Oval Cut Models and Miniatures

This beautiful cameo brooch/ pendant depicts the Last Supper in great detail. A true cameo is a miniature sculpture in relief, carved from a single shell. Travelers touring Europe he...

This vintage unmounted Carnelian shell cameo depicting the profile of the beautiful young lady with a little bird is very well carved in exquisite detail. This cameo dates back to around the 1930s-1940s. The carving on this cameo is excellent and well-detailed, with good relief. This was carved by Giovanni Noto, an excellent carver, sculptor, artist, and professor (1902 - 1985). This loose cameo...

A diamond and mother of pearl gun pendant in 18-karat rose and white gold. Whether you are a fan of James Bond or usually root for the Bond Villain, it is hard to ignore this exquisi...

The cameo at the center of this exceptional pendant is a stunning example of the art of gem engraving during the Renaissance. It likely dates to the early 17th century and features a sacrificial scene inspired by the Greco-Roman era. The central flaming altar is flanked by two figures preparing to sacrifice a ram, while a figure in a lion skin blowing horns stands in the left corner. The carver brilliantly uses the natural layers of the stone to achieve the illusion of shadow and musculature on the figures. A second, smaller cameo is set at the top of the pendant, while a myriad of multi-colored gems, pearls and enamel adorns the 18K gold setting. A large Baroque pearl suspended from an enamel dragon finishes the design, which embodies the opulence and theatricality of jewels from the Renaissance age. Cameos and intaglios were highly popular amongst wealthy connoisseurs in Renaissance Italy, and owning the finest pieces was the privilege of princes. Although they were often elaborately mounted for display alone, cameos were also frequently worn as pendants, surrounded by enameled and stone-set gold frames. Such pieces were particularly prized by the Medici and Lorraine families, many of which can now be seen at the National Archeological Museum in Florence. Very few Renaissance cameos...

This beautiful large cameo of a bacchante is a fine example of Italian workmanship of the mid nineteenth century. It has been mounted in an elegant victorian 9 karat gold frame

Oval-shaped, the cover set with an agate cameo male portrait bust, the grille a fine floral spray and initial name "B", with suspension ring. 1 in. (25 mm.) long without suspension r...

--Stone(s):-- (1) Carved Hardstone Cameo - Oval Shaped - Multi-Prong Set - Orangy-Brown Base Color w/ white Carving - 26.3x19.3mm (approx.) (20) Genuine Cultured Pearls - Round Shape...

Schlumberger Gold Fish Lighter Made circa 1939. A flexible goldfish with textured gold scales set with a cabochon sapphire and ruby as eyes, 18k yellow ...

SHIPPING POLICY: No additional costs will be added to this order. Shipping costs will be totally covered by the seller (customs duties included). PS: THIS POLICY IS NOT APPLICABLE TO ITEMS WITH FIX PRICE, ITEMS AT AUCTIONS AND ONGOING PROMOTIONS. Authentic 19° century Brooch in 18k yellow gold structure with a central cameo finely carved with lady motif. This cameo was totally handmade by Italian master goldsmiths Cameo 3...

Falcon Yellow Gold 18k Pendant Charm Pendant. Total length: 1.38 inch (3.50 centimeters) including bail. Total weight: 8.24 grams

For any problems related to some materials contained in the items that do not allow shipping and require specific documents that require a particular period, please contact the selle...

This Victorian unmounted Carnelian shell cameo depicting the right-facing profile of the Princess is very well carved in exquisite detail. The surface is as crisp as the day it was crafted, impressive for a shell cameo from the late Victorian era. This would date back to around the 1860s-1890s. The carving on this cameo is excellent and well-detailed, with good relief. This was carved by an excellent carver, as were most Victorian cameos. This loose cameo...