European Prints

Wonderful set of 8 botanical prints Lithographs after drawings by William Fitch Original hand color Published by S.Curtis. Dated 1838 Unframed. Free shipping

Wonderful set of 15 botanical prints - all leaves Lithographs after original drawings by Sowerby Original colour Published by George Bell, 1875 Unframed. The measurement given i...

Wonderful set of 10 botanical prints - all herbs Lithographs after original drawings by Sowerby Original colour Published by George Bell, 1875 Unframed. The measurement given is...

This antique anatomy print of the brain and spinal cord with the spinal nerves is an original 1866 hand coloured lithograph from Hirschfeld and Leveille's Nevrologie atlas, published...

Wonderful Pre-Raphaelite print after Lord Frederick Leighton Titled " The Odalisque " Steel engraving by Lumb Stocks Published by Virtue, C.1860 On wove quality paper ...

This is a digitally remastered print of a Louisiana Heron referenced from an Audubon Birds of America hand coloured print, originally from the 1800's Prints of this style were origi...

This is a digitally remastered print of a Flamingo referenced from an Audubon Birds of America hand coloured print, originally from the 1800's Prints of this style were originally p...

An exquisite framed shiny polychrome print of Picasso Vallauris ceramic plates depicting a colorful face. The color print is attached to a thick, high quality paper with decorative l...

Glorious set of 12 prints of English country houses or stalely homes. Chromo-lithographs After the original drawings by Alexander Francis Lydon Published by Mackenzie C.1880 Unfr...

These are a set of FOUR digitally remastered prints of South American Palm Trees, hand coloured and framed, originally from French drawings, Circa 1843. Prints of this style were o...

Beautiful framed serigraph after Henri Matisse, circa 1973, titled Palme Branche Sur Rouge. The work is accompanied by a Certificate of Authenticity (COA) for Michel Caza. This stri...

After Pablo Picasso, Buste de Femme au Foulard Mauve, 1983 Marina Picasso Collection Lithograph, Framed DESCRIPTION A colour lithograph after Pablo Picasso's 1937 painting Buste de Femme au Foulard Mauve. This later impression bears the printed Picasso signature beneath the image and the Collection Marina Picasso and © Daal Distributors, 1983 marks. Presented in a decorative gilt frame with a laminated report of authenticity dated 2 June 2014, signed by Joseph Nuzzolo. The report describes an edition of 1,000, a sheet measuring 29½ × 20½ in (74.9 × 52.1 cm), and an image measuring 22 × 15⅝ in (55.9 × 39.7 cm). These measurements are taken from the accompanying report; please verify against the artwork before publishing. Frame dimensions have not been supplied. This is a posthumous print after Picasso's original painting, not a 1937 original lithograph or a hand-signed Picasso print...

Fabulous set of 10 prints. All judges or lawyers. Humorous caricatures by Sir Lesley " Spy " Ward. Chromolithographs Unframed. Published in Vanity fair C.1870. Actually dated 18...

A rare and beautifully printed pair of facsimile plates from the Pomar Codex, the celebrated late-16th-century natural history manuscript commissioned for Philip II of Spain and now ...

Title: Rare Persian Lustreware Albarello Chromolithograph, Henry Wallis, 1899 Description: An exceptionally rare original chromolithographic plate depicting a Persian albarello or apothecary jar from the 13th century. The vessel is richly ornamented with seated courtly figures framed by scrolling vegetal motifs and lustrous metallic decoration characteristic of the celebrated ceramic workshops of medieval Persia. Rendered in warm copper, gold, olive, and cream tones, the composition exemplifies the extraordinary artistic achievements of Persian lustreware production during the Seljuk and early Ilkhanid periods. The elegant figural imagery, combined with rhythmic arabesques and ornamental bands, reflects the refined visual language that made Kashan ceramics among the most admired luxury objects of the Islamic world. This plate originates from Henry Wallis's important folio Persian Lustre Vases, privately printed in London in 1899 in a strictly limited edition of only 200 copies. The publication remains one of the earliest scholarly studies devoted exclusively to Persian lustre ceramics, and individual plates from the work are today exceptionally scarce. This is an original 1899 chromolithograph and not a later reproduction. Sold unframed. Any images showing the print in a frame or interior setting are for visual impression only. Frame dimensions, matting proportions, and room presentations are not always to scale. Creator: Henry Wallis (1811–1891), published posthumously. Publication: Persian Lustre Vases, London, 1899. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with age-related toning, scattered foxing, and minor handling wear to the sheet edges consistent with removal from the original folio volume. The image remains bright, decorative, and well preserved. Provenance: From Persian Lustre Vases, London, 1899, privately printed in an edition limited to only 200 copies. Keywords: Persian art, Islamic art, Persian ceramics, lustreware, albarello, apothecary jar, Kashan pottery...

