Austin Jewelry Boxes

This box with many drawers is a Japanese tabako-bon, or 'tobacco tray,' used to store tobacco and smoking accessories. Believed to have evolved from the traditional accessories of Ja...

We are delighted to offer for sale this rather lovely antique original circa 1880 Black Forest Wood musical Cigar box Humidor with built in music box A very good looking and well ...

A black lacquer tebako (hand box) with maki-e decoration and silver trim, circa late 19th century, Meiji period. The surface of the lid features a Rinpa style maki-e paint depicting ...

A Japanese lacquered wood fubako (a box to store document or small scroll painting) circa late 18th century of Edo period. The rectangular box features a deep lid with rounded corners and recessed mid-edge and a lower box with two bronze medallion rings and tasseled silk ties. The surface of the fubako was elaborately decorated with hiramaki-e and a low takamaki-e on a mottled Mura-nashiji background. The motifs on the lid depict branches of Japanese pine with finely rendered needles on the lower part; on the upper part, it showcases fruited persimmon branches. Two different shades of gold fundame were used to contrast the design and augmented by scattered gold kirigane to highlight some of the leaves. The design continues and cascades down to all sides of the lid as well as the walls of the box. The two bronze medallions appear original to the box and the silk ties show significant fading from the age. This Fine fubako is signed on the lower wall "Kanshosai" in Kanji with a kao mark. All the trims were finished in gold fundame and the interiors a dense nashiji in gold. Kanshosai is the mark of the distinguished lacquer artist Lizuka Toyo I who also signed his work "Toyosai". He was active in the second half of the 18th century during Edo period, employed by Hachisuka Shigeyoshi (1738-1801), daimyo of Awa on Shikoku Island. Although most survived work bearing his marks are inros, he was also known to decorated trays and other larger objects...

A fine Japanese lacquer box dating from the late Meiji period, circa 1890–1912. The fitted lid is decorated with an exceptionally detailed figural scene, finely worked in gold and co...

19th century Black Forest carved box.

Found in Germany at an estate sale, this hand carved trinket box or catchall is perfect for the collector. Nice antique collectible to display in yo...

Cylindrical rosewood box, France, circa 1960 Please see also "French Cylindrical Wood Box, circa 1960" Good condition with minor marks of use For shipping: 11.5/11.5/11 cm ...

A fine Japanese wood Hibachi with copper insert circa 1900-30s end of Meiji to Taisho Period. It can be used as a unique planter or to showcase a...

This is a good papier mâché, rectangular shaped black lacquered lidded box, hand enamelled and gilded, made in Japan during the 19th century, early Meiji period. This rectangular shaped papier mâché box has a well fitting hinged lid, with the box base and lid slightly domed. The box was probably originally made as a pocket box but could easily sit on a desk or dressing table as required. This is a very decorative box with finely hand painted scenes of three people, one holding a parasol, in a garden setting, with a pagoda type building, large gate...

A large Japanese lacquer box with elaborate Maki-e design from Meiji period, (mid-late 19th century). The generous size of the box was reser...

A lacquered wood box with lid from Japan circa 19th century Meiji Period. The finely decorated box was used to store paper slips and small documents on the desk. It is overall finished with black lacquer (kuro) with sparse Mura-Nashiji effect outside and on the top surface of the lid, there are three Komainu, (sometimes known as Shishi or Japanese lions) frolicking and forming a circle in lively motion. Komainu are auspicious animals in Japanese cultures in both Shinto and Buddhism tradition. Originally from China, these animals symbolizes guardians to ward off evil spirits. Hiramaki-e was used in combination with carving and combing to render the lions with various surface textures. A gilt border with an slight angle was given to the lid and even the thin band is decorated with miniature floral scrolls. The interior of the box was finished in a dense nashiji. Underneath the lid, a cluster of peonies open lavishly by two gentle mounts. Takamaki-e (high relief) in both gold and silver were...