Amsterdam - Art

Attractive group portrait depicting the 4 children of Jean Gabriel Verne, Count de Besseuil and Julie Sophie Guy de la Findoise, making music together. The depicted children are:...

oil stick, acrylic, charcoal on raw linen canvas

Large Prussian-blue grisaille. French, Rococo, mid-18th century. Depicting a romantic couple resting by the edge of a lake, in a wooded landscape with abundant, luxuriant nature. Pro...

oil stick, acrylic, & charcoal on raw linen

Figurative Textile Art, Cotton, Handmade Free style weaving 80x80cm UNDER COMMISSION About the artist Matthias De Vogel The Textile art studio Fau...

Step into the mesmerizing world of EXIT, the original acrylic painting on canvas meticulously crafted and shaped by the divine proportions of the golden rectangle. Inspired by the Re...

oil stick, acrylic, & charcoal on raw linen

oil stick, acrylic, & charcoal on raw linen

Leead Shamir's "Two Faces" is an exquisite acrylic canvas that encapsulates the essence of duality and the complexity of human emotion. Born in 1969 in Ashke...

Roland Strasser (1895-1974) "Japanese Geisha" Signed lower right Oil and gold leaf on canvas, measures: 76 x 46 cm In fine white-wash wood frame. ...

Charming tavern scene depicting drunken peasants enjoying dancing and drinking in front a farmhouse/ tavern in a landscape. Painted in great detail in vivid colors on a hand cut oak ...

Stone statue in the temple at Madura, India, 1914 Signed with initials top right Pencil on paper, 21.2 x 16.7 cm Literature: Ernst Braches en J.F. Heijbroek, W.O.J. Nieuwenkamp,B...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

"Myriad Scintilla" by Ron Mills is 145 x 165 cm unframed. The frame that it includes makes it a total size of: 151 x 171 x 5.5 cm The frame is included in the price, but can also be...

oil pastel, charcoal & acrylic on raw linen

David Finsonius (Veere 1597- Bergen op Zoom 1646/1648) Portrait of a girl with a rose and a red coral necklace With traces of the artist’s signature and annotated AETATIS S.V. 2 1⁄2 Ao 1631 Oil on panel, H. 104.5 x 79.5 cm Provenance: Purchased by Jonkheer Helenus Marius Speelman (1857-1909), Kasteel de Wittenburg; thence by descent The work shows a strong resemblance to a portrait by Finsonius in the North Brabant Museum. This signed and dated "Girl with Basket and Cherries" (Inv. 15529), was painted just a year later, in 1632. Not only are the paintings remarkably similar in overall size and format, in painting style, and in the positioning of the girls in full length in their white lace dresses. They are also connected by the iconographic scheme of the respective coral necklaces, each with a gold memorial medal hanging from it. Although they are of course individuals, the faces are very similar in their depictions of features such as eyes, nose, and lips. This points to the same technique applied by the same painter. Finally, the handwriting is almost the same on the works by Finsonius known so far. About the painter, David Finson named 'Finsonius' (related to the better-known Louis Finson...

oil pastel, charcoal & acrylic on raw linen

Uri Dushy's pop art piece stands out as a testament to his decades-long exploration of art's origins, blending artistic genres to forge provocative and captivating creations. This pi...

CHRISTOFFEL LUBIENIECKI (1659-1729) Pair of portraits of a gentleman and a lady, both in silk kimono, before a country house (circa 1680) Indistinctly signed “C.......” on a box under the man’s left hand Oil on canvas, 79.5 x 67 cm each Both sitters are portrayed wearing a silk “Japanese” coat. During the second half of the seventeenth the Japanese silk coat, an adapted Japanese kimono, became a real vogue in the Dutch elite. The exclusive Dutch trade contacts with Japan can explain the popularity of the kimono-style silk coats in the Netherlands. Everybody who could afford one, dressed in such a fashionable and comfortable coat and, like the present sitters, some proud owners had themselves portrayed in a “Japanese” coat often together with an oriental carpet to underline their standing and international connections. These portraits are the work of the Polish-born portraitist Christoffel Lubieniecki (also known as Lubienitski, Lubinitski or Lubiniecki) Lubieniecki was first trained in Hamburg under Julian Stuhr and after 1675 in Amsterdam under Adriaen Backer and Gerard de Lairesse. He specialized in landscapes, generally of an Italianate character, and in portraits. The loving execution of these contented burghers, enjoying the garden vistas of their country house, places him alongside Amsterdam portraitists such as Constantijn Netscher and Michiel van Musscher...

