Europe - More Art

after Andy Warhol Colored Campbell's Soup - Blood Date of creation: 2019 Medium: Digital print on Canadian maple wood Size: 80 x 20 cm Condition: In mint conditions and never display...

Resin, tar, steel, acrylic, LED. 45 cm × 220 cm × 35 cm. Available on commission. Production delay: 8 months. Synthesis Bench is one of Tom Price's 'hybrid' artworks sitting halfway ...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires Lithograph from 1969. Trial proof, outside the numbered edition, with visible markings. Dimensions of work: 76 x 55.5 c...

Barking Dog YP x Keith Haring Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 50 x 30 cm Condition: Brand ...

Pablo Picasso (1881-1973) (d'après) - Portraits Imaginaires 7.5.69 Lithograph from 1969. The edition: A 246/250. Dimensions of work: 65.5 x 50 cm. Plate signed. Publisher: Éditi...

David Hockney, Hockney's Pool, Hollywood Hills, 2024 Ceramic ashtray 16.8 x 11.8 x 3 cm (6.61 x 4.64 x 1.18 in) Edition of 250 Ashtray released for David Hockney x Light Room exhib...

Pablo Picasso (1881-1973) - Suerte de Picador Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Ce...

PEZ Dispenser YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 50 cm Condition: Brand...

Blue & Gray By Mark Rothko 2015 Medium: Offset Lithograph Paper Size: 39.5 x 27.5 inches ( 100 x 70 cm ) Image Size: 27.5 x 25 inches ( 70 x 64 cm ) Edition Size: 800

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 27 x 37.9 cm Dimensions in frame: 43.2 x 53.2 cm Publisher: Éditions Cercle d'...

Dove With Flowers By Pablo Picasso 1998 Medium: Offset Lithograph Paper Size: 19.5 x 15.75 inches ( 50 x 40 cm ) Image Size: 7 x 9 inches ( 18 x 23 cm ) Edition Size: Unknown

Big Nude By Helmut Newton 1992 Medium: Offset Lithograph Paper Size: 33 x 23.25 inches ( 84 x 59 cm ) Image Size: 25.5 x 19.75 inches ( 65 x 50 cm ) Edition Size: Unknown

A2 Poster originally published via London based culture mag Sleazenation in March 2003. This is a very rare unfolded version. 2003 Medium: Offset Lithograph Edition: Unknown Size...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Counterpart is a sculpture by British contemporary artist Tom Price, it is composed by two elements each measuring 45 cm H x 220 cm L x 35 cm D ( 17.7 × 86.6 × 13,78 in). This artwo...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Marc Chagall (1887-1985) - Sirène et Poisson (Sirene and Fish) Lithograph from 1967. an unsigned proof, from the numbered edition of 150, on Arches paper. Dimensions of work: 73 x...

Synthesis A2 is a sculpture by contemporary artist Tom Price. This sculpture is made of resin, tar, patinated mild steel, stainless steel and LED, dimensions are 42 × 109 × 21 cm (16...

Romeo and Juliette By Marc Chagall 1964 Medium: Lithograph Paper Size: 25 x 39 inches ( 64 x 99 cm ) Image Size: 25 x 39 inches ( 64 x 99 cm ) Edition Size: 5000

Civic Portrait of a Gentleman in a Doublet beside a Table with a Clock, dated 1595 Circle of Frans Pourbus the Elder (1545–1581) This rare and compelling late-sixteenth-century Flem...

Carbon M is a unique sculpture by contemporary artist Tom Price. This sculpture is made of coal, Jesmonite, wood, steel, dimensions are 45 cm × 220 cm × 35 cm (17.7 × 86.6 × 13.8 in)...

Roy Lichtenstein - Drowning Girl, 1963 Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint conditions ...

Lucio Fontana (1899-1968) - Concetto Spaziale Lithograph from 1975. Edition 371/575 (Photocopy of the colophone is included). Dimensions of work: 31 x 24 cm. Each copy of this li...

6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.

Pablo Picasso (1881-1973) - Four original lithographs - A Los Toros series Lithograph from 1961. Dimensions of each work: 31 x 25 cm. Reference: Bloch 1014-1017; Cramer 113. Print...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

Carmen By Marc Chagall 1966 Medium: Lithograph Paper Size: 40 x 26 inches ( 102 x 66 cm ) Image Size: 40 x 26 inches ( 102 x 66 cm ) Edition Size: 3000

KAWS, The Promise (Black), 2022 Painted vinyl sculpture, available in brown or grey colourways From the Companion Series. 34 x 16 x 24 cm (13.39 x 6.30 x 9.45 inches⁣) Mint condi...

