Austin - Art

This surreal neo-expressionist nude portrait is by Spanish artist Pep Suari and features a woman pouring water from a pitcher into the "Dream Fount...

Unknown Artist 29" x 44" Oil on Canvas Framed Size: 36" x 51" Antique

JIMI HENDRIX ON STAGE AT THE WINTERLAND BALLROOM IN SAN FRANCISCO, FEBRUARY 1968. One copy available Signed limited edition #7/150 Rare signed platinum print with deckled bottom edge

By Bob Ragan 34.5" x 17" x 17" Texas Limestone 620 lbs

Signed limited edition print by Ed Caraeff of Dolly Parton taken during the cover session for her album ‘Here You Come Again’ in Los Angeles, CA, US, July...

This stunning black and white image features French actress, singer, dancer, and fashion model, who later became an animal rights activist, Brigitte Bardot. She was one of the best-k...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Unsigned. 63 x 51.25 in. 64.5 x 52.5 in. (framed) Custom framed in an ebonized solid walnu...

The Beatles, Candlestick Park, San Francisco, CA 1966 Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned digital pigment p...

Traditional Japanese Oshie Artwork form the 1960's. Signed by artist in lower right corner in Japanese characters. Framed behind glass.

By Pep Suari 32" x 39.5" Acrylic on Linen This figurative expressionist painting by Pep Suari depicts a man and a woman looking at each other with flowers between them. The colors o...

By Tom Shefelman 20" x 24" Watercolor on Paper

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, and titled verso. 62.25 x 62.25 in. 63.75 x 63.5 in. (framed) Custom framed in a maple floater with a polyurethane clear coat finish. Provenance MacKenzie Art Gallery, Regina, Canada Private Collection, Lancaster, PA Exhibited "," June 2, 2003-July 15, 2004, The Edmonton Art Gallery, Edmonton, Canada. Publications "Kenneth Lochhead: Garden of Light...

"Detour" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 48 x 36 inches. A warm, calming composition ...

Artist: Helmut Barnett Medium: Mixed Media Lithograph Sheet Size: 12" x 10" Framing: Framed Condition: Excellent

Nirvana contact sheet print by Chris Cuffaro taken in Los Angeles, California for Creem Magazine on July 22nd, 1991. Large format 32" x 24" print - signed and marked as an Artist Pr...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas (diptych). Signed and dated verso. 68.25 x 32.25 in. 69.75 x 33.5. (framed) Custom framed in...

Title: "Congress Ave." Artist: Pep Suari Medium: Acrylic paint on paper Size: 20" x 27" Framed

Abstract Scultpure by Duff Browne 11" x 21.5" x 4

The Who under a Union Jack flag, 1968 by Art Kane Shot in 1968 in NYC in Morningside Park near Columbia University, Art Kane had plenty of fun with The Who. Kane described them as “...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower right. 35 x 45.5 in. 36.5 x 47 in. (framed) Custom framed in a solid...

Artist: Georges Braque Title: "La Charrue" (The Plow) Year: 1960 Medium: Original Hand Colored Lithograph on Printed Japan Nacre Signature / Edition: Signed in pencil "G. Braque" in ...

Pep Suari 14.75" x 40" Acrylic on Board

This bright and sunny landscape by By Jim Rodgers features bright green trees and grasses budding in the spring on either side of a flowing creek. It was painted outside of Johnson C...

Italio Botti created this cheerful seascape in thick impasto oil paint on canvas. The scene depicts a sunny beach with an orange boat in the foreground. In the distance in a pale b...

"Mystic Waters" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium on a cradled wood panel. The painting measuring 20 by 30 inches. A...

A richly textured abstract mixed media composition on gallery wrapped linen. This image resembles a landscape of a prairie with deep browns and beiges with hints of reds, yellows, a...

By Roberto De La Renta 34" x 22.5" Acrylic on Paper

By Tim Shefelman 20" x 26" Watercolor on Paper

A warm and entrancing abstract composition in oils, cold wax, and powdered pigment. It has a gorgeous pallet of reds, oranges, golds, and purples. The artist engraved the surface...

This painting is part of a aesthetic study on a mysterious fountain by Bartolome Sastre. There are three pieces in this study, titled "Raixa". This painting measures 39.5" x 28.75" a...