Boris Shpeizman, an glass craftsman, transforms the childhood dreams of men into tangible art, focusing on the yearning for unattained toys and their delicate inner worlds. He crafte...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

Charles Legrain, (19th century) Two Javanese landscapes Both signed Legrain Ch. and one dated 1857 Both oil on canvas, size: 95 x 114 cm In rich gilt-gesso frame. (2x).

A sawah landscape, Sumatra Signed and dated 'Sonnega '54' (lower right), and annotated 'Voor Jan de Bas 1-1-1970 / R de Bas' (on the reverse) oil on canvas, 50,5x60,5 cm Provenance: - Collection Pieter de Bas (1909-1979) Mr de Bas was head of the MULO school and acting head of the HBS school in Medan. Thence by descent to the present owner. Exhibited: - Hotel de Boer, Medan 1954, where acquired by the first owner. The light I observed everywhere was of a special quality, fluorescent blue, shone from nowhere but radiated from every point, oddly with great depth and intensity. The light in an entirely different dimension came from nowhere and went nowhere shimmering with the glow of a bright blue jewel. The most important thing I discovered was of being omnipresent and able to understand everything at the same time, yes I could fathom creation completely. Auke Sonnega, born March 9, 1910 in Leeuwarden, known as the painter, primarily of young Balinese men and women. Originally raised in the reformed denomination, the parents of Auke apparently practised theosophy and their children, including Auke were taught these principles. The talent for drawing revealed itself at an early stage which in 1926 lead to a 4-year study of textile design at the Academy for Art and Craft in Amsterdam. He completed the academy in 1930 and worked in a carpet factory in Twente until 1934 and then followed in his sister Aafje’s footsteps leaving the Netherlands to go to the Dutch East Indies where in 1935 he started working as a graphic designer with an advertising bureau in Batavia. He was able to travel through Java and Bali on the motorbike that he brought with him from Europe, and was paid for his travelogue, enhanced with his own photo’s which appeared in several Dutch newspapers and magazines. In the 1930’s two Europeans, Walter Spies and Rudolf Bonnet...

Joseph-Marie Vien (1716-1809) ‘Ambassadeur de Siam’ and ‘La Sultana Reine’ Both titled lower centre, the drawing of the ambassador inscribed with colours intended for the prints, e...

The Lonely tree was photographed near Salt Lake City in 2012. It is printed on Hanemühle paper. Size is 120 cm high and has a white border of 10 cm :: Photograph :: Color :: This pi...

"Once again we are able to contemplate the unique work of Joan Peris with its imaginative and fresh landscapes. All his paintings are as fascinating as they are unusual, emitting the...

ERWIN BINDEWALD (1897-1950) Two men playing draughts, a girl with the red book standing behind them Signed and dated E. Bindewald d.j., 27 Oil on canvas, 140.5 x 90.5 cm In black and gilt gesso frame. Note: Bindewald was born in Charlottenburg. He moved to Berlin in 1914 where he studied till 1924 at the Berliner Kunst Akademie. Bindewald travelled in Europe, but mainly stayed in Germany and certainly never was in China. This painting was made in Europe, presumably in the China Town of Berlin. Bindewald received several commisions in Germany from factory owners who wanted their factories painted inside, usually with workers, as well as outside. In the present painting the sitter on the right seems to be a man with a Manchurian background, wearing the brown coat reserved for the highest aristocracy in China. In China the black sleeve-ends completely cover the hands, indicating that the high aristocracy does not have to do any manuel labour. This man clearly is not a factory worker but he possibly is the (co)- owner of the factory in the background and as such might need his hands to do at least some writing. The man on the left in the modern Western suit...

