. Here are the famed gardens, the majestic estates, the granduer of centuries of architecture. Along with Robert Cameron's areial photographs Alistair Cooke's text is brimming with the raconteur's characteristic wit and insight. The pictorial essay begins at the Thames and follows the history of the beloved city well into the countryside. Title: Above London Publisher: Cameron and Company, San Francisco Publication Date: 1980 Binding: Hardcover Book Condition: Fine Dust Jacket Condition: Fair, wears Edition: 1st Edition First printing. Oblong folio Cameron is a member of the Royal Photographic Society and a member of the Presidents Council of the International Center of Photography. His work has been exhibited in Paris at La Bibliotheque Historique and the Foundation Mona Bismarck. In New York at the International Center of Photography, the New York City Municipal Arts Foundation. In San Francisco at the Vision Gallery...

Antique sepia photograph of a 19th Century football player in a rectangular walnut frame.

'DAVOS, PARSENN', a modern framed and mounted black and white photographic image after an original 1930s skiing photograph. The frame is a hand coloured reeded wooden black frame. Bl...

'VIRGIN POWDER', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clari...

Deserts: A Panoramic Vision by David Miller Large Hardcover Book. Explore the desert world and discover the beauty that can be found there! This is a be...

Styles of Living: The Best of Casa Vogue coffee table hardcover book. by Isa Vercelloni New York: Rizzoli, 1985. This is a compendium of fabulous houses, unashamedly showcasing the lifestyles of the very rich and very famous. Includes homes lived in and/or designed by Peter Eisenman, Fred Fisher, Marco Zanuso, Andrew Batey, Mark Mack, Guido Canali...

Presenting an original black and white photograph captured in the 1980s by Liverpudlian photographer John Stoddart, featuring the iconic Liverpool band, Frankie Goes To Hollywood. This signed print, produced in 2008, is a testament to the band's era-defining presence in the music scene. The photograph captures Holly and Paul, members of the band, adorned in leather S & M attire, confidently posing for the camera. This striking image, recently featured in the National Museums Liverpool Pride & Prejudice LGBT+ collection, offers a glimpse into the bold and unapologetic side of self-expression within the LGBTQ+ community. This photograph, part of a limited edition of 10, is a large archival rag print, with the artist's signature adorning the bottom. John Stoddart, renowned for his portraits of famous personalities, skillfully captures the essence of this historic moment. Hailing from Liverpool and a former Grenadier Guard...

Gered Mankowitz Jimi Hendrix, London, 1967, print on canvas in color blue Size: 110 x 128 cm ne off, made by the artist for exhibition in 1994, 3 different prints of Jimi Hendrix...

'BEND ZIE KNEES', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clarity+ premium synthetic glass. Black & white alpine photos are the perfect addition to any home or ski lodge, so please do check out our other ski photos...

The Complete Book Of Traditional Fair Isle Knitting by McGregor, Sheila. 1st Edition Published 1982 Title The Complete Book of Traditional Fair Isle Knitting Author McGregor, Shei...

Victorian English Country Victorian maple framed embroidery of the clipper ship Arthusa with memorial photographs.  

For sale a fabulous Limited Edition signed print of "Bowie's Eye" by the legendary photographer RANKIN. Photographed in 1995 for "The Changing Faces of David Bowie" feature for Dazed & Confused Magazine, Issue 14. Edition 33/500. The print is framed and comes with a signed, numbered & stamped Certificate of Authenticity from Rankin, together with a signed, numbered & stamped sticky label which can be affixed to either the back of the print or the back of the frame. Description: “The chorus of “No Control”, one of the outstanding tracks for the new album Outside, co-produced by Brian Eno, echoes around the sparse, hangar-sized photographic studio. Heavy, black curtains...

The Complete Book Of Traditional Fair Isle Knitting By McGregor, Sheila. 1st Edition Published 1982 Title The Complete Book of Traditional Fair Isle Knitting Author McGregor, Shei...

'THREE PEAKS', a modern framed and mounted black and white photograph after an original 1930's skiing photograph. The frame is black with a burgundy undercoat, the glazing is clarity...

