1980s Enamel Frames and Objects

A jewelled gold-mounted bowenite and enamel frame, Fabergé, Michael Perchin, St. Petersburg, before 1899, the circular bowenite frame centred by translucent mauve bezel with applied ...

A fine antique Austrian glass, silver, & enamel table or dresser box. By Georg Adam Scheid. With a cornucopia or vase form decoration enamel flowers in a guilloche cartouche. The r...

Fabergé Spring Egg, 18k Yellow Gold, Translucent Pink Guilloché Vitreous Enamel, 79 Diamonds 1.06 ct G VS, Bowenite, Rose Quartz, Citrine, Rock Crystal, Amethyst, Topaz The Spring Egg, created in 1996, is the first in the Fabergé “Four Seasons” series inspired by Antonio Vivaldi’s celebrated violin concertos. It represents the awakening of spring through a delicate fusion of colour, movement, and music. The egg’s exterior is crafted from 18k yellow gold, covered with translucent pink enamel on a guilloché ground. Its surface is richly decorated with applied golden garlands, bows, and floral motifs, accented by 79 brilliant-cut diamonds totalling 1.06 ct (G VS). The vibrant pink hue, enhanced by guilloché engraving, symbolises freshness and renewal. When opened, the egg reveals its surprise: a golden vase containing a vivid bouquet of flowers carved from semiprecious stones — citrine, rock crystal, amethyst, and topaz. Each blossom is highlighted by a sparkling diamond “dewdrop”, while the leaves are crafted in green-enamelled gold. The bouquet slowly revolves to the melody of Vivaldi’s “Spring” from The Four Seasons, played by a dedicated Swiss music movement by Reuge. The mechanism was further modified and refined by Swiss master watchmaker Paul Gerber...

This artistic clock features a beautifully crafted enamel deer design, lively and charming, as if leaping through nature. Created by the Frascarolo brand, this piece is a classic fro...

An exceptional and rare 18th-century Indian bazuband (armband) crafted circa 1775. This exquisite piece showcases the artistry of the period with a striking dual-sided design. One si...

Vintage 14 Karat Yellow Gold and Mother of Pearl Buttons- This elegant set of three buttons are crafted in beautifully detailed 14K yellow gol...

A beautiful box with fine enamel work studded with Diamonds and Rubies. Similar enamel work can be seen in Indian and Mughal jewellery from centuries ag...

Fabergé Polar Bear-Egg Object, 18k White Gold, Turquoise Guilloché Vitreous Enamel, Diamonds 0.17 ct G VS, White Topaz, Sardonyx, Rock Crystal The Polar Bear Egg, created in 2003, captures the brilliance and clarity of the Arctic winter. The egg is made of 18k white gold and covered with multiple layers of turquoise translucent vitreous enamel on a guilloché ground, producing a luminous icy shimmer. It is crowned with a prominent conical white topaz and decorated with numerous stylised ice-crystal motifs in white gold. The opener, also shaped as an ice crystal, is set with brilliant-cut diamonds. When opened, the egg reveals a miniature scene of a mother polar bear with two cubs, modelled in 18k white gold, resting on an ice floe carved from sardonyx with its natural frosted surface resembling snow. The pedestal is made of frosted rock crystal cut with angular facets to evoke a glacier. It rests on a circular base of polished rock crystal, mounted with white-gold feet that provide stability and refinement. Background: Fabergé’s animal...

This Fabergé egg commemorates Carl-Peter Fabergé’s sojourn in Dresden in 1860/61 and the artistic influences he absorbed at the Green Vault. The foot is crafted of hand-painted porcelain by the State Meissen Porcelain Manufactory, designed expressly for this piece. The upper half of the egg in gold and enamel contains a miniature garden with a diamond-set well house and trees of nephrite and pearls. A dedicated Swiss music box movement by Reuge plays a minuet by Luigi Boccherini, while the well house and trees move in contrapuntal motion. The transformation of the music box movement into the motion of the well is achieved by a special mechanism with an additional spring, developed by the Swiss master watchmaker Paul Gerber...

An important Fabergé enamel and gold lorgnette, the lorgnette comprising two circular lens within a rose gold mount, with exquisite pearl white enamel handle with engine-turned background, with yellow and rose gold floral decoration and ring termination, bearing Fabergé marks...

Indulge in the timeless elegance of Lapponia with this exquisite tie clip. Crafted by Lapponia, a renowned brand from Finland, this tie clip features a beautifully simple yet sophist...

A unique 18k white gold Mauboussin multi-gemstone clutch bag. The clutch comprises of princess cabochon cut green tourmalines, sapphires and rubies placed evenly on the and back. There are diamonds set in a pave setting around the top and base of the clutch. Inside the clutch Mauboussin has designed a ladies essential bag including mini perfume bottle, Chanel lipstick, Chanel powder, a mirror, a tortoise shell comb...

Edwardian parasol handle made in France. Very beautiful and elegant piece, created in Paris France during the Edwardian and Belle Epoque periods, back in the 1900. This fabulous parasol handle has been designed with French neo-classic patterns in the style of Louis XVI. Crafted by assembling pieces made up in 18 karats yellow gold, carved citrine and amber color faux tortoise. The baton is fitted with a screw to attach to any parasol or cane. The round gold parts on top are made with multiple leaf motifs, bows, tassels and floral clusters, typical from the Belle Epoque period. Gemstones: The top part is mounted, with 1 cylinder cabochon cut of natural translucent citrine quartz of about 120 carats. Birthstone: Citrine, for the month of November. Weight: 66.95 Grams, (42.91 Dwt). Measurements: 248 mm by 20 mm (9.75 x 0.79 Inches). Hallmarks: Both gold parts are stamped with French marks; the head of the eagle for the assay and warranty of the 18kt gold and the maker's maitre mark inside a lozange cartouche. Edwardian era, like the Georgian and Victorian eras before it, derives its name from the reign of the English King, Edward VII (1901-1910). Edwardian jewelry is known for representing femininity while incorporating a lot of the color white. Think diamonds, pearls and white metals like platinum and white gold. Diamonds often had an Old Mine or European cut and sapphires were a popular choice for a pop of color. They tended to be made from platinum and diamonds – the more, the merrier – and used fashionable, intricate techniques such as filigree and millegrain. Edwardian rings are works of art and best worn alone or alongside a simple wedding band...

A Rare Qajar Gold and Enamel Parasol Cane Handle A very rare Persian, Qajar, polychrome enamelled gold cane handle, of cylindrical form, decorated with fl...

Fabergé Rose-Egg Object, 18k Yellow Gold, Aubergine Red Guilloche Vitreous Enamel, 51 Diamonds 4.36 ct G VS, Garnet, Pink Tourmalines The Rose-Egg Object, created in 2002, is one of...