FRANÇOIS MATHURIN ADALBERT, BARON DE COURCY (1805-1839) 'Le Negrito à l’ancre. Dans le port de la havanne' Indistinctly signed lower left Titled on the mount Pencil and watercolour, heightened with white, on paper, 24.8 x 34.6 cm Literature: The present watercolour will be illustrated in: - Prof. Manuel Garcia’s projected book on the disease and the slave trade provisionally titled “Fighting the Yellow Demon of Fever: The Struggle against Disease in the Illegal Slave Trade”. - Prof. Micael Zeuske’s forthcoming Global history of slave trade. Exhibited: Mexico City, 1998, Palacio Virreinal, El Barón de Courcy, illustrationes de un viaje, 1831-1833, no. 108 Note: Baron de Courcy was in the Caribbean in late 1832 and early 1833, following his tour of Mexico in 1832, on the last leg of his “Grand Voyage...

Abraham Johannes Romswinckel (1810-1856) Self-portrait in Indonesian landscape Inscribed Abr. Joh. Romswinckel, geb. Batavia 17 Oct. 1810, overl...

Jacob Eduard Van Heemskerck Van Beest (1828-1894) “Avondgebed; Maleidische tripang visschers onder de hoge kust van Celebes” (Ev...

"Once again we are able to contemplate the unique work of Joan Peris with its imaginative and fresh landscapes. All his paintings are as fascinating as they are unusual, emitting the...

Françoise Nielly has explored the different facets of image all her life, through painting, photography, roughs, illustrations and virtual computer generated animated graphics. It is...

John Bizas, a sculptor with an exceptional gift for conveying profound themes through his art, unveils "Costume," a captivating sculpture of a shark, exquisitely shaped from Carrara ...

Carolina Karpati's glass-fusion wall sculpture, "Joy," is a manifestation of her profound artistic journey and the legacy of being surrounded by diver...

Oil and gold leaf on canvas For centuries, artisans and artists have turned to gold leaf as a way to make their creations shimmer and shine. Also many contemporary artists continue ...

"Limen" by Ron Mills is 145 x 165 cm unframed. The frame that it includes makes it a total size of: 151 x 171 x 5.5 cm The frame is included in the price, but can also be removed fr...

Theo Meier (1908-1982) View of the Village of Iseh, painted from the house of Theo Signed and dated 48 Theo Meier lower left Oil on canvas, 68.5 x 50 cm In original frame carved by the artist. Note: Theo Meier arrived in Bali in 1936 with the intention of going on to Tahiti where he had been before. However Bali turned out to be the paradise he had been searching for in his dreams and he had no desire any more to move elsewhere. Bali at that time was still a very traditional place where society lived according to an acient religious system and in a luscious tropical setting the modern world was ignored. Here he met Walter Spies...

Four outrigger proa’s on the beach of Kusambe, Bali, 1937 Signed with initials, dated and described with location bottom left Pencil and ink on paper, 29.7 x 35 cm In ebonized frame with white mount WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art and objects for their collections, Nieuwenkamp immediately started to purchase and order a wide range of ethnographic art and objects from local artists and craftsmen. Through his drawings and books, he gave an excellent impression of Balinese art and culture at that time. Since 1854 Northern Bali was under Dutch...

Drawing from the ethos of giving new life to the discarded, this eco-art presents a striking lamp sculpture that marries the elegance of blown glass with the grounded, earthy presenc...

Drawing from the ethos of giving new life to the discarded, this sculpture of eco-art presents a striking lamp sculpture that marries the elegance of blown glass with the grounded, e...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

Statue of Vishnu Garuda, Bali, 1904 Signed with initials Pencil and ink on paper, 21.4 x 21.3 cm Literature: Bruce W. Carpenter, W.O.J. Nieuwenkamp. First European Artist in Bali,...

