Louisiana - Art

"Tosca", 2026, 72" H x 108" W. "Tosca" is a large-scale mixed media painting informed by the structure and emotional range of Puccini’s opera of the same name consisting of acrylic,...

"Rhapsody in Red", 2025, 72" H x 60" W. Large-scale abstract painting in hues of a warm, desaturated crimson consisting of acrylic, pencils, and oil pastels on canvas by Argentine-bo...

Very nice early Hunt Slonem of Doves with vintage frame selected by the artist

Glenny created beautiful miniature watercolors, mostly still life. This image of a bronze teapot with red onions is a unique work of art. Glenora Rich...

The bus is delayed and the night is cold and rainy as a lone woman raises her umbrella to brave the shadowy walk home after giving up on her ride She has just left the bus shelter a...

An image from Kincaid lunar series. An edition of 10 Over the course of three decades, Ted Kincaid has systematically subverted the notion of an objective photographic record and examined the play between painting and photography. Kincaid has created multiple series...

JERED SPRECHER says of his work…   I hunt and gather images of flowers, thick forests, sun-dappled foliage, and birds; seeking images that evoke wonder and depict natural beauty, com...

A large, life-sized, oil-on-canvas portrait of two lovely women perusing a newspaper called the "Journal Amusante." Still attached to the back is the tag from the venerable Manheim g...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

Henri Le Sidaner 1862-1939 French La table sur la terrasse au clair de lune, Villefranche-sur-Mer (The Table on the Terrace in the Moonlight, Villefranche-sur-Mer) Signed "Le Sida...

Jeanne Selmersheim-Desgranges 1877-1958 French Coucher de soleil Venise Signed "J. Selmersheim-Desgranges" (lower right) Oil on canvas This stunning Venetian cityscape captures c...

Henry Moret 1856–1913 French La baie de Lampaul, île d'Ouessant Signed and dated "Henry Moret 1897" (lower right) Inscribed "La baie de Lampaul Ouessant" (on stretcher) Oil on can...

Andy Warhol 1928-1987 American Last Supper Detail: Jesus, John, Peter and Judas Features stamp of Andy Warhol Art Authentication Board Inc. (en verso) Silkscreen on paper mounted ...

A splendid 19th-century painting, imbued with that Barbizon golden glow, of the sun setting beyond a cabin on a pond, If you look closely at the close-up, you can see a fisherman fis...

This is a signed press proof of one of Leroy Neiman's coolest images, created originally for Playboy Magazine in two panels. This never fails to get guests' attention on the wall, as...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

Jean-François Raffaëlli 1850-1924 French Trinité des Monts, Paris Signed "JF Raffaëlli" (lower right) Oil on canvas Alive with movement and modern elegance, Trinité des Monts, Pa...

Martin Rico y Ortega 1833-1908 Spanish Venetian Scene Signed "Rico" (lower left) Oil on canvas Spanish artist Martin Rico y Ortega captures a charming view of a canal in Venice ...

A stunningly dramatic and well-rendered oil on canvas painted by French artist Antoine Marie Roucole in 1884. With the ornate antique gilt plaster frame, and with its size, it has t...

A bright, evocative scene overlooking the whitewashed homes of a Greek island (Santorini or Mykonos?) that takes me back to carefree college days knocking around Europe with no money...