Waterline Fine Art, Austin, TX is pleased to present the following work: Diptych, acrylic on canvas. Signed lower right. Two canvases, joined along vertical stretcher on verso. 40 x 60 in. 41 x 61 in. (framed) Custom framed in maple. Provenance Estate of Beatrice Mandelman 203 Fine Art, Taos, NM A certificate of authenticity issued by the Mandelman Ribak Collection at the University of New Mexico Foundation will be provided with this work. Beatrice Mandelman was born on December 31, 1912 in Newark, New Jersey. At age 12, she began taking classes at the Newark School of Fine and Industrial Art, subsequently attending Rutgers University, the Newark School of Fine and Industrial Art, and the Art Students League in New York. In 1935, Mandelman was employed by the Works Progress Administration (WPA), first as a muralist and then as a printmaker with the Graphic Division of the New York Project. One of the original members of the Silk Screen Unit under Anthony Velonis, she worked until the disbandment of the WPA in 1942. During this period, she was associated with numerous New York School artists including Louis Lozowick, Willem de Kooning, Arshile Gorky, Jackson Pollock, and Stuart Davis. Mandelman married fellow artist Louis Ribak in 1942, and two years later they traveled to Santa Fe, NM to visit his teacher and mentor, the artist John Sloan. Finding Santa Fe congested, they took the train along the Rio Grande and a stagecoach up to Taos and decided to settle there. An impulsive and inspired move, it was a decision that would effectively remove them from mainstream art involvement, for which Santa Fe had become an important outpost in the west. While Taos was a well-known within the art community, there were no galleries exhibiting modern art. This changed later in the decade, with an influx of new artists arriving from New York and California. Some of these artists would come to be known collectively as the “Taos Moderns...

Artist: Tom Reno Measurements: 60 x 48 inches Medium: Oil on Canvas A striking abstract composition by Tom Reno, executed in acrylic on canvas. Reno describes his pieces as "destin...

This calm and peaceful night scene by Borja Fernandez depicts the coastline of Pollensa. This piece is executed on oil on canvas and measures 38.25 x 5...

This unique wool knotted tapestry was created by Swiss artist Claire Wermeille. This piece is tan and beige with dark brown, orange, olive green, an...

SALVADOR DALI (1904-1989) Title: Wilfred of Ivanhoe Medium: Lithograph Measurements: 23.63 x 18 in Edition: 231/250 Signat...

Jim Morrison, taken in 1968 by Art Kane Art Kane and Jim Morrison hit it off and spent the shoot discussing culture, literature and current events. Kane photographed Morrison for Li...

By Rei Yuki Medium: Wood block print on paper Size: 27 x 21" Year: 1967 Framed

Page Size: 30 x 22 in. Frame Size: 37 x 25 in. Ink drawing on paper Signed in pencil, bottom right. Titled in pencil, bottom left. A cheerful and vibrant depiction of a hummingbird,...

Borja Fernandez (b. 1944, Spanish) Title: "Rooskey, Irlanda" Medium: Oil on Board Dimensions: 39.5" x 39.5" Markings: Signed LR

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated verso. 49.5 x 34.5 in. 51 x 36.25 in. (framed) Custom framed in a maple fl...

Title: "Printemps" Artist: Borja Fernandez Medium: Oil on Board Size: 25.5" x 39.25"

Keith Richards of The Rolling Stones, photographed in NYC, 1988 by Timothy White Artist Proof Print, 20x20" image on 23x23" paper. Signed my Timoth...

"It's Springtime Somewhere In the World" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder, and rice paper on a cradled wood panel; measuri...

Retro 1960's photograph depicting President JFK, John F. Kennedy, and the First Lady Jacqueline Kennedy sailing in beautiful Hyannisport. Fine period ...

Still life by Gustav Likan 16" x 20" Acrylic on Canvas signature located on lower right side and dated '64

"Venecia" Artist: David Gamero Medium: Oil on canvas Size: 32" x 32"

