Philippe Charles Jacquet

Le grand bain

2019

Oil on board realized by Paolo La Motta in 1996. Hand signed and dated on rear. Good condition. Includes a contemporary wooden frame 63x49 cm.

Oil on cardboard realized by Paolo La Motta (1972) in the early 2000s. Very good condition ecept for some loss of color in the lower left corner.

Oil on cardboard realized by Paolo La Motta (1972) in the early 2000s. It includes a contemporary wooden frame cm. 38.5x33.5. Very good condition.

Oil on cardboard mounted on panel, realized by Paolo La Motta in the early 2000s. It includes a contemporary wooden frae cm. 39x31. Very good condition.

Oil on cardboard realized by Paolo La Motta (1972) in the early 2000s. It includes a contemporary wooden frame cm. 43.5x43.5. Very good condition.

Solo by American artist Holland Cunningham (b. 1967) is an evocative oil painting that captures a figure standing quietly before a white house, her presence mirrored in the reflectiv...

Royal St. George’s II (2023) by American artist Holland Cunningham (b. 1967) is a contemplative oil on board painting that captures the expansive atmosphere of one of England’s most ...

Betty's tearoom original painting by Sean Durkin, displaying a seascape town with people walking and shopping.  ADDITIONAL INFORMATION: Oil Paint on Board 76 H x 76 W x 5 D cm (29...

Dorset Tennis II (2023) by American artist Holland Cunningham (b. 1967) is a vibrant oil on board which reflects the artist's ongoing interest in memory, perception, and the subtle p...

Blessed with natural artistic ability and finding encouragement from her family at an early age, Sally Swatland has traveled the proper paths to find herself in a unique place: the foremost American woman painting children at the seashore. With a romanticized nod to yesteryear, Swatland's characters are innocent and fair, in an array of matching springtime and summery apparel. Adept with brush and palette knife, she blends many artistic influences and styles into her own unique presentations. This painting features a fair-haired young girl dipping her feet in the shallow waters along a rocky shoreline. The sea behind is a brilliant blue with small white-capped waves rolling into shore. The brushwork alternates between smooth strokes in the child's form and dress and more impasto work and sharper edges on the rocks and in the more active parts of the sea. The overall effect is that of being at the sea and finding serenity in the contrast between the calm shore and the always moving ocean. The seas' eternal inspiration form a common backdrop to many of Swatland's artistic works. Born in Washington D.C., her family moved to Greenwich, Connecticut and often summered at Tod's Point, Long Island Sound. She would go on to become an art major at Mount Saint Vincent College, study under Robert Schulz in the Art Students League of New York, and come to be represented early by Alistair Stair in his New York and Florida galleries...