European Prints

TITLE: Two Stems with Red Flowers – Original Botanical Watercolor by A.L., 1819 DESCRIPTION: A refined original botanical watercolor depicting two slender stems bearing vivid red flowers and delicately rendered green leaves, painted in 1819 by an unidentified artist with the initials A.L. The composition is elegant and restrained, with the flowering stems isolated against the natural cream-colored paper. The artist has carefully observed the structure of the plant, combining botanical precision with the decorative quality characteristic of early 19th-century flower studies. The work is monogrammed “A.L.” on the left stem and dated “1819” on the right. Particularly noteworthy is the paper itself, which bears the watermark “J. Whatman 1817.” James Whatman's celebrated English papers were highly regarded by artists and printmakers for their quality and durability. The watermark dates the manufacture of the paper to 1817, while the artist's inscription dates the execution of the watercolor to 1819. The two dates therefore provide an unusually clear chronology: the Whatman sheet was manufactured in 1817 and used by the artist for this botanical watercolor two years later, in 1819. An attractive and unusually well-documented original botanical artwork from the Regency period. ARTIST: A.L., unidentified artist. The work is monogrammed “A.L.” on the left stem. DATE: 1819 - dated on the artwork. MEDIUM: Original watercolor on paper PAPER: J. Whatman paper, watermarked 1817 ORIGIN: European, probably British or Continental European PERIOD / STYLE: Regency period Early 19th century Botanical / Natural History SUBJECT: Two stems with red flowers Botanical study Flower study DIMENSIONS: Image: approximately 29 × 16.5 cm Sheet: approximately 46 × 32.5 cm MARKS: Monogrammed “A.L.” on the left stem. Dated “1819” on the right. Paper watermarked “J. Whatman 1817.” CONDITION: Very good antique condition. The watercolor retains attractive and strong colors. Some light age-related toning and occasional minor foxing are present. A subtle former light line is visible, consistent with previous presentation beneath a passe-partout. The sheet was attached beneath a passe-partout along the upper edge. FRAMING: Offered unframed. Any framed or interior photographs shown are for presentation and inspiration only. AUTHENTICITY: An original, unique hand-painted watercolor dating from 1819. This is not a print, engraving or modern reproduction. KEYWORDS: botanical watercolor, original watercolor, botanical painting, flower watercolor, red flowers, botanical study, flower study, A.L. artist, monogrammed watercolor, dated 1819, Regency botanical art, Regency watercolor, early 19th century watercolor, 19th century botanical art, J Whatman, Whatman 1817, Whatman paper, English paper, antique botanical painting...

Large Antique Greek Amphora Chromolithograph, Genick, 1883 Original antique color lithograph depicting an elaborately decorated ancient Greek amphora with a classical warrior scene,...

This 21st-century limited edition lithograph features Banksy’s iconic pop-art portrait of supermodel Kate Moss, inspired by Andy Warhol’s famous Marilyn Monroe prints and created for...

Greater Bird of Paradise Male & Female Hand-Colored Lithograph, c. 1875 Description: Original antique hand-colored lithograph depicting a magnificent pair of Greater Birds of Paradise, identified beneath the image as “Der gemeine Paradiesvogel (Paradisea apoda).” The composition shows the spectacular male Greater Bird of Paradise perched above a female. The male is represented with his characteristic golden-yellow ornamental flank plumes cascading dramatically around the body, contrasting with his dark chest and greenish-yellow head and throat. Two extremely elongated tail wires descend beneath him. The more restrained brown plumage of the female provides a striking illustration of the sexual dimorphism for which birds of paradise became celebrated. Birds of paradise were among the most extraordinary exotic birds known to European naturalists and collectors. Early specimens reached Europe from the Indonesian archipelago without their feet, contributing to centuries of myths that the birds lived perpetually in the air. This history is reflected in the scientific name Paradisea apoda, meaning essentially “footless bird of paradise.” The plate is numbered Fig. 139 and bears the German title “Der gemeine Paradiesvogel.” It was produced for a German 19th-century natural-history publication and is a fine example of the period's increasingly sophisticated ornithological illustration. Although the composition is reminiscent of the celebrated bird illustrations associated with John Gould, I would not attribute this particular plate directly to Gould. The available evidence does not establish Gould as its artist or publisher, and the German typography and figure numbering indicate that it belongs to a separate German natural-history publication. Greater Bird of Paradise Paradisea apoda “Der gemeine Paradiesvogel” Fig. 139 German School c. 1870–1880 Original hand-colored lithograph This is an original antique print from the 19th century, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered light foxing and minor spotting and marks, particularly within the margins. Some minor handling wear is consistent with age. The colors remain attractive and the principal image is well preserved. Please study the photographs carefully as they form part of the condition description. Period: Late 19th Century Style: Victorian Medium: Hand-colored lithograph on paper Subject: Greater Bird of Paradise Bird of Paradise Paradisea apoda Male and Female Birds Tropical Birds Ornithology Natural History Keywords: Greater Bird of Paradise, Bird of Paradise, Paradisea apoda, Paradiesvogel, Der gemeine Paradiesvogel, paradise bird, tropical bird, exotic bird, male bird of paradise, female bird of paradise, Indonesian birds...