Gorgeous view of the Austin, Texas skyline on Town lake during a colorful sunset. Yellows, reds, oranges and purples erupt off the canvas in a dramatically beautiful fashion in this ...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed, dated, titled, and estate stamped on verso. 50.25 x 31 in. 51.25 x 32 in. (framed) Custom framed in maple. Provenance Estate of Jack Roth Born in Brockway, Pennsylvania, Jack Roth was at various times a painter, poet, photographer, and mathematician. He enrolled at Pennsylvania State University in 1943 to study chemistry, but like many of his fellow Abstract Expressionists, his matriculation was interrupted World War II, where he served in both the Army and Air Force. Discharged from the service in 1948, Roth moved to Big Sur, California and married his first wife, Colleen Bleier, with whom he had two daughters. A year later, the young family settled in San Francisco, where Jack enrolled at the California School of Fine Arts. It was here that he studied painting under Mark Rothko, Clyfford Still, Richard Diebenkorn, David Park, and Elmer Bischoff. The Roth family left the Bay Area to return to Pennsylvania, where Jack completed his Bachelor of Science degree in Chemistry in 1951. In pursuit of his seemingly discordant academic interests, Roth moved yet again, this time to Iowa where he received a Master of Fine Arts at Iowa State University in 1953. Seeking gainful employment, Roth moved to New York, settling in the lower East Side where he began looking for a teaching job and working as a reviewer for Arts Digest magazine. Now divorced, in 1954 Roth married the artist Rachel Chester whom he had met in Iowa. He continued to paint and work odd jobs, some of which were as a hotel night clerk and an orderly at Beekman Downtown Hospital. That year, he unsuccessfully applied for the Guggenheim Memorial Foundation Fellowship in the field of photography. However, Roth’s professional prospects greatly improved when his work was selected by James Johnson Sweeney, Director of the Guggenheim Museum of Art for the traveling exhibition Younger American Painters, alongside giants such as William Baziotes, Richard Diebenkorn, Adolph Gottlieb, Philip Guston, Franz Kline, Willem de Kooning, Robert Motherwell, Jackson Pollock, Morris Louis, and others. One of the first major debuts of the Abstract Expressionist movement to be shown at an American museum, the exhibit traveled to the prominent museums across the country. In 1956 he began graduate work in mathematics at New York University. Opting to dive back into academia, Roth began graduate coursework in mathematics at New York University in 1956. He enrolled at Duke University in 1958, receiving his PhD in mathematics in 1962. Roth continued to create art throughout the pendency of his graduate studies and in 1963, legendary Museum of Modern Art (MoMA) curators Dorothy Miller and William Lieberman recommended Roth as the new talent graphic artist for Art in America. Concurrently, MoMA purchased several works from Roth for the museum’s permanent collection. During this period of artistic achievement, Roth continued to teach - first, at the University of South Florida in Tampa, before moving back north to Montclair, New Jersey, where he was hired as the chairman of the Mathematics department at Upsala College. In 1971 he accepted a dual appointment at Ramapo College, teaching both mathematics and advanced painting. After he received tenure and his finances were secure, his artistic production thrived as he received the first Thomases Award for contributions at the school, which came with the use of a large studio space. This allowed him to work with larger canvases and become what he saw as an Abstract Expressionist Color Field painter. In 1978, the acclaimed gallery Knoedler & Co. in New York began representation of Roth’s work. Other artists represented by the gallery at this time included Alexander Calder, Adolf Gottlieb...

“Half-Circle Abstract” is an abstract painting by Cora Van executed in acrylic on canvas; measuring 63 x 49.5 inches. A large, bold composition in deep blues, blacks, white, and oli...

"Sea Breeze" is an abstract painting by Rebecca Sobin executed in oil, cold wax medium, and pastel powder on a cradled wood panel; measuring 12 x 12 inches....

Artist: Martha Ochoa Medium: Oil on canvas Size: 32 x 40 in. unframed. This vibrant oil on canvas painting presents a lively and detailed nature scene, in Martha Ochoa's masterful C...

The Clash, Johanneshov Isstadion, Stockholm, Sweden 1984 Signed limited edition photographic print by Blaise Hayward from his series “Tickets Please” These editioned digital pigmen...

Title: "Congress Ave (1)" Artist: Pep Suari Medium: Acrylic on paper Size: 20" x 27" Framed

Title: "Fish Composition I" Artist: Pep Suari Medium: Acrylic on wood board Size: 15" x 13.5" Framed

Great candid capture by celebrity photographer Frank Worth of Hollywood stars Ursula Andress and James Dean at the Oscars dinner. James Dean was an American actor. He is remembered...

This black and white full length vintage original photograph features starlet Marilyn Monroe posed smiling in a black bathing suit. -- One-of-a-kind original vintage press print fr...