GOVERT VAN EMMERIK (1808-1882) View on the Governor’s Palace in Paramaribo, Surinam Signed and dated 1856 Oil on canvas, 70 x 90 cm In large gilt...

Four Balinese, 1910 Signed and dated bottom left Pencil and ink on paper, 15.6 x 23 cm In ebonized frame with white mount. Literature: W.O.J. Nieuwenkamp, Zwerftochten op Bali, Amsterdam, 1910, p. 36 WILLEM OTTO WIJNAND NIEUWENKAMP (1874-1950) Nieuwenkamp was born on July 27th 1874 in Amsterdam. His father owned sailing ships sailing to Indonesia and hearing the stories of the returning captains evoked in the young Nieuwenkamp an obsession for distant lands and adventure. After a failed attempt by his father to have his son make a career in his business, Nieuwenkamp attended the Academy for Decorative Art in Amsterdam. However, he left within one year to go his own way. He was an autodidact and a great experimenter with new techniques, particularly in the art of etching. Nieuwenkamp was a very focused man with the discipline of a scientist tempered by the sensitivity of an artist, a lust for adventure, a natural appreciation for ethnic arts and an enormous ambition to tread new paths. In 1898 he visited Indonesia for the first time and on his second visit in 1903-1904 he went on to Bali and became the first foreign artist to love Bali and the Balinese with a passion. Having secured agreements with several museums in the Netherlands to obtain Balinese art...

oil stick, acrylic, & charcoal on raw linen

Aparici's work is characterized by simplicity, since most of his pieces bring together few elements, resulting in very elegant compositions with simple lines, which together with his...

"The constant search for matter with its limitations has led me to work with different elements throughout my career, but it is now with cement, waxes and tar that I have found my ow...

The script in this sculpture is from the song “Thousand Years” by Christina Perri The sculpture is not very big but it is heavy: 50kg In Lluís Cera’s sculptures, soft, voluptuous f...

Daniele Fortuna's Venus sculpture is a captivating fusion of classical beauty and contemporary vibrancy, marrying the timeless elegance of ancient Grec...

Lazlo Tatz (Hungary 1888 - Philippines 1951) Portrait of a Chinese man Oil on canvas, H. 50 x W. 44.5 cm Tatz studied in Budapest and Paris, and in 1931 h...

The script in this sculpture is from the song “Don't Stop Me Now” by Queen. The sculpture is almost 19kg (18.7kg exactly) In Lluís Cera’s sculptures, soft, voluptuous forms are embe...

Françoise Nielly has explored the different facets of image all her life, through painting, photography, roughs, illustrations and virtual computer generated animated graphics. It is...

Discover the Essence of Joy: Karel Appel's "Clown Cat" 9/10 Limited Edition Sculpture in Acrylic on wood. Crafted from the finest wood, its playful contours and vibrant hues captiva...

Step into a world where music and visual art converge in perfect harmony with Zahava Lupo's original acrylic on canvas, capturing the essence of summer in a symphony of color and for...

The unique work by Daniele Fortuna, Thologiny (Colormination) is made with the technique of carving on wood and is painted in acrylic. The Colorminatio...

Françoise Nielly has explored the different facets of image all her life, through painting, photography, roughs, illustrations and virtual computer generated animated graphics. It is...

X-Ray photography printed onto C-Type and mounted on Diasec. Artist Proof "We live in a world obsessed with image. What we look like, what our clothes look like, houses, cars… I li...

X-Ray photography printed onto C-Type and mounted on Diasec. Edition of 9 "We live in a world obsessed with image. What we look like, what our clothes look like, houses, cars… I li...

Edition of 50 Ger Doornink's limited editions are based on a high resolution scan of the original artwork. They are printed on archival Hahnemühle German Etching paper. This techniq...

This Lead Shamir's original painting is a stunning visual representation of her multidisciplinary approach, where she utilizes a vast array of techniques and materials. This particul...