Pierre-Auguste Renoir 1841-1919 French Femme au corsage blanc, Jeanne Samary (Woman in a white blouse, Jeanne Samary Initialed "AR" (lower right) Pastel on paper Among Renoir's most famous works are those that capture the ladies of his inner circle in his signature style. This vibrant pastel from 1879 depicts the young Jeanne Samary, Renoir’s favorite subject and most important muse at the height of his career. Compared to his 4,000 paintings, the artist made exceptionally few pastels—only about 150 total—making this luminous work an extraordinary Renoir rarity. Samary was one of the most captivating figures of late 19th-century Paris. An iconic actress at the Comédie-Française, her fame rivaled that of the great Sarah Bernhardt. Beginning in 1876, Renoir created dozens of portraits of Samary, and she also appeared in all three of the artist’s most important paintings from this pivotal period—Bal du moulin de la Galette (1876), La balançoire (1876) and The Luncheon of the Boating Party (1880–81). Renoir’s close friend and biographer, Georges Rivière, noted that “no portrait ever gave Renoir greater satisfaction than the ones he made of Samary.” This magnificent pastel perfectly embodies this bond between Renoir and Samary. Vivid and spontaneous, the work captures an intimate moment, with Samary’s blouse delicately falling over her shoulder. Renoir typically reserved pastel for his portraits of friends and family, as it allowed him to capture their true essence with speed and ease. The year this pastel was created, 1879, was also one of the most important years of Renoir’s career. He entered the prestigious Salon of 1879, where four of his portraits were accepted, including a full-length masterpiece of Jeanne Samary. This pastel stands as a testament to this pivotal chapter for Renoir, portraying the muse who shaped his groundbreaking vision. Renoir’s portraits of Jeanne Samary are exceptionally scarce, with most already held in prestigious museum collections, including the State Hermitage Museum in St. Petersburg and the National Gallery of Art in Washington, D.C. Similar pastels of Samary have commanded millions at auction—among some of the highest prices for Renoir’s works on paper. Importantly, the artist’s pastels are getting recent museum attention, with the major 2025-2026 exhibition organized by the Musée d’Orsay and the Morgan Library, Renoir Drawings...

10th Anniversary New Orleans Jazz and Heritage Festival Poster, 1979 by John Martinez Fifth in the series by John Martinez. The grand marshal returns for the Jazz Festival's 10th anniversary; as does the "cut paper" technique first seen in the 1977 poster...

In "Destinations", Frederick Mershimer creates an image of taxis rushing by the Fuller Building, better known as Flatiron Building. The building is only six feet wide at its rounded...

Henry Moore 1898-1986 British Madonna and Child Signed "Moore" (on reverse) Bronze Henry Moore was the preeminent British sculptor of the modern era, whose works blended abstract...

A lovely portrait of a turn-of-the-century elegant woman, perhaps commissioned by a devoted husband (she has a ring on her right hand, which is more common as a wedding ring in north...

A rare color lithograph by late French artist, Éliane Thiollier. Edition of 275, certificate of authentication is provided. Minor acid staining from the old mat. Éliane Thiollier s...

A gorgeous Margaret Trumbull Jennings cubist charcoal on paper circa 1930-40. Sister of the well-known artist Alice Trumbull Mason with who she studied and travelled. Jennings studied with Hans Hofmann and the Arts Students League NYC. As well as in Europe with Lhote, Leger, and Ozenfant. These drawings were executed under Hofmann tutelage and descended in the family to Alice Mason...

Edouard Léon Cortès 1882-1969 French La Madeleine Signed “Edouard Cortès” (lower left) Oil on canvas Luminous and rich with detail, this oil on canvas was painted by the great Fr...

"Candleholders (Flower)" are sold individually, limited run of 6 multiples. JENNY DAY earned an MFA in Painting and Drawing from the University of Arizona, a BFA in Painting from th...

A charming painting of a boy and girl walking down a country lane. Wonderful rendering of the trees and sky. The painting has two repairs (I have included a photo of the patches on t...

You mostly see giclees or prints of Ivan Reyes' work around, not often an original like this one. I think it makes a real difference - the boldness of the p...

Edward Alfred Cucuel 1875-1954 American Picnic in the Shade Signed "Cucuel" (lower left) Inscribed and signed "Picnic im Schatten" (en verso) Oil on canvas This stunning oil by...

Amedeo Modigliani 1884-1920 Italian Tête de cariatide Head of Caryatid Signed “Modigliani” and numbered “1/8” (near base) Bronze The figural works of the iconic modernist Amedeo ...

medium: paint chip sample mosaic on panel Born in 1971 in Cincinnati, Ohio, Carlton Scott Sturgill received his Masters of Arts (Fine Art) from London’s Chelsea Collage of Art in De...

Artist's Statement: "Part a new series of paintings I have been working on that I am really excited about. I am incorporating a lot of media I have been exploring over the years -- ...