Original Antique Print of Exotic Insects, Lanternfly and Mantis, c. 1790 Original antique hand-colored engraving depicting a spectacular collection of exotic insects, including a la...

Title: Rare Persian Lustreware Albarello Chromolithograph, Henry Wallis, 1899 Description: An exceptionally rare original chromolithographic plate depicting a Persian albarello or apothecary jar from the 13th century. The vessel is richly ornamented with seated courtly figures framed by scrolling vegetal motifs and lustrous metallic decoration characteristic of the celebrated ceramic workshops of medieval Persia. Rendered in warm copper, gold, olive, and cream tones, the composition exemplifies the extraordinary artistic achievements of Persian lustreware production during the Seljuk and early Ilkhanid periods. The elegant figural imagery, combined with rhythmic arabesques and ornamental bands, reflects the refined visual language that made Kashan ceramics among the most admired luxury objects of the Islamic world. This plate originates from Henry Wallis's important folio Persian Lustre Vases, privately printed in London in 1899 in a strictly limited edition of only 200 copies. The publication remains one of the earliest scholarly studies devoted exclusively to Persian lustre ceramics, and individual plates from the work are today exceptionally scarce. This is an original 1899 chromolithograph and not a later reproduction. Sold unframed. Any images showing the print in a frame or interior setting are for visual impression only. Frame dimensions, matting proportions, and room presentations are not always to scale. Creator: Henry Wallis (1811–1891), published posthumously. Publication: Persian Lustre Vases, London, 1899. Date: 1899 Medium: Original chromolithograph on paper. Condition: Good antique condition with age-related toning, scattered foxing, and minor handling wear to the sheet edges consistent with removal from the original folio volume. The image remains bright, decorative, and well preserved. Provenance: From Persian Lustre Vases, London, 1899, privately printed in an edition limited to only 200 copies. Keywords: Persian art, Islamic art, Persian ceramics, lustreware, albarello, apothecary jar, Kashan pottery...

Portuguese Equestrian Training Engravings — Baroque Horsemanship, 1790 This striking set of three antique copperplate engravings originates from the celebrated Portuguese equestrian...

Set of Three Medieval, Celtic & Renaissance Ornament Chromolithographs A beautiful set of three original antique chromolithographs illustrating the evolution of European ornamental ...

Sensational image by Gustave Doré From Milton's " Paradise Lost " Woodcut engraving Published C.1870 Unframed. Free shipping

This is a digitally remastered print of a Roseate Spoonbill referenced from an Audubon Birds of America hand coloured print, originally from the 1800's Prints of this style were ori...

1678 Baroque Dressage Training Horse at the Pillar – Georg Simon Winter This original hand-coloured copperplate engraving depicts an advanced riding-school exercise from one of the ...

Wonderful print of wall-paper designed by Walter Crane Published 1906 Unframed and not matted. The size is for one of the prints Free shipping.  

Title: Ancient Greek Theatre Architectural Plan by Ambroise Tardieu, 1825 Description: Original antique architectural engraving showing the plan and arrangement of an ancient Greek ...

Glorious set of 24 prints of English Kings Steel engravings with amazing decorative vignettes Published by Virtue C.1840 Unframed. The measurement given is the paper size of one...

