Brussels - Lighting

This striking large green pendant lamp was designed by Swedish modernist architect Sven Markelius for the Stockholm Metro. Measuring approximately 160 cm in height and 80 cm in diame...

Designed by Ingo Maurer in the 1970s and commercialized in 1977, the “Uchiwa” wall lamps reflect the designer’s pursuit of a softer, warmer light. As he told The New York Times in 19...

Nice mid-century wall light / sconce produced by Barovier & Toso, circa 1950, Italy. "Leaf" model in Murano glass and brass details. One E27 bulb . Dimensions: 41 cm H, 15 cm W, ...

This lustre, designed by Gillerme and Chambron in the 1950’s, features a symbiose of wood and fabric. The lampshades was restored by one of our craftsmen.

Elegant mid-century decorative lamp, circa 1960, France. Ochre-brown glazed ceramic, long neck and two small rounded handles, new ivory fabric lampshade. Dimensions: total height: ...

An elegant small wall or flush mount glass lamp. The shade is made out of the frosted glass with delicate stripes. It is fixed to a white-painted steel structure. Very easy to instal...

Designed by Sergio Mazza and Giuliana Gramigna for Quartifolio in 1978 the “Lola” table lamp features an iconic design. Through the dialogue of a opaline white plastic with a dark gr...

Pair of Wall Lights by Felix Agostini, 1990s

Large disco ball made of a multitude of small squares of real mirror. Belgium 1970.

Very chic Jacques Moniquet table lamp, Cheret edition, circa 1975, France. Folded brass and new fabric shade. Signed on the back: Moniquet Edition Cheret Paris...

Pair of rare copper lamps by Swedish architect and designer Hans Bergström. These are very hard to find. They can be used outside as they were used for 70 years but you can use them ...

Impressive wall light in circa 1970, France. Nickeled metal. Electric system checked by a professional, one E22 bulb. Dimensions: 54 cm H, 15 cm W, 16 cm D. Rare item in good conditi...

Large Vistosi onion shaped Murano glass pendant lamp, circa 1960, Italy. White glass wavy band on white opaline . Dimensions: 40 cm diameter, 40 cm H. Original condition. All purchas...

Nice Archimede Seguso sconce, circa 1940, Italy. Polished brass, fluted Murano glass. Rewired, one bulb. Good condition. Dimensions: 23 cm W, 15 cm H, 10 cm D. All purchases are cove...

Nice mid-century decorative murano glass table lamp circa 1970, Italy. White and clear Murano glass . One E27 bulb. Dimensions: 41 cm H, 18 cm diameter. All purchases are covered by ...

Elegant pair of Murano table lamps era of Barovier & Toso, circa 1950, Italy. Translucent white Murano glass, brass details and ivory fabric shades. Rewired. One E27 bulb per lam...

Elegant mid-century table lamp, circa 1970, Italy. Turned wood, straw shade, brass details. One E27 bulb . Dimensions: 61 cm height, diameter: 37 cm All pu...

Elegant pair of Arlus sconces, circa 1960, France. Gilt bronze, original opaline glass. Rare model with this single bronze arm. Rewired, ready for us. Dimensions: 47 cm total height,...

The Diabolo desk/Table lamp has 2 lights. Patinated brass. I bought it as made by Luci Srl which is an Italian manufacturer that knocked off some designs fr...

A leading figure in post-war French design, the duo Guillerme et Chambron developed, through their furniture company Votre Maison, a body of work in solid oak renowned for its except...

Contemporary Large Brass Floor lamp, Italy - Sold individually

The OBJ collection is based on simple gestures applied to materials in their commercial format. Through manipulations such as cuts and folds, raw materials are transformed into objec...

This is a patinated copper pendant by Swedish lighting master Hans-Agne Jakobsson. They have a unique patina which is the result of time and use for almost 70 years. Made of copper, ...

This sculptural mushroom lamp by Dutch ceramic artist Hannie Mein embodies the organic and experimental spirit of 1970s studio pottery. Handcrafted in stoneware, the lamp features a ...

A 1970s brass horse table lamp by Deknudt Belgium Equestrian themed, depicting an image an elegant stallion. Mounted on a sleek black lacquered platf...

Large Italian table lamp in two parts. A clear, half-brushed, and white acrylic globe is placed on a base made of one bent chromed tube. Named Focus, this Space-Age masterpiece was d...

Elegant pair of neoclassical brass table lamps with original black silk lampshades. The interior of the lampshades is gold leaf. The lamps presenting a Medicis urn with a palmtree. A...

Italian mid-century spider wall lamps in copper, cast iron, and art-glass from the 1960s. This oddity is a typical outdoor (covered) wall lamp generally mounted over the entrance of ...

Italian floor lamp featuring a gold metal structure with three branches and white Murano glass flowers, accompanied by a black rubber band around the round base. Design in Venice in ...

Pair of brass sconces by Falkenberg from Sweden. Its deconstructed cylindrical shape brings a very warm light on the wall but also up and down wich brings a very warmfull ambiance to...

Fine pair of two-tones geometric 70's table lamps with a square white lampshade. Two lights each. By Willy Daro, Belgium.

