Minnesota - Ottomans and Poufs

Solid thick teak wood with dovetailed corners can be also used for a side table.

Newly upholstered turned leg bench, footstool, or window seat in a colorful and highly decorative and antique kilim. Perfect also for an entry or foyer bench or at the end of a bed....

Our iconic pi stool range draws it's inspiration from the twentieth century modernist idiom, Scandinavian modern design, Danish furniture, and Japanese aesthetics. Also influenced by...

Beautiful highback lounge chair with ottoman probably made around 1970 or early in that decade. It is Danish but we are unsure of the Designer and maker as it is unmarked. However, i...

Our iconic pi stool range draws it's inspiration from the 20th century modernist idiom, Scandinavian Modern design, Danish furniture, and Japanese aesthetics....

Our iconic pi stool range draws its inspiration from the 20th century modernist idiom, Scandinavian Modern design, Danish furniture, and Japanese aesthetics. ...

Our iconic pi stool range draws it's inspiration from the 20th century modernist idiom, Scandinavian Modern design, Danish furniture, and Japanese aesthetics....

Beautiful pair of Danish footstools from the 1950's in solid teak top and solid legs in oak. Very elegant with tall legs. They are very similar to the Footstool that goes with the fa...

Our iconic pi stool range draws its inspiration from the 20th century modernist idiom, Scandinavian Modern design, Danish furniture, and Japanese aesthetics. ...

Our iconic pi stool range draws it's inspiration from the 20th century modernist idiom, Scandinavian modern design, Danish furniture, and Japanese aesthetics....

Our iconic pi stool range draws it's inspiration from the 20th century modernist idiom, Scandinavian Modern design, Danish furniture, and Japanese aesthetics. Also influenced by the ...

Danish Mid-Century Modern furniture reflected Scandinavian materials and craftsmanship and mixed them with a modern style, and the period from roughly 1940 through 1960 was a high point for Danish furniture makers. This set shows why. This particular chair silhouette has been popular since the 1930s, from around the time Flemming Lassen designed the overstuffed easy chair, the “Tired Man”, for The Copenhagen Cabinetmakers’ Guild Competition in 1935. The curved and organic lines of the design create an elegant silhouette for both the chair and ottoman. The design of this chair is characterized by organic, curved shapes that create a cosy and welcoming sensation. Since the enveloping back forms the arms as well but doesn’t reach all the way to the beginning of the seat, the design is very open and appears light. The gentle lines are highlighted by the soft wool blend upholstery that uniquely covers the entire bodies of the chair and footstool, including the legs as well. As a representation of early modernist seating...