A charming Georgian silk embroidery panel depicting a mother and child walking through the countryside, accompanied by their faithful dog. Exe...

Portrait of a Gentleman in a Red Coat and Periwig, c.1715-1725 Studio of Sir Godfrey Kneller (1646–1723) This portrait of a gentleman, presented by Titan Fine Art, is a fine and wel...

Portrait of Mary Hooper (née Davie) in a Blue Dress & Seated in a Parkland c. 1715–1725 Jonathan Richardson the Elder (1667–1745) This portrait, presented by Titan Fine Art, is of p...

Pablo Picasso (1881-1973) - Jacqueline Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle d'...

Tamara de Lempicka (1894-1980) - Saitn Moritz, 1929 Giclée from 2023. The edition no. 3 out of 100. Dimensions of sheet: 70 x 52.5 cm Dimensions in frame: 87.5 x 69.8 cm Publish...

Portrait of a Gentleman with Periwig and Blue Cloak c.1695-1710 Attributed to Thomas Murray (1663–1734) This accomplished oil-on-canvas portrait, presented by Titan Fine Art, was al...

Pablo Picasso (1881-1973) - Don Quichote Lithograph with quadrochromy from 1961. Dimensions of sheet: 37.9 x 27 cm Dimensions in frame: 53.2 x 43.2 cm Publisher: Éditions Cercle ...