Two Prints of Eduardo Chillida’s "Mármol y Plomo" We are offering two prints of Eduardo Chillida’s art works "Mármol y Plomo," created during the 1980s as part of a special edition ...

This is a digitally remastered print of a Roseate Spoonbill referenced from an Audubon Birds of America hand coloured print, originally from the 1800's Prints of this style were ori...

Wonderful set of 12 orchid prints. Lithographs after drawings mainly by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed. Free shipping

Engraving by Louis Icart from 1927, "In the Moonlight" model. Original frame. In very good condition. Height: 75 cm Width: 54 cm Thickness: 2 cm Weight: 3 kg Louis Icart (1888-1950...

Richmond Virginia James River View – Antique Steel Engraving c.1850 Description: This finely detailed mid-19th century steel engraving depicts a pan...

Mater Dolorosa, 1899 German Chromolithograph of the Sorrowful Mother, Dresden This exquisite late-19th-century chromolithograph of the Mater Dolorosa—“Sorrowful Mother”—was printed ...

Great image after Guido Reni Fine steel engraving Published by Fisher. Dated 1841 Unframed. Free shipping

Portuguese Equestrian Training Engravings — Baroque Horsemanship, 1790 This striking set of three antique copperplate engravings originates from the celebrated Portuguese equestrian...

Title: Set of 3 Vanity Fair Prints – Aristocracy Society Military 1883 Description: A characterful and visually engaging set of three original Vanity Fair chromolithographs from 188...

Antoni Tapies ( Spanish, 1923-2012 ) original lithograph exhibition poster Galerie Maeght 13 rue de Teheran Paris 8' May 17-July 12 1979. Set in complimentary period ebonized wood fr...

This antique anatomy print of the whole brain from above and below is an original 1866 hand coloured lithograph from Hirschfeld and Leveille's Nevrologie atlas, published in Paris by...

This antique anatomy print of the phrenic nerves and the opened thorax is an original 1866 hand coloured lithograph from Hirschfeld and Leveille's Nevrologie atlas, published in Pari...

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. The white...

A view across the sea to the island of Capri, its jagged peaks rising sharply out of a calm bay. The foreground is a steep, wooded mainland slope: two tall, slender pines frame the c...