Massive polish piece of maple on a brass base (gold and silver). One light. Original silk Pagoda shape lampshade. Signed.

Elegant and sculptural, this rare pair of Onos 55 pendant lights was designed by Florian Schulz and manufactured in Germany. Executed in polished brass, each fixture features a disti...

Spectacular copper and brass nickeled suspension lamp made in the 1930s at the famous Louis Poulsen factory. The lamp come in few parts which includes 3 copper shades. Easy to fix install. The lamp remain in excellent condition and is ready to be used as she got a new cable in cotton. You can see lots of patina and traces of time. It becomes really hard to find a good PH lamps these days. _____________________________________________________________ Poul Henningsen est le fils illégitime de l'auteure Agnès Henningsen et de l'écrivain satirique Carl Ewald. Il a passé une enfance heureuse dans une maison moderne qui a été souvent visitée par les intellectuels de la région. Entre 1911 et 1917, Poul Henningsen suit une formation d’architecte sans pourtant en obtenir le diplôme. Durant les années 1920, Poul Henningsen a fait sa percée littéraire. Il a édité la revue Kritisk Revy (1926-1928, "Examen critique») dans laquelle lui et ses collègues méprisent le style ancien et le conservatisme culturel, reliant ainsi les thématiques politiques de l'époque . En même temps, il débute comme écrivain pour une revue sur les bienfaits d'une vie simple, en harmonie avec la nature et une sexualité plus libre . Il était l'homme qui a fait des revues danoises des armes politiques au service de aile gauche sans abandonner son caractère de divertissement (la soi-disant PH-revues 1929-1932). En 1933, il édita son ouvrage le plus célèbre Hvad med Kulturen? ("Qu'en est-il de la culture ?") Une critique polémique, audacieuse et urgente de la vie culturelle danoise avec son snobisme et sa nostalgie du passé, en dépit de tous les efforts de la percée du modernisme. Il a essayé de faire un parallèle entre la pruderie, moralisateurs et penchants fascistes; il a également accusé les sociaux-démocrates de manquer d'une ligne culturelle ferme et conséquente. Ce livre ainsi que ses activités dans son ensemble lui ont donné une réputation de semi-communiste ("compagnon de route"). Dans cette période, il se tenait en fait proche des communistes sans les rejoindre. Il a participé à la propagande anti-fasciste, en essayant toujours de faire des connexions entre la culture et la politique. Parmi ses autres initiatives durant cette période, il y a eu Danmarksfilmen en 1935, (en français : Le Film du Danemark) aussi connu comme Danmarksfilm PH. C'est un film sans prétention et non traditionnel dépeignant la vie contemporaine dans le Danemark d'une manière vivante et un peu irrespectueuse dans lequel les visuels sont saccadés par les rythmes de jazz. Il a été condamné et déchiré par la plupart des critiques, mais il est plus tard réhabilité et est devenu l'un des classiques des films documentaires danois. Il a également écrit des manuscrits de films. Pendant la Seconde Guerre mondiale et l'Occupation allemande du Danemark il a gardé un profil bas et s'est enfui vers la Suède en 1943. Après la guerre, il s'est dissocié du communisme qui lui reprochant son humanitarisme de façade dans son attitude lors de l'accord conclu avec les nazis ainsi que pour son scepticisme croissant au sujet de l'Union soviétique et à bien des égards, il a été isolé. Cependant, il a continué à écrire et à débattre, et au cours des années 1960, la nouvelle génération à de nombreux égards a fait de lui une sorte de gourou. Dans ses dernières années, il est devenu un membre de l'Académie danoise et a soutenu le nouveau mouvement des consommateurs. À bien des égards, Poul Henningsen est l'homme qui a achevé les travaux de Georg Brandes...

Rare bronze Luciano Frigerio pair of table lamps, circa 1970, Italy. Bronze, new off-white fabric shades. Rewired, E27 bulb . Beautiful patina of the bronze, vintage item. Dimensions...

Pair of Wall lights in the style of Maison Bagues, 1950s

Beautiful octagon-shaped flush-mount light in full brass and cut-glass assembled as Tiffany stained glass. Designed in Belgium by the Deknudt company, an emblematic figure of the Hol...

Taraxacum or the latin name for our common dandelions standing in our fields, is one of the icons of Achille & Pier Giacomo Castiglioni's work. Made out of torn metal bars for th...

Elegant Jean Perzel vintage round ceiling light, circa 1930, France. Polished brass, opaline glass.. Signed inside, on the white metal. Good original condition. Dimensions: 40 cm dia...

