Finnish Photography
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Place of Origin: Finnish
Esko Männikkö: Naarashauki: the Female Pike
Located in valatie, NY
Esko Männikkö: Naarashauki: the Female Pike. Published by Oulu, Finland: Esko Mannikko / Kavela Kustannus Oy, 2000. Photographs and text (in Finnish and ...
Category
21st Century and Contemporary Finnish Photography
Materials
Paper
Sanna Kannisto, Act of Flying Portfolio 3 Framed C-Prints on Fujifilm Paper
By Sanna Kannisto
Located in Morristown, NJ
Sanna Kannisto (Finnish, b. 1974), "Act of Flying Portfolio", (3) c-prints on Fujifilm paper, each signed and numbered 4/25 verso. This is a lovely triptych showing a gloriously colo...
Category
Early 2000s Modern Finnish Photography
Materials
Glass, Wood, Paper
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Original Edward S. Curtis Photogravure, "The Klamath Hunter" 1923
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Curtis began photographing Native Americans in the mid-1890s and selling these images in his successful downtown Seattle studio. One of his earliest models was Princess Angeline, the aged daughter of chief Sealth, the Suquamish Indian after whom Seattle is named. At the National Photographic Convention of 1899 Curtis was awarded the grand prize for three of his soft-focused, sepia-toned images of Puget Sound Native Americans: Evening on the Sound, The Clam Digger, and The Mussel Gatherer.
Curtis spent the summer of 1900 with George Bird Grinnell observing the Sun Dance at an encampment of Blood, Blackfeet, and Algonquin in Montana. This was a pivotal experience for Curtis, confirming his desire to study and photograph the Native tribes of North America. A trip to visit the Hopi reservation in Arizona a few months later further fueled his enthusiasm.
Curtis envisioned a plan to create a massive scholarly and artistic work that would document the tribes west of the Mississippi, their ceremonies, beliefs, daily life, and landscapes. In 1906, Curtis approached railroad tycoon J.P. Morgan to request financial assistance for his project. Morgan agreed to pay him a total of $75,000, or $15,000 a year for five years. Morgan and Curtis decided that Curtis' masterwork, The North American Indian, would be a set of 20 volumes of ethnographic text illustrated with high quality photoengravings taken from his glass plate negatives. Each of these volumes would be accompanied by a portfolio of large size images, all sumptuously bound in Moroccan leather. The papers used for printing would also be of the best quality: a Dutch etching stock by Van Gelder, a Japanese vellum, and for the most discerning subscribers, a translucent Japanese tissue paper. To fund publication, Curtis would sell subscriptions at approximately $3,000 per set, with a total of 500 sets to be published.
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