Jacobean Prints

Group of sixteen black-and-white prints after Sol LeWitt, from the limited edition folio "Black Gouaches," published by Stephan Natkin/Galerie Digital Arts, France, circa 1992. They ...

Black and white architectural framed print This print measures: 27 wide x 2 deep x 21 inches high This print is in excellent Vintage...

A pair of fine engravings of two Swedish monarchs by Samuel Blessendorf for Puffendorf’s History of Sweden, in antique birch frames, 1663 and 1696. Engravings of Swedish King Karl X Gustav (b. 1622 - d. 1660) dated 1663 and his successor, King Karl XI (b. 1655 - d. 1697) from 1696 by Samuel Blessendorf, a Prussian enamel painter and engraver, born in Berlin in 1670. He designed and engraved these portraits for Puffendorf’s History of Sweden by Freiherr Samuel von Pufendorf (1632-1694), Historiographer to King Karl X of Sweden. Freiherr Samuel von Pufendorf (b 1632 – d 1694) was a German jurist, political philosopher, economist and historian. He was born Samuel Pufendorf and ennobled in 1684 when he was made a baron by Charles XI of Sweden a few months before his death at age 62. Among his achievements are his commentaries and revisions of the natural law theories of Thomas Hobbes...

19th Century Botanical Engravings: A Timeless Art Form The Legacy of John Curtis and 19th-Century Botanical Engravings 🖋 Provenance Story – 19th Century Botanical Engravings with ...

This pair of engravings is made in the sanguine style, using red chalk. They represent the preparatory work for the Atlanteans of the Farnese Gallery in Rome, according to Carracci. ...

Pair of 19th-century British plant botanicals Engravings with Insects – John Curtis (1791-1862) Sold as a pair -  Please let us know your choice on your purchase order: 1 - Dandeli...

Black & White Print of Female Nude pencil signed and numbered 58/150 artist Unknown date Unknown images size: 18 3/4" x 29" "very nicely framed" mahogany frame with gold edge linen...

Early 19th Century Botanical Engraving by John Curtis – Hand Coloured Natural History Plate An original early 19th-century hand-coloured botanical engraving from the celebrated natural history publications of John Curtis (1791–1862), one of Britain’s most respected botanical and entomological illustrators. This beautifully detailed plate illustrates a flowering plant in scientific profile, showing bloom structure, leaves, buds, and root system with precision typical of early Victorian natural history illustration. Curtis’s work bridges science and art — created for study, yet prized today for its elegance and balance. These engravings formed part of the golden age of British botanical publishing, when artists collaborated with engravers and colourists to produce plates that were both accurate and visually refined. Each impression was printed from an engraved plate and then carefully coloured by hand, meaning no two examples are ever exactly identical. The composition has the clarity collectors seek: • Central botanical specimen • Naturalistic colour palette • Fine line engraving • Period scientific titling This makes it ideal as a single framed piece or as part of a gallery wall of antique botanical studies. About John Curtis John Curtis was a leading figure in British natural history illustration. He is best known for British Entomology and botanical works that combined taxonomic accuracy with graceful composition. His engravings are held in major museum collections and remain highly collectable in the decorative arts market. Period Early 19th century, circa 1820–1840. Technique Copperplate engraving with original hand colouring on laid paper. Condition Good antique condition consistent with age. Light toning and minor handling marks may be present, as expected with early 19th-century works on paper. Please see the images. Why Collect Curtis Botanical Prints...

This print originates from ‘A History of English Furniture’ by Percy Macquoid. Published by Lawrence & Bullen LTD (1906). Percy Macquoid (18521925) was a theatrical designer and a co...

This beautifully preserved hand-tinted mezzotint of William Innes and caddy, engraved by Valentine Green, from the painting by Lemuel Francis Abbott showcases the original masters of...

Selection of black and white abstract prints. From left to right, they are: 1) Abstract lithograph by Terry Haan, circa 1960s. Pencil s...

Anatomy Display – Antique Engraving by Michael Vandergucht, 1686 This fascinating late 17th-century engraving depicts an anatomy display, showing a skeleton, an écorché (a flayed fi...