Vintage photography, antique Alpine mountaineering photograph. 'CLIMBER' Simelistock, Switzerland, a new mounted black and white photographic image after an original 1930s mountaineering photograph. Black and white alpine photos are the perfect addition to any home or ski lodge. Engelhoerner is the name for a group of limestone mountains that are hidden behind several higher mountains like the Wetterhorn and Wildgerst. These small mountains (Rosenlauistock (2198 m), the Kingspitz, Simelistock, Mittelgruppe, etc.) are well sort after by rock climbers...

'SCHUSS' Murren, Switzerland, a framed and mounted black and white photographic image after an original 1930s skiing photograph. The frame is a hand colored reeded wooden black frame...

Vintage Ski Photography, antique Alpine Ski Photograph. 'Descent in Powder’, a new mounted black and white photographic image after an original 1930s s...

A framed C-print photography by British artist Sam Taylor-Wood (1967-). Entitled "Self-Portrait in a Single-Breasted Suit with Hare", the print was made in 2001 and its unique in this size at 9" h x 6" w. Presented in a wood frame. Provenance: Matthew Marks Gallery, NYC (label verso). Artist Biography (courtesy of Guggenheim Musuem Collection) Sam Taylor-Wood B. 1967, LONDON Sam Taylor-Wood was born in London in 1967. At the age of sixteen, she enrolled in an art school in Hastings, later moving back to London to attend Goldsmiths College. After graduating in 1990, she worked as a bartender and as a dresser at the Royal Opera House; the latter experience would influence her work’s unabashed theatricality. Originally a sculptor, she began working in photography, film, and video in the early 1990s. Her first film, 16mm (1993), consists of an isolated female figure gyrating to a steady beat. She explored similar intersections between video, dance, theater, music, film, and video in subsequent works, including Killing Time (1994), in which seemingly bored actors wait their turn to lip-synch the lines of different characters from Richard Strauss’s Electra. Her photographic work also finds points of intersection with other mediums. The title of Five Revolutionary Seconds (1995–98), for example, refers to her creation of a panoramic image by rotating her camera around a room over that period of time; the resulting image has a narrative quality despite being a static image. In recent years, Taylor-Wood has engaged ideas of celebrity culture in her work. Third Party (1999–2000), a seven-screen video installation at the Hayward Gallery in London, featured pop singer Marianne Faithful and actor Ray Winstone in different one- and two-person scenes of flirtation and ennui, creating a party-like environment in the gallery where the viewer is privy to these personal exchanges. Equal parts pathos and humor, the two-minute film Pietà (2001), in which the artist attempts to suspend the Hollywood actor and hard-living icon Robert Downey, Jr. in her arms, also evokes the well-known art historical subject. Her video David (2004) evokes similar connotations and intimately unveils the much-photographed dynamic soccer icon David Beckham in deep sleep. Time and speed are often centerpieces of her videos, whether the rapid acceleration of a bowl of fruit’s decay process in Still Life (2001) or the illusion of frozen time in The Last Century (2006), for which the actors are in fact filmed in real time but remain impossibly still. Taylor-Wood’s first narrative film, Love You More (2008), borrows its title from a song by the 70s punk band Buzzcocks and chronicles the story of two teenagers who hear the recently released song together in a record store. Since her first show, Killing Time at the Showroom in London in 1994, Taylor-Wood has had solo exhibitions at White Cube in London (1995, 2001, 2004, and 2008), Kunsthalle Zürich (1997), Hirshhorn Museum and Sculpture Garden in Washington, D.C. (1999), Museo Nacional Centro de Arte Reina Sofía in Madrid (2000), Centre National de la Photographie in Paris (2001), Musée d’Art Contemporain de Montréal (2002), Russian Museum in St. Petersburg (2004), Museum of Contemporary Art in Sydney (2006), Museum of Contemporary Art in Cleveland (2007), and Museum of Contemporary Art in Houston...