I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...

*Butterfly installations are site specific and are available by commission. Installations are priced per butterfly element, and the price includ...

Edouard Léon Cortès 1882-1969 I French Paris la nuit, Porte Saint Denis (Paris at Night, Porte Saint Denis) Signed “Edouard Cortès” (lower left) Oil on canvas Renowned as the “Par...

A native of Baton Rouge, Louisiana, Brandon V. Lewis is the product of a single mothers love and dedication and the beneficiary of the hard work and strong convictions of his grandpa...

"Barns in the Helderberg, New York" by Martin Lewis shows neighbors (one in a Model T car) visiting outside a series of barns with a tree in the background...

KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...

I intuitively paint each of my paintings based on my mood of the day or at that moment. I never know what I am going to create until I see the end result. Sometimes it is a colorful,...

A large, bright, powerful image of the statue of liberty by famous American artist Peter Max. I have included a photo of this same print being offered on Artsy for significantly more money. You can read about this iconic series by visiting the website of Park West Gallery...

Despite the tears and repairs, this remains an absolutely wonderful drawing, by a famous Southern artist. Many of you clicking on this are probably doing so because you know of Ellsworth Woodward, who with his brother William Woodward around the turn of the 20th century sparked an arts renaissance in the South, the arts and culture in general having been mostly moribund since the dispiriting defeat experienced in the Civil War. I won't bog you down with lots of detail here since all you have to do is Google his name to bring up a wealth of information about him. He is most famous for his leadership of the arts program at Newcomb College in New Orleans, and its famous Newcomb Pottery...

Inspired by Vincent Van Gogh's "Self-Portrait with Bandaged Ear and Pipe", 1889 Edition 1 of 7 with 2 APs "Ode to Van Gogh’s 'Self-Portrait with Bandaged Ear and Pipe’” is a self-portrait of e2 artist E.Paul Julien as the tortured artist. This piece was inspired by Julien’s own struggles with mental health issues during isolation during pandemic lockdown, as he found himself in a place where he could relate to the fragile mindset that Van Gogh experienced through most of his life. The artists say of their work... "Everything Changes, the latest phase of our ongoing series In Empathy We Trust, presents odes to iconic images from the Modern and Contemporary art periods. Our artistic process during Everything Changes was heavily influenced by the COVID-19 pandemic and the inescapable upheaval brought about by this once-in-a-lifetime event. This major societal shift alongside ongoing social unrest compelled us to further explore the distorted realities permeating American culture and, consequently, veiling oppression of marginalized communities. With lockdown restrictions disrupting our usual process of gathering for photoshoots, we also began playing with new approaches for our work. As a result, our latest iteration marks a new technique exploration, with completely over-painting atop of select prints, adding an additional layer of distortion to an already-altered reality. The title for this show takes inspiration from one of our favorite Frida Kahlo quotes: “Nothing is absolute. Everything changes, everything moves, everything revolves, everything flies and goes away.” The pandemic fostered a collective understanding of just how malleable and fragile our reality is. Our perceptions, our personal routines, and our culture as a whole – these realities are never guaranteed stasis, and the only way to move forward is to evolve, both as artists and individuals. The pieces in this show invite viewers to embrace the inevitability of change and the natural discomfort of re-examining their expectations of how a work of art – and by extension, a culture – should look. The process of creating an e2 image has always involved intense collaboration, and the images here would not be possible without stellar teamwork. We would especially like to thank Cameron Wood for his extensive digital post-production and our wonderful models." ⎯⎯⎯⎯⎯ As the photographic duo E2, New Orleans natives Elizabeth Kleinveld and Epaul Julien seek to remake images from art history to reflect their own experience of the contemporary world. Tackling icons from the great masters like Botticelli, Manet, Rembrandt, and Van Eyck, they recast instantly familiar images in a distinctly modern manner, breaking them free from centuries of historical context and placing them firmly in the present. Kleinveld and Julien...

REWA says of her work… Viewers largely label me under “Contemporary African Art”. I label my work as Igbo Vernacular Art. The reason for this is that I believe that I have created a...