Wonderful set of 12 orchid prints. Lithographs after drawings mainly by W.Fitch Original hand color Published by Curtis. Dated 1837 and 1838 Unframed. Free shipping

Christ Knocking at the Door, c.1900 German Devotional Chromolithograph (Printed in Germany) This beautiful early 20th-century German chromolithograph depicts one of the most tender ...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. The white...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

Title: Pair of Antique Dragonfly, Cicada & Exotic Insect Engravings – Bertuch, c. 1815 A decorative set of two original antique hand-colored copper engravings depicting an extraordi...

Antique China Punishment of the Bastinado Print – Thomas Allom, 1843 This striking antique print titled Punishment of the Bastinado was drawn by the English artist Thomas Allom and ...

Great image of The Battle of The Boyne Fine steel engraving after Benjamin West With a highly decorative figural border Published by London prin...

Antique Botanical Print of Carnations by Jean-Louis Prévost, 1805 Original antique botanical print depicting an elegant bouquet of carnations in richly varied striped, red, purple a...

Pair of Botanical Engravings from *The Botanic Garden* by B. Maund, London c.1836 An elegant pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin...

St Mary Protectress of Innocents, Antique German Chromolithograph c.1900 This exceptionally tender and beautifully composed late 19th–early 20th century German chromolithograph depi...

Joan Miró (1893-1983) "La Bague du Sanglier" Limited Edition Lithograph on Arches paper Numbered 93/100 Hand signed in pencil Published by Maeght Éditeur, Paris Framed dimensions: ...

One of nine striking 19th Century chromolithographs by John Burley Waring. Originally created to showcase the Masterpieces of Industrial Art and Sculpture at the 1862 International ...

Antique Tea Botanical Print, Thea Chinensis, Hand Colored, c.1831 This elegant botanical engraving depicts Thea chinensis, the tea plant, one of the most influential commodities in ...

JOHANN WILHELM WEINMANN (1683-1741) - PHYTANTHOZA ICONOGRAPHIE - Antique set of six framed 18th century first edition PHYTANTHOZA ICONOGRAPHIE botanical hand colored mezzotint engrav...

Lovely image by Beatrix Potter Rescued from an early edition of " The Tale of Two Bad Mice " Possibly a 1st edition from 1904 The measurement given is the paper size not the actua...

Original Antique Print of an Atlas Moth by Bertuch, circa 1800 Original antique hand-colored copper engraving depicting the magnificent Atlas moth (Attacus atlas), one of the largest and most spectacular moths in the world. The plate is titled “Insecten XXVIII / Insectes XXVIII” and originates from Friedrich Justin Bertuch’s celebrated “Bilderbuch für Kinder,” published in Weimar around 1800. The enormous moth is shown with its wings fully extended across a flowering branch. Its richly patterned wings are beautifully rendered in shades of rust, ochre, cream, black and pink, with the characteristic translucent, window-like markings prominently displayed. The combination of the dramatically oversized insect and delicate botanical background makes this one of the more visually striking natural-history subjects in Bertuch’s series. The Atlas moth is native to the tropical forests of South and Southeast Asia and is renowned for its extraordinary wingspan. Its distinctive wing tips have often been noted for their resemblance to the head of a snake, possibly serving as a defensive adaptation against predators. The engraving bears the inscription “Jacob H. Schmuzer” at lower right. Friedrich Justin Bertuch (1747–1822) was a German publisher, writer and patron of the arts. His monumental “Bilderbuch für Kinder” (Picture Book for Children) was one of the great illustrated educational encyclopedias of the late 18th and early 19th centuries. Published in Weimar from 1790 onward, the work contained hundreds of finely engraved and hand-colored plates devoted to natural history, geography, science, technology, costumes and mythology. A particularly decorative and impressive antique natural-history print, well suited to collectors of butterflies and moths, entomology and early scientific illustration. Creator: Friedrich Justin Bertuch (1747–1822) Engraver: Jacob H. Schmuzer Source: Bilderbuch für Kinder Plate: Insecten XXVIII / Insectes XXVIII Place of Publication: Weimar, Germany Date of Manufacture: Circa 1800 Period: Early 19th Century Style: Neoclassical – In the Period of Medium: Original hand-colored copper engraving on paper Condition: Good. Wear consistent with age and use. Light age-related toning and occasional minor spotting. Some marginal wear and small imperfections, particularly along the right edge. Original hand coloring remains strong and attractive. Please refer to the photographs for further details of condition. Please note: This is an original antique print from circa 1800, not a modern reproduction. The print is sold unframed. Framed images or interior views, if shown, are for presentation and inspiration only. Keywords: Atlas moth print, Attacus atlas, antique moth...