Three charming perspectives of sail boat Zest, each signed Beken and Sons of Cowes, sepia toned gelatin silverprints, float mounted in box frames. English, 1950s H28 cm x W 23 cms ...

Wonderful photograph of a female nude in a rocky landscape Limited edition of 45. This is number 4 Signed. Photographer unknown Original frame. Not protected by glass The measure...

PLEASE NOTE: This original photo from the amazing Michael Roberts exhibition at Hamilton's Gallery in London, England of "Michel in a Toga" was used in promotional pieces for the exhibit. It is signed/ nuymbered 1/25, but this is the actual photograph from the exhibit, and no other image was made/printed. IT IS AN AMAZING IMAGE. * This image of Michel wearing a sheer greek key toga. He is nude underneath and although subtle, it is a nude. Michel was a high fashion male model thet Michael Roberts adored and used him for many fashion campains for Joeph's London. A rare large black and white hand printed silver gelatin photograph of Michel by the legendary fashion icon, Michael Roberts, London. This image was part of a Michael Roberts show in 1989 at Hamilton's gallery, London. Signed on back. Black metal simple frame. Image: 15" x 19", framed: 22' x 26". This image was in the gallery show in London.The images from the show are very rare and now highly sought after and collected after Mr. Robert's death. two images were purchased from that Exhibit. The second one, "Nude of Michel" is available on separate listing. We hope they are purchased together as they were hung next to each other in the exhibit. MICHAEL ROBERTS: The preferred medium of the fashion journalist Michael Roberts was Canson art paper, which he scissored freehand into crisp-cut collages, or snipped into minute dots to reassemble into mosaics, for magazine covers or book illustrations. His art, bit by bit putting it together, reflected his life in fashion. He wrote about it, commissioned unexpected others to do so, photographed for media and ads, and charmed cranky legendary lensmen into snapping for him. He could source the clothes, choose the crazy locale, stage the shoot’s story, and write a witty critique of the enterprise. He was also always the most elegant person involved, effortlessly cool. Roberts, who has died aged 75, never bothered with a résumé, since every new role or venture seemed to just develop, but they totted up to a serious career. He was a writer on the Sunday Times in the 1970s, when new couture catwalk drama and heightened designer celebrity demanded a fashion voice that was both theatre critic and gossip columnist. Then from 1979 he was art and style director of Tatler magazine, when the editor, Tina Brown...

Golf engraving after Douglas Adams, 'The Putting Green'. One of the three famous golfing scenes of Caernarvonshire Golf Club, Conwy, Wales, by Douglas Adams. 'The Putt', 'The Drive' ...

Framed Portrait Of A Gentleman. A large impressive framed photograph of a gentleman's portrait. The old photographic print has been produced on a board and is framed in a period oak ...

A large silver gelatin photographic print of H.M.Y. Britannia by Beken, on an easterly course on starboard taking, passing Cowes., Inscribed in white ‘H. M. Y. Britannia, No. 10785, ...

A vintage 1964, gelatin silver photograph by John Adriaan, British photographer.

This picture was taken in 1977 by the young Dennis Morris at the age of 17, backstage after a gig in Penzance Cornwall (UK), during the infamous S.P.O.T.S. tour. Bromide fibre print,...

A wonderful image of Mary, Queen of England. Consort of King George V By W & D Downey, 61 Ebury St, London Signed and dated lower right Mounted on the original card. Unframed The...

Duke of Edinburgh’s World tour 1959 on HM Yacht Britannia, a fascinating photographic record of the Duke’s visit to numerous destinations between Rango...

Christopher sharples, steel 2017. Cardigan, Wales Archival pigment print - printed on Hahnemühle photo rag paper. Edition of nine (6/9) And 2 Artist Proofs. Presented in a painted white box...

Original British film poster for the 1947 Ealing Studios comedy. This poster was designed by the English painter, illustrator and graphic designer Edward Bawden (1903-1989) This fil...

Original British film poster for the film First Blood 1982. This film starred Sylvestor Stallone, Brian Dennehy and Richard Crennafor. This film was directed by George P. Cosmatos. T...