A Rare Jacobean Portrait of Lady Elizabeth Wheeler (née Cole), 1623 Attributed to Cornelius Johnson (1593–1661) This remarkably rare early oil on panel, presented by Titan Fine Art, has emerged as far more than an anonymous “Portrait of a Lady.” Preserved in outstanding condition—its surface retaining exceptional clarity in the lace and textiles—it has only recently been reunited with the identity of its sitter: Elizabeth Cole (1607–1670), later Lady Elizabeth Wheeler, a Westminster gentlewoman whose later life brought her into intimate royal service as laundress for His Majesty’s person. That combination—high quality, uncommon survival, a newly identified sitter, and a life that intersects directly with the last acts of Charles I—places this portrait in a category of genuine rarity. It is not simply a beautiful Jacobean likeness; it is a rediscovered historical document - legible and compelling. The sitter is presented half-length against a dark ground, enclosed within a painted sculpted oval surround that functions like an architectural frame. This device, fashionable in the 1620s, concentrates the viewer’s attention and heightens the sense of social presentation: the sitter appears both physically and symbolically “set apart,” as if viewed through a refined aperture. The portrait’s immediate power, however, lies in the costume—an ensemble of striking modernity for c. 1623 and rendered with a precision that survives with remarkable crispness. She wears a deep green gown—a fitted overgown with open sleeves—over a finely embroidered linen jacket (a stiffened bodice/waistcoat garment). The sleeves form pronounced “wings” at the shoulder, a structurally assertive fashion detail of the early 1620s that enlarges the silhouette and signals sophistication. Beneath the green overlayer, the white linen jacket is richly ornamented in gilt embroidery. The goldwork is arranged as scrolling foliate forms—looping, curling tendrils punctuated by seed-like stippling—organised into balanced compartments across the bodice and sleeves. The motifs read as stylised botanical forms with rounded fruit-like terminals and leaf elements: not literal naturalism, but controlled abundance. The technique is described with extraordinary intelligence, mimicking couched metallic thread through patterned, “stitched” marks, while tiny dots and short dashes create a lively tactile shimmer. This embroidered jacket sits above a newly fashionable high-waisted, sheer apron or overskirt. The translucent fabric falls in soft vertical folds and is articulated with narrow lace-edged bands, giving the skirt a crisp rhythm of alternating sheer and patterned strips. At the neck, a fine ruff frames the face: a disciplined structure of pleated linen finished with delicate lace. Draped diagonally across the torso are long gold chains, painted to suggest weight and metallic gleam; they function both as ornament and as a further signifier of status. The cumulative effect is controlled luxury: she is not overloaded with jewels, but clothed in textiles whose cost and craftsmanship speak unmistakably. The recent sitter’s identification rests on heraldic and genealogical analysis: the arms shown on the painting correspond to those recorded for several families in armorial sources, but when the lines of descent are tested against survival and chronology, the viable bearer by 1623 resolves to Cole, and—crucially—to the London branch. That resolution matters because it anchors the portrait to a very specific social world: London/Westminster civic gentry and Crown administration, the milieu in which portraiture served as both self-fashioning and social instrument. The recent identification of the sitter (the London Cole branch of the family) is not merely genealogical; it has direct implications for authorship. A London-based mercantile or civic-gentry family would have ready access to leading immigrant artists, familiarity with heraldic display conventions, and the means to commission oil on panel, still standard among Netherlandish-trained painters. In that context, the portrait’s age inscription and date become especially revealing. The painting states the sitter to be nineteen years of age. Yet Elizabeth Cole’s birth in 1607 suggests she would be younger if the portrait is dated as early as 1623. The key insight is that the “incorrect” age is best understood not as a mistake but as a deliberate social adjustment, a performative statement rather than a documentary one. The most persuasive explanation is strategic. Portraits of high-status unmarried women were frequently made in connection with marriage negotiations. In the early 1620s, Elizabeth’s future husband, William Wheeler, was resident abroad at Middelburg in Zeeland in the Dutch Republic. If a portrait was intended to support or facilitate a match with an educated, ambitious man—“a man of learning and letters,” —then presenting a seventeen-year-old as nineteen would subtly reposition her as more mature and more nearly a peer in age, Wheeler being around twenty-two. The portrait thus becomes an instrument of alliance, not merely a likeness: an image designed to persuade, reassure, and elevate. This reading aligns perfectly with the period’s wider conditions. The early 1620s in England were charged with anxiety and expectation: James I’s later reign was marked by court faction, diplomatic tension, and the pressures of European conflict. The so-called “art market” was inseparable from these dynamics. Portraiture flourished because it served multiple functions: it fixed lineage, advertised alliance, signalled readiness for marriage, and projected the stability of elite households in an uncertain world. For Westminster families whose power came through office, portraiture was also a declaration of belonging—proof that administrative elites possessed the cultural polish traditionally associated with older aristocratic rank. Elizabeth’s later life vindicates the portrait’s impression of steadiness. Although no record survives of her marriage ceremony to William Wheeler, wills suggest she had married him by the mid-1630s, and there are strong grounds—consistent with the portrait’s implications—for a union already in place by the early 1630s, possibly earlier. Wheeler himself rose rapidly. By 1639 he held a manor at Westbury Leigh in Wiltshire and sought letters of denization due to overseas birth, enabling him to stand as Member of Parliament for Westbury. He leased the principal manor of Westbury the following year, coinciding with his election. In government service he became Remembrancer of the Exchequer and held office across regime change, a testament to administrative skill and political pragmatism. It is Elizabeth, however, who makes this portrait exceptional. She became laundress for His Majesty’s person, responsible for the washing and oversight of the King’s personal linen—an office that, despite its domestic description, required unusual trust, discretion, and access. Her role becomes visible in 1643 when she was granted a warrant signed by the Speaker of the House of Commons to follow the King to Oxford with her servant after the outbreak of the Civil War. She continued to serve during the King’s captivity after 1646, and at Carisbrooke Castle in 1647 she and her maid were implicated in smuggling secret correspondence to and from Charles I, in service of escape plans. After the King’s failed attempt to escape in March 1648, she was removed—yet the King’s trust persisted: he was permitted to send her remaining jewels in an ivory casket...

Jules Moigniez (1835–1894) French, Napoleon III Period Medium: bronze and gilded bronze Interior : lined in petrol blue velvet ( new restored but same color as the original one ) Si...

Antique Chinese Four-Panel Lacquer Screen with Scenic Landscape Description: This exquisite antique Chinese four-panel lacquer screen is a remarkable example of traditional craftsma...

Chu Teh-Chun (1920-2014) - Composition abstraite Lithograph from 1960. Edition 60/60. Dimensions of work: 63.5 x 48.5 cm. Hand signed. Publisher: Galerie de France, Paris. Dime...

2024 I – 2 is a unique textile (double weave, handwoven cotton stretched on frame) artwork by contemporary artist Christiane Maurer, dimensions are 112 × 53 cm (44.1 × 20.9 in). The...

Marc Chagall (1887-1985) - Couple dans les Mimosas (Couple in Mimosa) Lithograph from 1967. an unsigned proof, from the numbered edition of 150, on Arches paper. Dimensions of wor...

Ads: Rebel Without A Cause (James Dean) By Andy Warhol 1990 Medium: Offset Lithograph Paper Size: 15.75 x 12.25 inches ( 40 x 31 cm ) Image Size: 13.25 x 9.5 inches ( 34 x 24 c...