Diana of Ephesus Antique Engraving, Montfaucon Antiquité Expliquée, 1721 This original eighteenth-century copper engraving titled “Diane d’Ephese” illustrates several sculptural representations of the celebrated cult statue of Artemis of Ephesus, one of antiquity’s most enigmatic and symbolically charged religious images. The plate originates from Bernard de Montfaucon’s landmark antiquarian publication L’antiquité expliquée et représentée en figures, published in Paris in 1721, a pioneering encyclopedic study that helped establish the scholarly foundations of archaeology and art history during the Enlightenment. Montfaucon’s ambitious project sought to systematically document the material culture of the ancient world through carefully researched engravings based on surviving sculptures, coins, reliefs, and historical sources. This plate presents multiple interpretations of the Ephesian goddess, comparing sculptural variants and medallion representations. The central figures stand rigidly frontal, crowned and richly adorned, their bodies covered with registers of animals, symbolic figures, and ritual ornamentation. Smaller circular images below further demonstrate how the goddess appeared on ancient coins and reliefs, reflecting Montfaucon’s analytical approach to classical imagery. Unlike the familiar Greek Artemis, goddess of the hunt, the Ephesian Diana represents an older Anatolian mother deity assimilated into Greco-Roman religion. Her distinctive iconography—tiered body coverings, animal motifs, and fertility symbolism—expresses abundance, cosmic order, and divine protection. During the eighteenth century, such images fascinated European scholars attempting to interpret ancient religions through comparative symbolism, making Montfaucon’s publication a cornerstone reference for collectors, antiquarians, and early museums. The engraving is executed with refined precision typical of Parisian copperplate work of the early 1700s, combining scientific clarity with strong decorative appeal. The balanced composition and graphic symmetry allow the print to function equally as a scholarly artifact and an elegant wall piece suited to both classical and contemporary interiors. This original antique engraving is offered unframed, providing flexibility to select a frame appropriate to the intended interior setting. Condition: Good antique condition with age-related toning and light paper discoloration consistent with early eighteenth-century prints...

Wonderful Gothic architectural print. Pierced ornaments from Lisieux, Bayeux, Verona and Padua. Steel engraving by R.P. Cuff after the original drawing by John Ruskin. Published, ...

Wonderful print of wall-paper designed by Walter Crane Published 1906 Unframed and not matted. The size is for one of the prints Free shipping.  

Two framed shiny polychrome prints of Picasso Vallauris ceramic plates depicting food. The color print is attached to a thick, high quality paper with decorative lines. Framed in n...

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

Title: Rascal from 'Cats and Kittens' by Henriette Ronner, 1894 Description: This charming artwork, titled 'Rascal,' is from the collection 'Cats and Kittens' by Henriette Ronner, p...

The antique map titled 'Royaumes de Perse Herat & Kaboul' is an attractive map of Persia. Here are the key details and features of the map: 1. **Geographic Coverage**: - The map ...

After Henri Matisse (1869–1954), Nice, Travail et Joie, Vintage Color Offset Lithograph after the 1947 Mourlot Travel Poster, This printing Circa 1965–1970 After Henri Matisse (1869...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Great image of beetles. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original color. Published, 1...

Great image of parrots. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after cpt. Brown with original hand color. Publish...

Great image of seals. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Cpt. brown with original hand color. Published...

Antique China Punishment of the Bastinado Print – Thomas Allom, 1843 This striking antique print titled Punishment of the Bastinado was drawn by the English artist Thomas Allom and ...

Great image of a Blue Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color P...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

Great image of The Battle of The Boyne Fine steel engraving after Benjamin West With a highly decorative figural border Published by London prin...

Title: Original Antique Hand-Coloured Engraving of the Inca Sun Festival, Peru, c.1777 Description: An original antique hand-coloured copperplate engraving depicting two scenes from...

