Missouri - Art

Susan Kiefer The Amazons and the Hydra Woodcut and chine collé on paper Year: 2018 Size: 22x27in Edition: 8 Signed by hand COA provided Ref.: 924802-1662 Framed woodcut print. A fan...

Nick Vedros Dog on Beach Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 12 Signed, dated and numbered by hand on...

John Marak 18x24-05-05-2021 Plaster, Acrylic Year: 2019 Size: 24x18 in Signed by hand COA provided ------------------------------------- John Marak is a seco...

Friedrich Geiler Untitled Geometric Abstraction (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Silkscreen on Hahnemühle Velvet Year: 19...

Kerry Smith Bing Crosby - White Christmas Mixed Media on Crescent board Year: 2018 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1616 ...

Daniel Poensgen Title: In Memory of Santa Croce Medium: 2-Part Photograph on Agfa Paper Year: 1986-1987 Digned, dated and inscribed Size: 7.6 × 5.1 on 8.2 ...

Kerry Smith Circle Jerks - Group Sex Mixed Media on Crescent board Year: 2021 Size: 12x12in Signed, dated by hand COA provided Ref.: 924802-1612 *Black fram...

Roland Martin Abstract Geometric Composition Medium: Color Silkscreen Year: 1972 Signed, numbered and dated by hand Edition: 15 Condition: Minor Defects Size: 23.2 × 16.4 inches COA provided Roland Martin (born July 29, 1927 in Tuttlingen ) is a German sculptor . As a 16-year-old Martin was used in 1943 as a Luftwaffenhelfer, towards the end of the war he was taken prisoner. From 1946 to 1951 he studied at the Bernstein School in Glatt with Hans Ludwig Pfeiffer and Paul Kälberer In 1950 he was for a short time at the State Academy of Fine Arts Karlsruhe, Field Office Freiburg in Freiburg im Breisgau with Wilhelm Gerstel, from 1951 to 1952 he was a student of Fritz Nuss. Since 1952 Martin works as a freelance sculptor in Tuttlingen. Among his students is Jörg Bach...

Hand Sculpted Ceramic, trompe l'oeil, Wall Sculpture, 19 x 17 x 4 in, Staschke Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ce...

Color etching Signed by hand and inscribed Size: 15.6 × 19.3 on 19.3 × 24.8 inches COA provided Joachim Palm was born in Potsdam in 1936. He is a German painter and graphic artist, ...

Limited Edition: 5 of 25 Signed, dated and numbered in ink on label affixed verso COA provided In Sherman's photographs she is experimenting with groupings of different objects wit...

David Morris Yardbird Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 9248...

Nick Vedros Kansas couple Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 14x11in Edition: 12 Signed, dated and num...

David Morris Colibri Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 92480...

David Morris Lingus Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924802...

David Morris Chamelleo Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref.: 924...

Contemporary, Porcelain, Sculpture, Abstract, Design, Harumi Nakashima, Japanese Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psyc...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

Nick Vedros Copiers All Washed Up Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 11x12in Edition: 10 Signed, dated and numbered ...

Monotype Dimensions : 44.5 x 30.75 inches image and paper Peter Voulkos (popular name of Panagiotis Voulkos; January 29, 1924 – February 16, 2002) was an American artist of Greek descent. He is known for his abstract expressionist ceramic sculptures, which crossed the traditional divide between ceramic crafts and fine art. While his early work was fired in electric and gas kilns, later in his career he primarily fired in the anagama kiln of Peter Callas, who had helped to introduce Japanese wood firing aesthetics in the United States. After serving in the United States Army during the Second World War, Voulkos studied painting and printmaking at Montana State College, in Bozeman (now Montana State University), where he was also introduced to ceramics; Frances Senska...

Klaus Basset Title: Geometric Composition Year: 1970 Medium: Color lithograph Signed, numbered and dated by hand Edition: 120 Size: 11.9 × 12.5 on 23.8 × 16.8 inches COA provided

After months of isolation during the pandemic, Craig Albright and his 11-year-old daughter started a daily tradition of an afternoon drive. When online classes came to a close each d...

David Morris Love Will Find You Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided ...

