Maine - Photography

This commanding industrial photograph dates from 1928, a pivotal year in the early career of Margaret Bourke-White, and belongs to the body of work that established her as one of the...

Henry Rox (1899–1967) Musician Playing Pork Chop Double Bass c. 1940 Vintage silver gelatin print 8 x 10 inches Estate stamp verso No known negatives extant This 8 x 10 inch vintage...

Avedon, Richard. RICHARD AVEDON - CENTER FOR CREATIVE IMAGING. Poster, 1991. Signed in ink by Avedon. Captioned " Gordon Stevenson, drifter Interstate 90 Butte Montana...

Henry Rox Art Critic (Head Extended on Spring Before Post War Painting) c. 1948 Vintage silver gelatin print 8 x 10 inches Estate stamp verso This 8 x 10 inch vintage silver gelati...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poe...

This refined early color photograph presents an intimate backstage moment between two ballerinas preparing for performance, captured with exceptional tonal control and compositional ...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Henry Rox (1899–1967) A Pork Chop Figure Diving Into A Frying Pan c. 1940–1945 Vintage silver gelatin print 8 x 10 inches Estate stamp verso No known negatives extant This 8 x 10 in...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Abbott, Berenice. WASHINGTON SQUARE LOOKING NORTH. Vintage Gelatin Silver print, 1936. Stamped verso "Federal Art Project/"Changing New York"/Photograp...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Anonymous WILLIAM JENNINGS BRYAN. ELECTION POSTER. Lithograph, 1900 . Poster for Bryan's candidacy for President in 1900. He ran, with Adlai E. Stevenson as Vice President, against W...

Henry Rox (1899–1967) Pork Chop Cowboy with Lasso c. 1940–1945 Vintage silver gelatin print 8 x 10 inches Estate stamp verso No known negatives extan...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Shorey, Charles Urban. WARREN G. HARDING SIGNED, INSCRIBED AND DATED PHOTOGRAPH. Original gelatin silver photograph, 1921. Inscribed and signed on the p...

Henry Rox (1899–1967) “Mr. Onion Shouting for Help” From Tommy Apple and Peggy Pear by James Laver Jonathan Cape, London, 1936 Opposite p. 34 Negative 1935 and print prior to 1938 ...

This vintage silver gelatin photograph documents Torso of the Monument to Blanqui by Aristide Maillol, one of the most important sculptural works of the early twentieth century. The ...

Henry Rox (1899–1967) Banana Canoe on Watermelon Whale c. 1940–1945 Vintage silver gelatin print 8 x 10 inches Verso copyright stamp: “Copyright Henry Rox, 102 College Street, South ...

Henry Rox (1899–1967) “My Name is Cucumber,” He Said From Tommy Apple and His Adventures in Banana-Land by James Laver Jonathan Cape, London, 1935 Opposite p. 24 Negative 1934; print...

Henry Rox (1899–1967) (born Heinz Rosenberg) “Down the Stairs Came A Pale, Imposing Figure in A Flowing Gown” 1935 From Tommy Apple and Peggy Pear by James Laver Jonathan Cape, Lo...

Henry Rox Art Critic (Standing Before Monumental Framed Post War Abstraction) c. 1948 Vintage silver gelatin print 8 x 10 inches Printed c. 1948 Estate stamp verso This 8 x 10 inch ...

Henry Rox (1899–1967) Frontispiece Tommy Apple and Peggy Pear by James Laver. Jonathan Cape, London, 1936 Negative 1935 (print c. 1940) Vintage silver gelatin print 8.25 x 6 inches V...

Henry Rox Art Critic (Figure with Candle Flame Before Abstract Painting) c. 1948 Vintage silver gelatin print 8 x 10 inches Estate stamp verso This vintage silver gelatin print pres...

Henry Rox “He Was a Very Strange Little Fellow” Opposite p. 18 1934 (printed c. 1940) Vintage silver gelatin print Image: 5.75 x 5 inches Estate stamp and handwritten notation verso ...

Henry Rox (1899–1967) Tommy Apple (Frontispiece) From: Tommy Apple and His Adventures in Banana-Land by James Laver Jonathan Cape, London, 1935 Vintage silver gelatin print 6 x 5 inc...

Henry Rox Art Critic (Standing Figure Before Biomorphic Sculpture and Framed Composition) c. 1948 Vintage silver gelatin print 8 x 10 inches Printed c. 1948 Estate stamp verso This ...

Henry Rox (1899-1967) Venus (Photo-Sculpture with Cardboard Arms and Framed Works) c. 1948 Vintage silver gelatin print 8 x 10 inches Printed c. 1948 Estate stamp verso This 8 x 10 ...

Henry Rox (1899–1967) Art Critic (Elevated Figure Before Post War Striped Abstract Painting) c, 1948 Vintage silver gelatin print 8 x 10 inches Printed c. 1948 Estate stamp verso Th...