Great image by Heinrich Leutemann From the Reynard The Fox series Fine steel engraving Published by A.H. Payne C.1850 Unframed.

Title: 1897 Botanical Print – Alpine Forget-Me-Not (Myosotis Alpestris) Description: This original 1897 botanical print features the alpine forget-me-not (Myosotis alpestris), a...

Rococo Floral Garland Design – 18th-Century French Ornament with Doves, Plate C This exquisite 19th-century chromolithograph, Plate C from *L'Ornement Polychrome*, showcases the vib...

Great image of a Blue Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color P...

Antique Botanical Prints Set, German Wildflowers Atlas Plates, Stuttgart 1890 This refined collection of botanical plates originates from Naturgeschichte des Pflanzenreichs by M. Fünfstück, published in Stuttgart circa 1885. Created during the late nineteenth century’s flourishing period of scientific illustration, these works combine botanical accuracy with a restrained decorative elegance that translates beautifully into contemporary interior design. The plates present a diverse survey of European wildflowers, medicinal herbs, and native field plants rendered with delicate color and precise draftsmanship. Species illustrated include nettle (*Urtica dioica*), hops (*Humulus lupulus*), plantain (*Plantago*), sorrel (*Rumex*), chickweed (*Stellaria*), buttercups (*Ranunculus*), pinks and campions (*Dianthus* and *Silene*), meadow herbs, flowering field plants, and various alpine and woodland flora. The compositions balance botanical specimens with airy spacing, allowing each plant form to stand clearly while contributing to an overall harmonious visual rhythm. The soft palette of sage greens, muted blush pinks, and warm paper tones creates a calm and organic aesthetic well suited to modern interiors. Unlike highly saturated botanical imagery, these plates function as sophisticated architectural wall elements — ideal for organic modern spaces, Scandinavian interiors, country houses, wellness environments, or hospitality settings seeking authenticity and quiet natural texture. Displayed together, the prints form a cohesive botanical narrative that introduces movement, refinement, and historical depth without visual heaviness. Produced as educational plates yet executed with notable artistic sensitivity, these works exemplify the German tradition of merging science and design. Their balanced compositions and timeless subject matter make them particularly attractive for designers creating layered, nature-inspired interiors. The prints are offered unframed, allowing collectors and designers full freedom to select framing appropriate to their interior schemes. Any framed examples shown are intended solely for visual inspiration. Condition report: Very good antique condition with general age-related toning consistent with late nineteenth-century paper. Light surface wear and occasional minor spotting visible upon close inspection. Original centerfolds as issued. Paper remains strong and stable, presenting attractively overall. Framing tips: These botanical plates benefit from generous ivory or soft cream matting to emphasize their delicate compositions and preserve visual balance. Natural oak, walnut, or subtle antique gilt frames enhance the historical character while remaining compatible with modern interiors. Hanging as a structured grid or salon-style botanical wall creates a refined, designer-led installation with strong visual cohesion. Keyword block: antique botanical prints, German botanical atlas, M Fünfstück, Naturgeschichte des Pflanzenreichs, wildflower botanical prints, antique plant illustrations, European wildflowers art, botanical wall decor, vintage botanical plates...

The antique map titled 'Royaumes de Perse Herat & Kaboul' is an attractive map of Persia. Here are the key details and features of the map: 1. **Geographic Coverage**: - The map ...

Antique print titled 'Chinese Punishment of the Rack'. Print of Chinese punishment of the rack. The rack is a torture device consisting of a rectangular...

Antique Persian Costume Prints Set of 3, Hand-Colored Engravings, 1749 A refined and highly decorative set of three original 18th-century hand-colored engravings depicting Persian c...

Wonderful set of 16 botanical prints Lithographs after the original botanical drawings by Hooker. Original color Published, circa 1850 Unframed. The measurement given is for one...

The complete portfolio from the series Sole e Lune containing 6 Fine Art Silkscreen by Piero Fornasetti published in France by Graphique de France in 1993. This portfolio was exclusively created for Pier One...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Pair of Botanical Engravings from The Botanic Garden by B. Maund, London c.1836 A striking pair of original hand-colored botanical engravings from *The Botanic Garden* by Benjamin M...