David Morris Chicken Lickin' Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided Ref...

Bruno Bruni Ritorno Year: 1969 Serigraph Size: 29.5x24 inches Signed, numbered and dated by hand Edition: 99 Annotated verso Publisher: Il Torcoliere, Rome, Italy Printer: Böer, Hamb...

Flint Hills, KS (2014) Giclee Print on Coated Fiber Paper Image Size: 16 1/2" x h 16 1/4" COA provided Aaron Henry's eye captures beauty in Wabaunsee's ...

Lotte Jacobi Chaim Weizmann Photograph Year: 1948 Size: 13.9x10.8in Signed in the print Lotte Jacobi Copyright Annotation lower left, recto Ref.: 924802-1355 Lotte Jacobi (August 17, 1896 – May 6, 1990) was a leading American portrait photographer and photojournalist, known for her high-contrast black-and-white portrait photography, characterized by intimate, sometimes dramatic, sometimes idiosyncratic and often definitive humanist depictions of both ordinary people in the United States and Europe and some of the most important artists, thinkers and activists of the 20th century. Jacobi's photographic style stressed informality, and sought to delve deeper into the traits of her subjects than traditional portraiture. She made a point of photographing subjects in their own environments, and talking to them while she worked. She explained the reasoning behind her approach this way: "I just try and get people to talk, to relax, to be themselves. I don't like a passive, bored subject. I do portraits because I like people, and I want to bring out their personalities. Many photographers today, I think, are bringing out the worst part of people. I try and bring out the best." Jacobi is perhaps best known for her "portrait of Albert Einstein (Princeton, 1938), whom she photographed candidly, seated at his desk, dishevelled and dressed in a leather jacket, a work that was refused by Life magazine for its simplicity." Other personality-driven portraits include "Eleanor Roosevelt sitting back, gesturing, and obviously speaking in midsentence; Marc Chagall depicted as a jovial family man; Thomas Mann appearing as thoughtful as his work; and more candid, gentle portraits of Einstein." Other celebrated subjects included poets W. H. Auden, Robert Frost, and May Sarton; philosopher Martin Buber; writer J.D. Salinger; writer and activist W. E. B. Du Bois; scientist Max Planck; artist Käthe Kollwitz; the actress and singer Lotte Lenya; the singer and activist Paul Robeson...

Martin Noel "Letchkov" Year: 1994 Color woodcut on handmade paper Size: 27.75 x 22.5 inches (70 x 60 cm) Signed by hand, lower center Publisher: Edition by Griffelkunst-Vereinigung, ...

Louise Marler Keys To Success C-print on metallic white stock mounted on wood 2022 Size: 7x7x0.5in Edition: 25 Signed and numbered by hand Stamped Ready to hang COA provided Ref.: 924802-1413 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

Jolynn Reigeluth Ain't She Sweet? Acrylic, India Ink and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provided Ref.: 92480...

Nick Vedros Art & Copy Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 13x10in Edition: 15 Signed, dated and numbered by hand on label Stamped COA provided...

Nick Vedros Hair Dryer Car Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 10x10in Edition: 15 Signed, dated and numbered by hand...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------------------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveller through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations , but which lend themselves to his own work. In a similar way he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypcal and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylised, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing, and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modelled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys; and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights and soldiers. In the case of monsters, mythical creatures and robots, it is more about creating visions of the future and parallel worlds. Certainly since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This of course can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Nick Vedros Chicken and Egg Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 12x11in Edition: 12 Signed, dated and numbered by hand on label Stamped COA pro...

Nick Vedros Shuttlecocks in Snow Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 7x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA...

Eliza Barchus (American, 1857-1959) Mt. Shasta, California Signed Lower Left Titled Verso 11 x 14 inches 13.75 x 16.75 inches with frame Eliza Rosanna L...

Nick Vedros Snow Gnome Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 10x12in Edition: 12 Signed, dated and numbered by hand on label Stamped COA provide...

Nick Vedros Carhenge Horizontal Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 8x12in Edition: 15 Signed, dated and numbered by hand on label Stamped COA ...

Nick Vedros Mother Daughter Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1987 Size: 14x12in E...

