Canvas Shadow Boxes

Original painting by California Artist Robert L. Foster. Painted on reverse Masonite with original vintage frame. Depicting a cattle drive with a cowboy on horse with lasso. Robert L. Foster: Welcome to Robert Foster...

Oil on canvas board by Robert Harrison of Texas hill country bluebonnet landscape. Signed lower left corner. Displayed in giltwood frame, opening size 24"L x 17.5"H.

Intriguing painting in cubist style probably by European Artist signed by the artist.

Robert Bluteau (1914–1985), a modernist still life painter, signed "Bluteau" and dated "1955", the painting features fish. It was shown in the Salon des Artistes Bretons in France fr...

Painting by American artist Robert Shirk captures playful illusions by painting layered plexiglass to bring to life a visually pleasing images. This large scale framed artwork showca...

Stunning diorama by American artist Lloyd Brown. “View of Area Above San Rafael Reef, Utah” 1999. Signed and dated with gallery tags. I Lloyd Brown has been fascinated with the viewer’s experience of panorama, particularly as it seems to negate the role of the artist, throughout his career. Tradition has it that the artist, whether painter or photographer etc is singularly responsible for framing a scene. Mr. Brown takes this task off the plate of the artist and thusly provides the viewer with not only more visual information but also the agency to see and understand what they might see and understand within the composition with their own eyes. For example, Imagine if this composition did not include the information to your far right. The work would have been framed as a vista, a landscape painting, a scene of the horizon, the great American West. But by expanding (or in essence, breaking open) the frame, the viewer also sees the world of the artist, or the visual context as part of the vision. He or she stands on the same stained concrete as the artist , is able to see though their eyes but at the same time retain their autonomy by looking away from the vista. He or she does not have to see through the artists eyes and therefore understands the moment, experiences the moment, unencumbered by the task of looking. Viewer and artist are equal. So one might ask, Is the scene about the grand vista? Is it a scene of the great American West as we expect it to be? Or is it a scene that although grand serves to accentuate the viewer’s sense of alienation or even isolation and smallness in the moment, during the experience of the painting and ultimately throughout life’s path? The coupling of the mountains, garbage bins...

Great original painting by Robert Loughlin on cardboard. Large piece with colorful image of 'the Brute.' Greens, yellows and blues with black outline. Over 20 original Robert Loughli...

American artist from Ohio, Indiana. Robert Hayes (1915 - ?) was a member of the American Watercolor Society, also the D.C. Watercolor Society/ Association, and the best known for hi...

A fantastic, large, decorative painting by Robert Moskowitz, titled "The Family", circa 1977. It is signed and dated on the back. Robert Moskowitz (born 1935 in Brooklyn, New York) i...

Robert Henri, American, 1865 to 1929, oil on canvas painting Portrait of Georgine Wetherill Shillard Smith, 1897. No visible signature, Provenance: exhibited at PAFA 1899, descended...

Painting by Robert Hector Geenens. Started with fantastic realism, often surrealism, open to dreams and imagination. Tended afterwards towards lyric abstraction and magic abstracti...

Acrylic painting on hardwood by San Diego artist, Bob Matheny. The textured painting ranges in pastel colors of blue pink and green with a slight iridescence. The San Diego conceptual artist and educator helped define the San Diego art scene in the 1960s and ’70s alongside other artist such as Richard Allen Morris...