Ecce Homo, 1899 German Chromolithograph of Christ with Crown of Thorns (Dresden) This moving late-19th-century chromolithograph of Christ as “Ecce Homo” was printed in Dresden in 18...

Wonderful print of St Anthony of Padua Illuminated Chromolithograph Published circa 1880 Unframed. Foxing to the margin Free shipping The me...

Wonderful image by Edmund Dulac Tipped in plate onto paper Lithograph. Published C.1930 The measurement given is the paper size not the actual coloured printed image. Free ship...

The Danish Ship portrait masterJakob Petersen (1774 - 1855), student of C. W. Eckerberg made these images on consignment during the 19th century. In association with The Commerce and...

Title: Set of Three Hand-Colored Equestrian Engravings, circa 1727 Description: A decorative set of three antique hand-colored equestrian engravings showing riders on horseback in classical 18th-century manège poses. The plates are titled Le Courageux, Le Loyal, and L’Esperance, each depicting a finely dressed rider guiding a horse with elegance and control. These prints are from the celebrated equestrian tradition associated with Friedrich Wilhelm Baron d’Eisenberg’s Description du Manège Moderne, published in the early 18th century. The work is known for its refined depictions of classical horsemanship, riding-school movements, and noble equestrian presentation. The hand coloring adds warmth and decorative appeal, with rich tones in the riders’ coats, saddlery, and horses. The prints have an attractive aged surface and strong period character, making them especially suitable for an equestrian interior, library, study, country house, tack room, club room, or classic gallery wall. Included plates: Le Courageux, plate XXIV Le Loyal, plate XXV L’Esperance, plate X Condition: Fair antique condition. General age-related toning, staining, foxing, handling marks, creases, and wear to the paper. Some surface dirt and discoloration, particularly in the margins and background areas. Irregular sheet edges and small signs of age throughout. Tape remains on the reverse. The images remain decorative and suitable for framing. Please review all photos carefully. Details: Date: circa 1727 Artist / Author: After Friedrich Wilhelm Baron d’Eisenberg Medium: Hand-colored engraving on paper Subject: Horses, riding, classical dressage, equestrian training Style: 18th-century European equestrian Sold as: Set of three Framing: Sold unframed Please note: The framed and interior images are for presentation purposes only. The prints are sold unframed. Keywords: antique equestrian print...

Title: Set of Four Antique French Medieval Military Costume Prints, circa 1860 Description: A decorative set of four original antique French engravings illustrating medieval knights...

Title: Rascal from 'Cats and Kittens' by Henriette Ronner, 1894 Description: This charming artwork, titled 'Rascal,' is from the collection 'Cats and Kittens' by Henriette Ronner, p...

Lovely botanical print Chromo-lithograph Original color Published, circa 1870 Unframed. Chipped top left corner Free shipping

Wonderful Gothic architectural print. Tracery from the Campanile of Giotto, at Florence. Steel engraving after the original drawing by John Ruskin. Published, circa 1880 ...

Gardens of the Quirinal Palace, Rome – Benoist 19th Century Lithograph This elegant tinted lithograph captures the lower gardens of the Palazzo del Quirinale, one of Rome’s most imp...

Wonderful bird prints Chromo-lithographs Published by Cassell, C.1880 The measurement shown relates to one of the prints Unframed. Free shipping

Plaza Santo Domingo Mexico City – Antique Architectural Engraving, 1867 This 19th-century engraving presents a detailed view of Plaza Santo Domingo in Mexico City, one of the city’s...

Antique map titled 'Africa Nova Tabula Auct Jud. Hondio'. Beautiful and rare paneled map of Africa, Based Upon Hondius' map. The first derivative of the map was issued separately by ...

Great image of parrots. Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after cpt. Brown with original hand color. Publish...

Great image of a Crested Tit Unframed. It gives you the option of perhaps making a set up using your own choice of frames. Lithograph after Alexander Francis Lydon. Original color...

