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Tracey Emin
Tracey Emin, The News Is I Love You

2021

$1,387.58
$1,734.4720% Off
£1,000
£1,25020% Off
€1,182.54
€1,478.1720% Off
CA$1,898.47
CA$2,373.0820% Off
A$2,120.41
A$2,650.5220% Off
CHF 1,101.83
CHF 1,377.2920% Off
MX$25,822.36
MX$32,277.9520% Off
NOK 13,995.71
NOK 17,494.6420% Off
SEK 13,188
SEK 16,48520% Off
DKK 8,823.18
DKK 11,028.9720% Off
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About the Item

6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.
  • Creator:
    Tracey Emin (1963, British)
  • Creation Year:
    2021
  • Dimensions:
    Height: 5.91 in (15 cm)Width: 8.27 in (21 cm)
  • Medium:
  • Movement & Style:
  • Period:
  • Condition:
  • Gallery Location:
    London, GB
  • Reference Number:
    1stDibs: LU1608211956112

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Tracey Emin, The News Is I Love You
By Tracey Emin
Located in London, GB
6.00 x 4.00 in (15.2 x 10.2 cm) Produced during Frieze 2021 week in London (for Air Mail) in a limited quantity (believed to be around 300). Sold in mint condition.
Category

21st Century and Contemporary Contemporary More Art

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Offset

Not Yet the End By Tracey Emin
By Tracey Emin
Located in London, GB
Not Yet the End By Tracey Emin Tracey Emin is a prominent British artist and one of the leading figures of the Young British Artists (YBAs) movement. Renowned for her provocative a...
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2010s Contemporary Figurative Prints

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Tracey Emin, Grand Hotel I, Lithograph Print, 2016
By Tracey Emin
Located in London, GB
Tracey Emin, Grand Hotel I, Lithograph Print, 2016 A Polymer gravure lithograph printed on Somerset 300gsm paper From a limited edition of 100. 81/100 Hand signed, titled and numb...
Category

21st Century and Contemporary Feminist Prints and Multiples

Materials

Paper, Lithograph, Polymer

Tracey Emin, The Sex Series (The Complete Set of 5) Giclee Print on Paper, 2013
By Tracey Emin
Located in London, GB
Tracey Emin, The Sex Series (The Complete Set of 5) Giclee Print on Paper, 2013 Giclee print on paper Edition of 200. Signed, unnumbered Excellent / 'as new' condition. Each piece i...
Category

2010s Feminist Figurative Prints

Materials

Paper, Giclée

Tracey Emin, Tattoo, Photocopies on Paper, 2001
By Tracey Emin
Located in London, GB
Tracey Emin, Tattoo, Offset Lithograph on Paper, 2001 Colour photocopies on A4 paper, from a limited edition of 200 (No. 129). Hand signed and numbered in pencil by the artist, rect...
Category

21st Century and Contemporary Young British Artists (YBA) Nude Prints

Materials

Lithograph, Offset

Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011
By Richard Prince
Located in London, GB
Richard Prince, The Greeting Card Jokes #2: The Best Friend, 2011 Foil-stamped print, on heavy wove paper, folded. As new condition, never framed or displayed. Hand signed and numbered by the artist, verso. Private collection (UK). From a limited edition of 100. Edition 91/100 6.25 x 8.5 in (15.9 x 21.6 cm) Notes: Text image from Richard Prince's iconic Jokes series. Signed and numbered by the artist in ink on interior of card. Incorporating jokes reflective of the “borscht belt” humor prevalent in the 1950's, Prince's Joke works tap into social preoccupations of the national subconscious. Prior to Prince's use of the jokes, many had infiltrated popular culture, gradually losing their original authors to become adopted by a largely oral tradition. Beginning in 1984, Richard Prince began assembling one-line gag cartoons and ‘borscht belt’ jokes from the 1950's which he redrew onto small pieces of paper. "Artists were casting sculptures in bronze, making huge paintings, talking about prices and clothes and cars and spending vast amounts of money. So I wrote jokes on little pieces of paper and sold them for $10 each". Following the hand-written jokes and subsequent works in which cartoon images were silk-screened onto canvas, in 1987 Prince adopted a more radical, formulaic strategy of mechanically reproducing classic one liners and gags onto a flat monochrome canvas. Richard Prince's work has been among the most innovative art produced in the United States during the past 30 years. His deceptively simple act in 1977 of rephotographing advertising images and presenting them as his own ushered in an entirely new, critical approach to art-making — one that questioned notions of originality and the privileged status of the unique aesthetic object. Prince's technique involves appropriation; he pilfers freely from the vast image bank of popular culture to create works that simultaneously embrace and critique a quintessentially American sensibility: the Marlboro Man...
Category

21st Century and Contemporary Contemporary More Prints

Materials

Archival Paper

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