Kseniia Kokovashina - "Nude II". Beautiful limited edition art photography. Printable in colour or black/white. Editions: 20. Technique: Photo...

Georges Braque (1882-1963) - L'ordre des oiseaux Portfolio with 12 etchings with aquatint from 1962. The edition XXIX/XXX. Dimensions of work: 45 x 56 cm. Apart of an edition of ...

Seductive Girl By Roy Lichtenstein 2007 Medium: Offset Lithograph Paper Size: 26.75 x 33.75 inches ( 68 x 86 cm ) Image Size: 23.25 x 33.75 inches ( 59 x 86 cm ) Edition Size: ...

Jean Carzou (1907-2000) - Le débarquement Lithograph from 1966. Dedicated to Pierre Sorlier, on Arches paper. Dimensions of work: 77.7 x 62.2 cm. Hand signed. The work is in Exc...

This work will be exhibited at Art on Paper NYC, September 4–7, 2025. – Marc Chagall (1887-1985) - Quai aux Fleurs Lithograph from 1954. Dimensions of sheet: 38 x 28 cm Dimensio...

Ads: Life Savers (Blue) By Andy Warhol 2004 Medium: Offset Lithograph Paper Size: 34 x 34 inches ( 86 x 86 cm ) Image Size: 26 x 26 inches ( 66 x 66 cm ) Edition Size: Unknown

1025 Colors (1025 Farben) By Gerhard Richter 2013 Medium: Offset Lithograph Paper Size: 48 x 46 inches ( 122 x 117 cm ) Image Size: 43.75 x 43.5 inches ( 111 x 110 cm ) Editio...

Capogrossi is the anastatic reprint edited by Edizioni del Cavallino in 1950, on the occasion of Capogrossi's first exhibition at the Galleria della Cometa in Rome. From the private collection of the Countess Anna Laetitia Pecci-Blunt. With an affectionate handwritten dedication to the Countess from the artist himself, dated 18 January 1953 and signed "Capogrossi". Introduction by Corrado Cagli (1910-1976). In-8º, text in Italian. pp. 7 + 7 b/w full-page ill., cm 24 x 0,3 x 18,5, 1950s. Reprint of the previous edition by De Luca Editor. Low-cut biding and visible signs of aging on the paper. Giuseppe Capogrossi (1900 - 1972) was a famous Italian painter, especially known for the foundation of the so-called Scuola Romana ("Roman School"), together with Corrado Cagli and Emanuele Cavalli...

The Elusive Truth-Two Pills By Damien Hirst 2006 Medium: Offset Lithograph Paper Size: 39 x 27.5 inches ( 99 x 70 cm ) Image Size: 30 x 20 inches ( 76 x 51 cm ) Edition Size: ...

Marc Chagall (1887-1985) - The Bay of Angels Original Lithograph from 1960. Dimensions of work: 32 x 24 cm. Publisher: Maeght Éditeur, Paris. The work is in Excellent condition.

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. “Canadian Perennials” by Ann Goldberg is a masterful display o...

We offer complimentary worldwide shipping and cover all tariffs and import taxes for this artwork. This exceptional artwork is currently on display and available for sale at Signet C...

This exceptional artwork is currently on display and available for sale at Signet Contemporary Art Gallery and online. "Flying Dutchman" by Roman Goss is an original abstract painti...

BEARBRICK - Jean-Michel Basquiat "Special" 400% & 100% Date of creation: 2023 Medium: Vinyl figure Edition: Open Size: 28 x 10 x 10 cm Condition: In mint conditions, inside its origi...

Expressive ceramic figure with iron hook and porcelain head, this high-fire ceramic sculpture explores material play and intuitive form. This expressive ceramic sculpture, part of the Extravagantes series, brings together high-fire ceramic, vanadium glaze, manganese metallic glaze, crystalline-glazed porcelain and a forged-iron hook. The work reflects Óscar Aldonza Torres...

Jean-Michel Basquiat - Charles The First Date of creation: 2024 Medium: Digital print on Canadian maple wood Edition: Open Size: 80 x 20 cm (each skate) Condition: In mint condition...

The Crown YP x JM Basquiat Date of creation: 2024 Medium: PVC or Silicon piping with LED lights mounted on recycled acrylic board Edition: Open Size: 40 x 30 cm Condition: Brand new...

A Bigger Splash By David Hockney David Hockney, a prominent British artist, is celebrated for his versatile and innovative contributions to 20th-century art. Known for his vivid us...