Jonstonus Friesian and Hungarian Horses Engraving, 1650 Description: Original antique copper engraving depicting two European horse breeds: the Friesian horse (“Equus Frisicus – Frisisch Pferd”) and the Pannonian or Hungarian horse (“Equus Pannonicus sive Hungaric – Hungarisches Pferd”). The upper composition shows the powerful Friesian horse standing in profile, distinguished by its heavy build, long flowing mane and feathered legs. Below, the Hungarian horse is represented in a dramatic rearing pose, creating a particularly lively and decorative equestrian composition. The engraving was published in Joannes Jonstonus’ important Historiae naturalis de quadrupetibus, Frankfurt am Main, 1650. The work was issued by the heirs of Matthäus Merian and forms part of Jonstonus’ celebrated multi-volume natural history of animals. Joannes Jonstonus (1603–1675), also known as John Johnston or Jan Jonston, was a Polish-born physician, naturalist and scholar. His extensive natural-history publications were among the important illustrated zoological works of the 17th century, preceding the systematic classification of Linnaeus by more than a century. From the first edition of Historiae naturalis de quadrupetibus, published in Frankfurt by the Merian publishing house in 1650. Plate II, titled within the engraving: “Equus Frisicus – Frisisch Pferd” “Equus Pannonicus sive Hungaric – Hungarisches Pferd” A beautiful early representation of the Friesian horse and an appealing decorative work for an equestrian, country-house or natural-history collection. Joannes Jonstonus (1603–1675) Historiae naturalis de quadrupetibus Frankfurt am Main Published by the heirs of Matthäus Merian 1650 Original copper engraving Plate II This is an original antique print published in 1650, not a modern reproduction. Condition: Good antique condition with overall age-related toning, scattered spotting and surface marks. Noticeable old staining and discoloration to the lower left corner and margin. Minor handling creases and wear along the sheet edges. The engraved image remains strong and well defined. Please study the photographs carefully as they form part of the condition description. Period Mid-17th Century Style Baroque Natural History Equestrian Subject Friesian Horse Hungarian Horse Equestrian Horses Natural History Zoology Frisian Keywords: Joannes Jonstonus, John Johnston, Jan Jonston, Matthäus Merian, Merian, Friesian horse, Frisian horse, Friesisch Pferd, Equus Frisicus, Hungarian horse, Pannonian horse, Equus Pannonicus, horse engraving, antique horse print, equestrian engraving, equestrian art, horse wall art...

Fabulous set of 12 prints. All statesmen. Humorous caricatures by Sir Lesley " Spy " Ward. Chromolithographs Unframed. Published in Vanity fair. Dated 1873 The measurement give...

Set of 6 Ottoman Costume Prints, Hand-Colored Engravings, 1767 Description: A highly decorative and cohesive set of six original hand-colored engravings depicting figures in Ottoman dress, published in London in 1767 by Thomas Jefferys, Geographer to His Royal Highness the Prince of Wales. These prints originate from the important 18th-century publication *A Collection of the Dresses of Different Nations, Ancient and Modern*, a work that reflects Europe’s growing fascination with global cultures and costume traditions. The engravings are based on designs after notable artists such as Holbein, Van Dyke, and Hollar, and combine ethnographic interest with refined decorative appeal. Each engraving presents a full-length figure in traditional Ottoman attire, rendered with clarity and elegance against a clean background. The garments—flowing robes, layered textiles, and distinctive headwear—are highlighted through delicate and well-preserved hand coloring. The set includes the following figures: Habit of the Greek Sultana, 1749 Habit of the White Sultana, 1749 Habit of the Black Sultana, 1749 Habit of a Turkish Lady of the Grand Seignior’s Seraglio, 1568 Habit of the Janesary Aga, or Chief Commandant of the Janissaries Habit of the Tchorbadgi, or Captain of the Janissaries, 1700 This grouping forms a harmonious and balanced composition, particularly suitable for a symmetrical wall display. With a consistent scale and palette, the set offers a refined decorative presence while retaining strong historical character. Such costume engravings are increasingly valued for their versatility in interior design, bridging 18th-century craftsmanship with contemporary decorative aesthetics. Interior mockups shown are for inspiration only. All prints are original antiques, not reproductions, and are sold unframed. Condition: Very good condition overall. Light age toning as expected. Occasional minor spotting in the margins. Strong impressions with original hand color. Plate marks visible. Framing tips: Best presented in identical dark walnut or ebonized frames with wide ivory mats. Hang as a symmetrical grid (3 × 2 or 2 × 3) for a refined and balanced wall composition. Technique: Engraving with original hand color Maker: Thomas Jefferys, London, 1767 Keywords: Ottoman prints, Ottoman costume, Turkish costume prints, Ottoman Empire art...