Antique Greek Amphorae with Mythological Figures Color Lithograph, 1883 Original antique color lithograph depicting two richly decorated ancient Greek amphorae, published in Berlin in 1883 as part of Albert Genick’s monumental work on Greek ceramics. This impressive landscape-format plate presents two contrasting examples of ancient Greek pottery, both extensively decorated with figural and ornamental scenes. The larger amphora on the left is distinguished by its patterned terracotta handles and broad narrative frieze. A group of standing figures in elaborate dress occupies the principal scene, accompanied by animals including dogs. The figures are rendered in black, terracotta and deep red, creating an unusually rich and decorative composition. Geometric and ornamental borders surround the scene, while radiating decoration emphasizes the lower section of the vessel. The smaller amphora on the right is equally striking. Its principal scene depicts a dramatic mythological encounter between several figures, including a central hybrid or animal-bodied figure. The scene is surrounded by scrolling vegetal ornament, palmettes, geometric bands and a Greek-key meander. A richly patterned palmette frieze decorates the neck. Between the two vessels are small archaeological drawings recording details of their construction and decoration. The strong black, terracotta and deep-red palette, combined with the abundance of classical figures and ornament, makes this one of the particularly decorative plates from Genick’s series. Its horizontal format also lends itself especially well to display above a console, desk or fireplace. The print originates from the second edition of Albert Genick’s important publication on Greek ceramics, published by Ernst Wasmuth in Berlin in 1883. The complete work comprised 36 large color lithographic plates, including four double-page plates, illustrating amphorae, vases, bowls and other examples of ancient Greek ceramic art. The lithographs were produced by the Berlin printing establishment Hein & Mosler. Albert Genick (1837–1906), a Berlin-trained architect, became particularly known for his precise graphic documentation of ancient ceramics. This publication is regarded as his principal work. Complete examples are rare, and individual plates from the series are increasingly difficult to find. Creator: Albert Genick (1837–1906) Publisher: Ernst Wasmuth, Berlin Printer: Hein & Mosler, Berlin Plate: V Date: 1883 Edition: Second edition Technique: Color lithograph Origin: Germany Sheet size: Approximately 46 x 68 cm (18.1 x 26.8 inches) Orientation: Landscape Period: Late 19th Century Style: Neoclassical / Archaeological Revival Condition: Very good antique condition. Strong black, terracotta and deep-red coloring with the details of the vessels remaining well preserved. Light age-related toning with scattered minor foxing and spotting, principally in the background and margins. Minor wear and slight irregularity along the sheet edges consistent with age. Please study the photographs carefully as they form part of the condition description. An original antique lithograph printed in 1883, not a modern reproduction. The print is offered unframed. Any framed or interior images, if shown, are for presentation and inspiration only. Additional companion plates from Albert Genick’s series are available separately. Keywords: Albert Genick, Greek amphorae, Greek amphora, ancient Greek pottery, Greek ceramics, Greek vases, mythological figures, Greek mythology, amphora print, classical pottery, archaeological print, ancient Greece, Greek art, classical figures, figural vase, classical antiquity, Greek key, Greek meander, palmette ornament, black figure pottery...

The complete portfolio from the series Sole e Lune containing 6 Fine Art Silkscreen by Piero Fornasetti published in France by Graphique de France in 1993. This portfolio was exclusively created for Pier One...

Antique print titled 'Chinese Punishment of the Rack'. Print of Chinese punishment of the rack. The rack is a torture device consisting of a rectangular...

Rococo Floral Garland Design – 18th-Century French Ornament with Doves, Plate C This exquisite 19th-century chromolithograph, Plate C from *L'Ornement Polychrome*, showcases the vib...