Van Vechten, Carl. PAUL BOWLES. Gelatin Silver photograph, 1958. With the photographer's blind stamp, recto and his stamp and annotations, verso. 10 x 7 3/4 inches. In excellent condition. Paul Bowles (American, 1910-1999) was an author, composer and translator, who lived most of his life, and did most of his work in Tangier, Morocco. He is best known for the novel "The Sheltering Sky."

Evans, Walker (American, 1903–1975). JAMES AGEE, OLD FIELD POINT, LONG ISLAND, NEW YORK, 1937. Gelatin silver print. This example was offerd at Christies in 2018; catalogued by the...

Henry Rox (1899–1967) “Homeward on a New Boat” Series XIII c. 1940 Vintage silver gelatin print 7.5 x 9.125 inches Estate stamp and handwritten inscription verso: “Homeward on a new...

Laurent, Juan (French, ). SPAIN. Folio (14 x 18 inches), morocco, gilt title, 50 leaves with 130 albumen photos on both sides depicting Spanish buildings and landscapes, artwork, armor, and other objects, all edges gilt. Not dated but circa 1870s-1880s. Ex collection Samuel Mather, with his bookplate. The photos, mostly about 13 1/2 x 9 7/8 inches, some about 5 1.2 x 7 1/4 inches, all in excellent conditionthe; binding with an expertly rebacked spine in well-matched morocco, and stabilization of the edges by Green Dragon Bindery. Jean Laurent, (French, 1816-1886) was a French photographer who worked mostly in Spain. He photographed architecture and landscape scenes throughout Spain, and sold the images separately, so that it is likely that our album was created for the buyer from images he had chosen. Laurent was the official photographer to the Queen of Spain and to the Prado Museum. Samuel Mather (American 1851-1931) was an Industrialist and philanthropist who was descended from Cotton Mather...

Smith, W. Eugene (American, 1918-1978). SPANISH WAKE. Gelatin Silver, 1951 (printed later). Titled and signed in pencil on the mount. 8 5/8 x 13 1/8 inches. In excellent condition.

Marshall, Jim. JIMI HENDRIX AND BRIAN JONES, MONTEREY POP FESTIVAL. Photograph, 1967, printed later. Gelatin Silver print on glossy paper. Inscribed "4058...

Henry Rox (1899–1967) Art Critic with De Stijl Structure From Photo-Sculpture: Reflections on Modern Art c. 1948 Vintage silver gelatin print 8 × 10 inches Estate stamp verso Descr...

Lewis, Martim (American, born Australia, 1881-1962). ICE CREAM CONES. McCarron 78. Drypoint, 1928. Edition of 75, of which only 70 were printed. Signed in pencil, lower right. 9 3/4 ...

Henry Rox (1899–1967) “A Soft Carpet On Which Tommy Could Fall” From Tommy Apple and His Adventures in Banana-Land by James Laver Jonathan Cape, London, 1935 Opposite p. 10 1934 (pri...

Unknown Photographer. SIGNED ORIGINAL PHOTOGRAPH OF ORSON WELLES. Photographer not known, no date, but circa 1937/8. Silver Gelatin Photograph, 7 x 5 i...

Prince, George WILLIAM HOWARD TAFT AND JAMES S. SHERMAN CAMPAIGN POSTERS, 1908. The Taft with edge losses and a black line running from Taft's head to the right edge; the Sherman wit...

Prince, George WILLIAM MCKINLEY AND THEODORE ROOSEVELT CAMPAIGN POSTERS. Lithographs, 1900. With Prince's copyright, lower left, and Litho by Julius Bien NY, lower right. The McKinle...

Marshall, Jim. JANIS JOPLIN BACKSTAGE AT THE WINTERLAND, SAN FRANCISCO. Photograph, 1968, printed later. Gelatin Silver print on glossy paper. Unsigned. 17 7/8 x 12 1/4 inches, 455 x...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

A Flickering Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, ba...

Walker, James Perry (American, born 1945). MISSISSIPPI RIVER BRIDGE, HELENA, AR 1991. Gelatin Silver print, 1991. A beautiful and haunting portrait o...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

Archival pigment print Signed and dated by the artist 16 x 20 - edition of 10 20 x 30 - edition of 5 Flickering in the Midday Silver Beyond the pane a glimmer, barely perceived...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist Framing options available The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...

Thomson, Virgil (American, 1896-1989. THE MOTHER OF US ALL. Music Press, NY, 1947. Quarto, cloth, 157pp. The limited edition of 55 copies on special paper, signed on the colophon pag...

Greenhaus, Ben (American, 1908-1951). WENDELL WILLKIE STEPPING OUT OF A CAR. Mounted gelatin silver photograph of Willkie, presumably during the campaign of 1940. c. 12 x 10 inches. ...

Unknown Photographer. ROBERT PEARY, THE LORD MAYOR OF MANCHESTER, ENGLAND AND OTHERS. Gelatin silver print, 1910. The image shows Commander Peary with Cha...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Edition of 10 Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; co...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...

Much of Keith Hamilton's work is a comment on human perception: how our mind tries to recognize patterns and make sense of a complex world. Because context greatly influences how we ...