One of most influant Danish architect of the early 1900. Brass wall lamp that can be used down or ud and even on the side. Large reflector with a long arm. Elegant, minimal and classical at the same time. A true master piece produced by lighting manufacturer Fog & Morup in Denmark. _____________________________________________________________ Niels August Theodor Kaj Gottlob, usually known as Kaj Gottlob, (9 November 1887 – 12 May 1976) was a Danish architect who contributed much to Neoclassicism and Functionalism both as professor of the School of Architects at the Royal Danish Academy of Fine Arts and as a royal building inspector. After qualifying from Borgerdyd School in 1905, Gottlob attended the Technical School (1905-1908) and the Royal Academy, graduating as an architect in 1914. At the time, he was one of the young neoclassicists who used to meet at the Free Architecture Society (Den fri Architektforening). He taught at the Technical School (1915–17) and was an assistant at the Royal Academy's Building School (1917–24). Between 1912 and 1923, he travelled to Greece, London, North Africa, Italy, Paris and Vienna. After first working as an assistant at the Academy's School of Architecture in 1917, he was appointed professor in 1924. In 1936, he succeeded Kristoffer Varming as royal building inspector and, in 1938, gave up his post as professor at the Academy. As a young man, Gottlob showed interest in classical architecture, influenced in part by the English Arts and Crafts movement. Works in the 1920s include a residence at 45 Dalgas Boulevard (1924) and St Luke's Church in Århus (1926). But like his peers, he soon turned to Nordic Neoclassicism, appreciating its sober, contemporary style. This can be seen in his Danish Student Hostel in Paris, completed in 1929. Though it was hardly international modernism, it was something of a breakthrough for Scandinavia. In designing Ørstedhus in 1934, Gottlob maintained some of the classical ideals, especially with the symmetry and hierarchical form of the facade. Standing on the corner...

Pair of Contemporary Table Lamps, Travertine, Italy

Iconic "Nuvola" Pendant Light by Tobia Scarpa for Flos, Italy.

Elegant and sculptural, this 1950s Italian triple pendant attributed to Stilnovo showcases the playful sophistication of mid-century modern design. Featuring a polished brass structu...

Sfumato Floor Lamp Model LT316 By Carlo Nason For Mazzega, Italy, 1960s

Designed by Piero de Martini for Arteluce the “Le Falene” lamp consists of a white and diffusible drape on top of a red lacquered structure. The design of this piece is delicate and ...

Murano glass table lamp, Italy. Murano glass forms, brass, patinated metal, chromed steel, new fabric shade. One E14 bulb Dimensions: Total height: 40 cm, diameter of the shade: 34 c...

Cocoon Suspension Italy, 1970s

Table Lamp MT by Giancarlo Mattioli for Sirrah, Italy, 1969

PAO, a tall floor lamp made with a satin glass base, ebonized wood stem, and an opal glass oval-shaped shade that emits a beautiful, warm light, gently diffused through the white gla...

Designed in Sweden, in the 1960’s by Hans-Agne Jakobsson the V-155 creates a game of shadows and lights characteristic of his designs. With a series of spaced horizontal brass bands ...

Rare pair of solid bronze table lamps, France (1980') By Elisabeth GAROUSTE & Mattia BONETTI. Stamped "BG". Very good condition.

Nice Guillaume Met De Penninghen antropomorphic table lamp, circa 1950, France. Black enameled sandstone. Dimensions: 52 cm total height, diameter of the shade : 32 cm. Height of the...

Rare pair pine wall lamps. They provide a warm atmosphere and even better when lighted. Made of thin stripes of pine delicately nailed with a brass nail to the massive pine frame. Mi...

This floor lamp designed for Relco with a  flared dish shape on top and a cilindrical stem gives along with the yellow laquer guives this piece the playfull experimental image that i...

Mid-Century Modern Pendant Lamp by Achille Castiglioni , Italy, 1960s

This is a set of 2 wall lamps in patinated copper by Swedish lighting master Hans-Agne Jakobsson. They have a unique patina which is the result of time and use for almost 70 years. M...

Mid-Century Modern pair sconces by Carlo Nason for Mazzega, 1970s. The Italian designer Carlo Nason was born in 1935 in Murano, into a family of expert glassmakers. His father, Vincenzo Nason, ran the famous glass company NasonMoretti and opened a second glass company under the name Vincenzo Nason & C in 1941. From an early age, the young Nason was trained in the art of glassblowing, learning both the properties of the material and the craft techniques used in glass moulding and decoration. The first objects designed by Nason date from 1959 and are part of a collection of blow-moulded vases produced by V Nason & C. Today, they are housed in the Corning Museum of Glass in Corning, New York. Driven by his passion for design, particularly for cleanliness and geometry of form, he decided in the 1960s to distance himself from the family business, which mainly specialised in highly traditional and ornate decorative objects. Nason shifted his focus to the design of glass lighting in a modernist language. Nason intended to produce his first models himself in small series, but soon his spirit of experimentation and innovation attracted the attention of Murano glass manufacturer A. V. Mazzega, and the company invited him to collaborate on new collections. The partnership lasted from 1965 until the 1980s and resulted in a range of iconic lighting designs still in demand today. Alongside the collaboration with A. V. Mazzega, Nason also...

"Nuvola" Pendant Light by Tobia Scarpa for flos, Italy.

Charming " Fountain"gilded wrought-iron chandelier (75 cm chain included). Cristal parts. By Maison Baguès.France 1965.

Mid-Century Modern Pendant Lamp by Achille Castiglioni, Italy, 1960s.