Hand Built & Painted Vase Materials: Porcelain, Glaze, China Paint, Gold Leaf, Flocking Fired: Electric Kiln, Cone 6 This piece was part of "Go for Baroque: Opulence and Excess ...

Nick Vedros Indian Motorcycle Yippee Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 1990s Size: 8x12in Edition: 12 Signed, dated and ...

Nick Vedros Ford Wins Nomination Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 1976s Size: 10x15in Edition: 12 Signed, dated ...

Nick Vedros Hoop Girl Archival Pigment Print on Epson Legacy Platine 100% Cotton Fibre, 314 gsm, Acid and Lignin free Year: 2000s Size: 11x11.2in Edition: 1...

Nick Vedros Your Mind’s in the Sewer Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9x12in Edition: 12 Signed, dated and numbered by hand on label Stamped...

Nick Vedros Army Men in Cereal Bowl Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9x12in Edition: 15 Signed, dated and numbered by hand on label Stamped ...

Nick Vedros Barn Burner Archival Pigment Print Hahnemühle FineArt Baryta 325 gsm Year: 2000s Size: 9x13.5in Edition: 10 Signed, dated and numbered by hand on label Stamped COA provid...

Michael Mardikes Overall with Paintings (Thomas Hart Benton Plate #24) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Size: 8.5x12 in Paper Size: 14x11 in Edition: 1 Monog...

Michael Mardikes Behind Smoke (Thomas Hart Benton Plate #29) Year: 1956, 2021 Archival Pigment Print on Premium Rag Image Size: 13.5x19 in Paper Size: 17x22 in Edition: 7 Monogrammed...

Jolynn Reigeluth Bait n' Switch Acrylic, India Ink, linocut and cut paper on wood panel Year: 2022 Size: 48x36x2.5 in Framed Size: 48x36x2.5 in Ready to hang Signed COA provided Ref....

Contemporary Glass Sculpture, Abstract Form, Optical Effect, Canework, Aya Oki Born in Osaka, Japan, Aya Oki is a glass art artist now working in San Bernardino, California. The art...

Hans Jurgen Diehl Kohlkoepfe Year: 1971 Medium: Color Etching Edition: 10 Size: 33.5 x 25.5 in. Publisher: Ketterer, Germany Signed, numbered and/or titled Hans-Jürgen Diehl was bor...

Michelle Mildenhall Mr. Kinski (Klaus Kinski) UV print with a gloss varnish on Hahnemühle Velvet Year: 2020 Signed and numbered by hand Edition: 20 Size: ...

Artist : Kory Twaddle Title : Nerve Center Materials : Acrylic, gouache, postage stamps, and mixed media on paper Date : 2018 Dimensions : 24 x 36 x 0.3 inches Kory Twaddle is a Ka...

Materials : Print on water color stock Date : 2016 Dimensions : 19"x13" Signed and numbered by the artist Edition: 20 COA provided

Renell Medrano Untitled, 2019 Archival pigment print 30 x 24 1/4 inches (76.2 x 61.6 cm) Edition 2/5

"Love Clam" Giclée on Hahnemühle Velvet Year: 2020 Signed and numbered by hand Edition: 30 Size: 23.0 × 23.0 on 23.8 × 23.8 inches COA provided

Friedrich Geiler Untitled Composition (Konkrete Kunst, Constructivsm, Geometric Abstraction) Color Linocut Year: 1979 Signed, numbered and dated by ha...

Nancy Charak Title: Geologies Series 9040 Materials: Drawing on 140# Fabriano Artistico Date: 2018 Dimensions: 22"x30" Nancy Charak makes paintings and drawings in her studio in Tuc...

Ferruccio Mataresi (1928 - 2009) Untitled Castle Lithograph Year: Circa 60s Signed and numbered by hand Edition: L (50) Size: 16.5 × 23.0 on 19.7 × 28.0 inches COA provided Ref.: 92...

Title : Fighting Materials : Stamp,xerox transfer,pencil,ink Date : 2015 Dimensions : 18.25×26.75″ Art school took Olivia Gibb away from Oklahoma and up to Kansas City, which she ha...