Hematite Drop Necklaces

Unlock a world of elegance with the iconic Tiffany & Co. 18 yellow gold key charm pendant. This exquisite piece is a masterpiece of craftsmanship, where the timeless allure of yellow...

This is an antique Emerald and Pearl Pendant Necklace set with seven gorgeous green emerald cut rectangular Emeralds in the Renaissance Revival Style. The Emeralds total approximate...

18 Karat White gold chain featuring two Pearls, one South Sea & one Tahitian measuring 12-13 MM with 31 round brilliants weighing 0.31 carats. 18 inch chain Tassel 5/8 X 13/16

Tiffany & Co Sterling Silver Hematite Bead Torsade Necklace This stunning sterling silver necklace by Tiffany & Co. features 8 strands of hematite beads for a gorgeous look that wil...

Necklace in 18 k white gold, Colombian emeralds in 18 k yellow gold 32,24 ct emerald drops 5.40 ct diamonds W/vsi-si Length 46 cm and an extension for in...

Pierre Cardin vintage modern gold and white tone metal necklace. Pendant measures almost 5" long and is made in two sections. The chain is made up of gold tube beads linked together...

Elsa Schiaparelli famously embraced "shocking pink" for her Surrealist-aesthetic couture clothing and handcrafted costume jewelry, which she commissioned from Parisian paruriers beginning in the late 1920s--when some of the most expensive gems were fuchsia Burmese rubies. In this antique glass-beaded sautoir tassel necklace, 37 unusual fuchsia faux-pearls are each delicately caged like hot-air balloons by seven textural strands of faux-pearl-and-gold seed beads. These spherical stations are spaced by lustrous white medium-size faux pearls, ending in a four-strand seed-bead tassel that cages four of the fuchsia beads. The beads are strung on bright magenta silk cord without a clasp. Sautoirs were an essential element of flapper style since Schiaparelli's couture-mentor Paul Poiret changed the silhouette of clothing in the 1920s, while the long necklaces remained popular until wartime 1939. To compete with her rival couturier Gabrielle "Coco" Chanel, Schiaparelli (1890-1973) relied on the same French glassmakers, Maison Gripoix and Louis Rousselet--the masters of faux pearls at the time who added organic-ingredient coatings to their handmade glass beads. Either glass workshop that was established by the 1920s could have been commissioned to make the progressive hot-pink pearls for this unsigned necklace that dates to the Art-Deco period. The design of this highly-textural tricolor sautoir featuring fuchsia spheres could suit the style of one of Schiaparelli's most frequent paruriers through the 1930s, Jean Clement. Some of his relevant unsigned work for Schiaparelli is in museum collections like The Met, including highly-textural tricolor sphere-decorated buttons/brooches and a fuchsia-toned metal-rosebud bead necklace. After Schiaparelli had become associated with fuchsia, she made particularly prolific use of this bright magenta in the late 1930s. In her demi-couture collections such as "Circus" and "Comedia dell' Arte" (see our 3 photos), fuchsia jackets are adorned with similar colorful spherical glass beads among embroidered appliques and animal/clown brooches, as well as whimsical painted-ceramic buttons...

Alex Jona design collection, hand crafted in Italy, 18 karat yellow gold Necklace suspending 7 drop cut white diamonds weighing 1.00 carats in total, G color, V...

Alex Jona design collection, hand crafted in Italy, 18 karat yellow gold necklace featuring 19 round cut drilled white diamonds weighing 1.50 carats in total, G color, VS2 clarity. ...

A Belle Epoque natural pearl and diamond sautoir necklace, centred with an openwork plaque of geometric design, encrusted with swiss-cut diam...

A magnificent mid-Victorian natural peal, emerald and diamond pendant, to the centre a natural pearl measuring approximately 7.7mm in diameter, surrounded by a lozenge-shaped frame set with four rectangular-cut emerald and eight old European-cut diamonds, with four outstretching diamond-set bow-like motifs, all within an outer oval border set with emerald-cut emeralds, and flanked with four smaller natural pearls each measuring approximately 4.9mm in diameter, suspending a detachable natural pearl drop with rose-cut diamond cap, the pearl measuring approximately 11.2 x 8.6mm, accompanied by certificate stating that all pearls are natural of saltwater origin, all surmounted by a diamond-set pendant loop, the diamonds estimated to weigh 1.5 carats in total, the emeralds estimated to weigh 1.5 carat in total, all mounted in yellow gold, with a fancy link chain, with original fitted case, circa 1850, the pendant measuring approximately 6 x 2.8cm, the chain measuring approximately 41 x 0.3cm, gross weight 28.6 grams A gorgeous nineteenth century pendant comes from the collection of Bentley & Skinner, Jewellers by Royal appointment His Majesty King Charles III. This pendant captures the mid-Victorian style of Renaissance revival, incorporating elements of fifteenth century jewellery design. This piece features a frame of emeralds and diamonds with a beautiful natural pearl in the centre. Further pearls decorate the frame of emeralds and diamonds, and a pearl drop from the centre completes the pendant. This ornate and striking piece is suspended from a lovely Victorian snake chain...

Ethereal and delicately refined, this necklace features a graceful garland of marquise-cut diamonds and luminous Aurora Akoya pearls. The design gently curves along the neckline, blo...