Stunning museum quality fine art print of Chrissy Teigen by photographer Markus Klinko from a collection of contemporary nudes by the celebrated photographer, featuring amongst other...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed lower right, signed and dated verso. 62.25 x 56.25 in. 64 x 58 in. (framed) Custom framed in a natural cherry wood floater. Provenance Washburn Gallery, New York Behnke Doherty Gallery, Washington Depot, CT Born in 1908 in Chicago, John Opper moved with his family to Cleveland, Ohio, in 1916. In high school, he began studying art and attending classes at the Cleveland Museum of Art. After graduation, he enrolled in the Cleveland School of Art (now Cleveland Institute of Art), only to withdraw after a year and move to Chicago, where he took classes at the Art Institute of Chicago. He eventually returned to Cleveland, enrolling at Western Reserve University (now Case Western Reserve), receiving his bachelor’s degree in 1931. The Depression has taken hold during this period, so Opper found work by teaching metalworking and sketching classes at the Karamu Settlement House, the oldest African American theater in the United States. In 1933, Opper traveled to Gloucester, Massachusetts, eventually connecting with the artist Hans Hofmann, who was teaching at the school run by Ernest Thurn. Hofmann encouraged Opper to work “in a more modern vein and start finding what it’s all about.” Heeding this advice, Opper relocated to New York, co-founding a mail-order club of American and British prints for dissemination to schools and museums. By the mid-1930s, he joined the Works Progress Administration (WPA) Easel Division, and also began attending the 57th Street school that Hans Hofmann had established after leaving the Art Students League. Looking back at his time at the school, Opper felt that beyond Hofmann’s teaching, most advantageous was his contact with fellow artists, including Byron Browne, Rosalind Bengelsdorf, and George McNeil. At the time, he also met Giorgio Cavallon and the sculptor Wilfrid Zogbaum. In 1936, Opper became a founding member of the American Abstract Artists, along with Balcomb and Gertrude Greene. The organization was formed to provide an opportunity for artists to show abstract works at a time when such opportunities were scarce. This led to his first solo show in 1937 at the Artists’ Gallery in New York. During his summer in Gloucester in 1933, Opper came to know Milton Avery. Painting in Avery’s informal studio in New York City the following winter, he became acquainted with Adolph Gottlieb and Mark Rothko. Opper participated in a couple of shows during the 1930s of the American Artists Congress Against War and Fascism, whose president was Stuart Davis. About the same period, Opper joined the Artists’ Union and served as the business manager of its publication, Art Front. During World War II, Opper worked for a ship design company creating drawings for piping systems used in PT boats...

Waterline Fine Art, Austin, TX is pleased to present the following work: Acrylic on canvas. Signed lower left; signed, titled, and dated verso. 65.75 x 50.25 in. 67.25 x 51.75 in. (framed) Custom framed in a maple floater with a matte white finish. Provenance Takis Efstathiou, PTE Fine Arts, New York Private Collection, New York Theodoros Stamos is heralded as one of the few abstract painters who bridged the New York School’s first and second generations. His age, in particular, afforded him this unique position, as he was the youngest member of the “Irascibles,” the core group of fifteen New York School painters publicized by Nina Leen...

Waterline Fine Art, Austin, TX is pleased to present the following work: Oil on canvas. Signed and dated lower right; signed, titled, dated verso. 48 x 60 in. 49.75 x 61.75 in. (framed) Custom framed in a solid maple floater, with an heirloom white finish. Provenance Kootz Gallery, New York Collection of John G. and Kimiko Powers, New York/Aspen, CO Prentice-Hall Corporate Art Collection, New York Kyle Morris was born in Des Moines, IA in 1918. After serving in the U.S. Air Force during World War II, he completed M.F.A. programs at both Northwestern and Cranbrook Academy of Art before settling in New York and renting a studio on Mercer Street in downtown Manhattan during the 1950s. Transitioning away from the figurative painting of his formal training, he began to create the bold gestural works that would serve as his hallmark in the ever-growing fraternity of the New York School. Morris’ first major solo exhibition occurred at the Walker Art Center in Minneapolis in 1952. This show served as the catalyst for his recruitment onto the rosters of the prominent Stable and Kootz galleries in New York. In 1961, he was included in the Guggenheim’s landmark exhibition, American Abstract Expressionists and Imagists, which surveyed the abstract expressionist movement that would come to dominate contemporary American art...