Birmingham - Art

In PINK CIRCLE QUILT 1, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping pink acrylic paint, leftover from ...

In MULTICOLOR CIRCLE QUILT, 1, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Sha...

MULTICOLORED TAPESTRY 5 is an acrylic sculptural painting on panel that is created from various types of molds. Artist Statement: I am drawn to the aesthetic qualities of jewelry...

Oil Painted Still Life in Natural Light with Dark Background.. bowl with berries and nuts. As with nearly all of William J Rushton's artworks, this was created from life and on the...

In MULTICOLOR CIRCLE QUILT V, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping acrylic paint and glitter th...

In this piece, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping pink, orang...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

In WARM CIRCLE QUILT, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping yell...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

In GREEN CIRCLE QUILT 2, Natalie Harrison studies gradation through her use of paint and silicone molds. Drawing on the domestic history of molding th...

In GREEN CIRCLE QUILT 1, Natalie Harrison draws on the historically domestic crafts of molding and quilting to create a new work of collage. Shaping g...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From Sea to Shining Sea" Peña takes a traditional approach to representing a house with modern architecture in what is seemingly the suburbs and contrasts the image with a more abstracted and chaotic foreground consisting of Sintra or PVC. The image is framed with a 1 inch white border. Nick Peña...

One Big Adventure 2 36.0 x 48.0 x 1.5, 7.0 lbs Acrylic Hand signed by the artist Artist's Commentary: "'One Big Adventure 2' is an abstract expressionist piece that represents lif...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment ...

"I am drawn to the aesthetic qualities of jewelry. This interest stems from the color, texture, variety and the association with the female body that jewelry contains. I experiment...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "The Buble", Peña takes a more traditional approach to representing a house in the phase of construction with bold and vivid colors and contrasts the image with cut Sintra board slowly pulsating downward from underneath the house. The light blue of the sky contrasts with a deep orange hue for the house. The work is framed with a 1 inch white border. Nick Peña...

Peña’s works range from painting to multimedia installations that question the ever-changing psychological landscape of America; asking the viewer to re-examine their perceptions of the “American Dream” and the affects that pursuit has on our environment. In "From the Bottom Up", Peña takes a more traditional approach to representing a landscape with bold and vivid colors and contrasts the image with a more abstracted and chaotic foreground consisting of arrows and cut Sintra board to act simultaneously as an obstruction and window into the image. The work is framed with a 1 inch white border. Nick...