Title: The Battle of Trafalgar, Admiral Nelson & British Fleet, 1805 Original antique 19th-century steel engraving depicting the Battle of Trafalgar, the decisive British naval victory of 21 October 1805 during the Napoleonic Wars. This dramatic maritime scene is after the painting by celebrated British marine artist Clarkson Frederick Stanfield, R.A. (1793–1867), and was engraved by John Cousen (1804–1880). The inscriptions beneath the image read: “C. STANFIELD, R.A. PAINTER.” “J. COUSEN, ENGRAVER.” “THE BATTLE OF TRAFALGAR.” “FROM THE PICTURE IN THE VERNON GALLERY.” The Battle of Trafalgar Fought on 21 October 1805 off Cape Trafalgar on the southwestern coast of Spain, the Battle of Trafalgar was one of the most important naval engagements of the Napoleonic Wars. The British Royal Navy, commanded by Vice-Admiral Horatio Nelson, confronted the combined French and Spanish fleet under Admiral Pierre-Charles Villeneuve. Nelson employed an unconventional attack, dividing his fleet into columns that sailed directly into the Franco-Spanish battle line. The resulting close-range engagement ended in a decisive British victory and confirmed Britain’s command of the seas. The battle became one of the defining events of British maritime history. Admiral Horatio Nelson & HMS Victory Vice-Admiral Horatio Nelson (1758–1805) commanded the British fleet from his famous flagship HMS Victory. Shortly before the battle commenced, Nelson ordered the celebrated signal: “England expects that every man will do his duty.” During the fighting, Nelson was struck by a musket ball fired from the French ship Redoutable and was mortally wounded. He died aboard HMS Victory during the battle, having lived long enough to learn that victory was assured. His death at the moment of triumph made Nelson a national hero and permanently linked his name with Trafalgar. The Scene Stanfield’s composition conveys the enormous scale, violence and confusion of a major naval engagement in the age of sail. Ships-of-the-line crowd the horizon, their towering masts and rigging emerging through smoke, spray and the dramatic sky. Several vessels are depicted fighting at extremely close quarters, recalling the devastating exchanges of cannon fire that characterized the battle. In the foreground, broken spars, wreckage and sailors struggling in the turbulent sea emphasize the human consequences of the engagement. The exceptionally wide composition gives the engraving an almost panoramic character and makes it particularly effective as a decorative maritime print. Clarkson Frederick Stanfield, R.A. (1793–1867) Clarkson Frederick Stanfield was one of the leading British marine painters of the 19th century. Stanfield had first-hand experience of life at sea before establishing himself as an artist. His knowledge of ships, rigging, changing weather and the movement of the ocean contributed to the convincing maritime atmosphere for which his work became celebrated. He was elected a Royal Academician and became particularly admired for his dramatic marine and historical paintings. John Cousen (1804–1880) The painting was translated into engraving by John Cousen, an accomplished English engraver known particularly for his landscape, architectural and marine subjects after important contemporary British artists. His finely worked engraving preserves the dramatic tonal effects of Stanfield’s original painting, from the dark turbulent foreground water to the distant ships disappearing into smoke and atmospheric haze. The Vernon Gallery The original painting was part of the important collection assembled by British businessman and philanthropist Robert Vernon (1774–1849). Vernon built an extensive collection devoted primarily to contemporary British art and presented his collection to the British nation in 1847. The inscription “From the Picture in the Vernon Gallery” records the important provenance of Stanfield’s original composition. Technique: Original antique steel engraving Artist: Clarkson Frederick Stanfield, R.A. (1793–1867) Engraver: John Cousen (1804–1880) Title: The Battle of Trafalgar Subject: Battle of Trafalgar Date depicted: 21 October 1805 Historical figure: Vice-Admiral Horatio Nelson British flagship: HMS Victory Historical period: Napoleonic Wars Origin: England Publication date: 19th century Style / Period: Victorian / 19th-century British maritime art Condition: Good antique condition with overall age-related toning, scattered spotting and foxing and minor staining. There is visible wear and some paper loss and irregularity to the outer edges and corners, particularly at the upper corners. Some minor handling marks and creasing are present, consistent with the age of the sheet. The engraved image itself remains strong, detailed and visually impressive. Please study the photographs carefully as they form part of the condition description. Please note: This is an original antique 19th-century steel engraving, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Battle of Trafalgar, Trafalgar 1805, Admiral Nelson, Horatio Nelson, Lord Nelson, HMS Victory, Royal Navy, British Navy, Napoleonic Wars, Napoleon, naval battle, naval warfare, British naval history, maritime history, military history, sailing ships, ships of the line, antique maritime print, antique naval engraving, Clarkson Stanfield, Clarkson Frederick Stanfield, John Cousen, Vernon Gallery, British marine art, Victorian engraving, steel engraving, original antique print, 19th century maritime art

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

Set of 6 Vanity Fair Spy Caricatures – Named Victorian Figures 1883 Description: A cohesive and historically rich set of six original Vanity Fair chro...

These are a set of FOUR digitally remastered prints of Parrots, hand coloured framed prints, originally from Circa 1800s. Prints of this style we...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

This is a delightful round framed print of a Pineapple study originally from a hand coloured early 19th Century French botanical illustration. Prints of this style were originally p...

Wonderful set of 16 botanical prints. All grasses Lithographs after the original botanical drawings by Hooker. Original color Published, circa 1850 Unframed. The measurement giv...