Sir Alfred East was both a full member of the Royal Academy and president of the Royal Society of British Artists, so his pedigree is impeccable. He be...

Bernard Buffet 1928-1999 French Une tulipe et trois jacinthes (A Tulip and Three Hyacinths) Signed and dated "Bernard Buffet 1986" (upper and lower right) Oil on canvas This vibr...

Archival pigment ink print on Hahnemuhle cotton paper, edition 17 of 30. In this new series of paintings, Moore explores themes of wanderlust and memory. From glowing neon signage, ...

Guy Carleton Wiggins 1883-1962 American Wall Street, Winter Signed "Guy Wiggins" (lower right) Titled, signed and dated “Wall Street Winter/Guy Wiggins/1930” (en verso) Oil on can...

Alex Garncarek has created a magical world that looks like no other - distinctly his own, like artists such as Paul Klee, Miro and others whose visions came directly from their imagi...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight, and Sarah Peters...

medium: aluminum (found cans), wire, blue Flashe paint Unique, open edition Available in multiple color/finish options (see second image on listing for options). Installations are made to order, sizes and shapes of butterflies vary and can be oriented leftward or rightward. Ships with installation template and loaner tool kit. Installation can be arranged with JONATHAN FERRARA GALLERY. Paul Villinski is a professional visual artist who has created studio and large-scale artworks for more than three decades. Villinski was born in York, Maine, USA, in 1960, son of an Air Force navigator. He has lived and worked in New York City since 1982. A scenic route through the educational system included stops at Phillips Exeter Academy and the Massachusetts College of Art, and a BFA with honors from the Cooper Union for the Advancement of Science and Art in 1984. He lives with his partner, the painter Amy Park, and their son, Lark, in their studios in Long Island City, NY. His work has been included in numerous exhibitions nationally, recently including the solo exhibition “Passage: A Special Project,” at the Blanton Museum, University of Texas, Austin; “Making Mends,” at the Bellevue Museum of Arts, Bellevue, WA; “Second Lives: Re-purposing the Ordinary,” at the Museum of Arts and Design, New York, NY; and “Prospect .1,” an international Biennial in New Orleans, LA. “Emergency Response Studio,” a FEMA trailer redesigned and rebuilt into a solar-and wind-powered mobile artist’s studio, was the subject of a solo exhibition at Rice University Art Gallery, Houston, TX; the exhibition also travelled to Ballroom Marfa, in Marfa, TX; Wesleyan University’s Zilkha Gallery, Middletown, CT; and the trailer was featured in the New Museum’s “Festival of Ideas for the New City”, in New York, NY. Villinski’s work is widely collected, including major public works created by commission. His studio is currently at work on “SkyCycles,” three full-scale “flying bicycles...

Medium: salvaged slate on aluminum ANASTASIA PELIAS was born in New Orleans, LA to Greek parents. Her artistic practice is rooted in the dual cultural identity of both her native an...

"Untitled" 2019, 25" x 31" horizontal drawing on paper by Argentine-born artist Karina Gentinetta (featured in Architectural Digest, Elle Decor, the...

Paul Villinski's "Chiaroscuro" incorporates his signature butterfly motif with a found antique frame. This unique piece dazzles with its shimmering gold leaf finish, with the bespoke...

A model of the Lincoln Memorial is defaced, suggesting that metaphorically Trump has debased our public discourse with his lies and incessant tweeting. A contrast is drawn between Li...

A beautiful painting I acquired when I was buying things from Russia and Ukraine maybe 7 or 8 years ago. It's painted on very heavy cardboard, as I'd say the majority from the Soviet...

Self taught outsider art by African American artist from New Orleans with work in major museum and private collections. White created a bold c...

KRISTIN MOORE, a native Texan, holds an MFA from Otis College of Art & Design in Los Angeles and BA in Art from St. Edward’s University in Austin. Kristin’s paintings can be found in collections across North America, Europe, Australia, and Asia. Solo exhibitions include Jonathan Ferrara Gallery in New Orleans, Commerce Gallery...