Missouri - Art

Eyes Shut Stitching on naturally dyed cloth on cardboard

Shepard Fairey Desert Today Ocean Tomorrow Screen print on thick cream Speckletone paper Year: 2022 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 375 Signed by Shepard Fairey, dat...

Jeffrey Tamblyn Redemption and Retribution Archival Pigment Print on Hahnemuehle Baryta Rag Year: 2021 Size: 16x16 inches Edition: 50 Signed, dated and numbered by hand on label COA ...

Aquating Engraving Image Size: approx. 20 1/4 x 13 3/8 Framed Size: 28 x 20.5 inches Pencil Signed Lower Right Louis Justin Laurent Icart was born in Toulouse in 1890 and died in Paris in 1950. He lived in New York City in the 1920s, where he became known for his Art-Deco color etchings of glamourous women. He was first son of Jean and Elisabeth Icart and was officially named Louis Justin Laurent Icart. The use of his initials L.I. would be sufficient in this household. Therefore, from the moment of his birth he was dubbed 'Helli'. The Icart family lived modestly in a small brick home on rue Traversière-de-la-balance, in the culturally rich Southern French city of Toulouse, which was the home of many prominent writers and artists, the most famous being Henri de Toulouse-Lautrec. Icart entered the l'Ecole Superieure de Commerce de Toulouse in order to continue his studies for a career in business, particularly banking (his father's profession). However, he soon discovered the play writings of Victor Hugo (1802-1885), which were to change the course of his life. Icart borrowed whatever books he could find by Hugo at the Toulouse library, devouring the tales, rich in both romantic imagery and the dilemmas of the human condition. It was through Icart's love of the theater that he developed a taste for all the arts, though the urge to paint was not as yet as strong for him as the urge to act. It was not until his move to Paris in 1907 that Icart would concentrate on painting, drawing and the production of countless beautiful etchings, which have served (more than the other mediums) to indelibly preserve his name in twentieth century art history. Art Deco, a term coined at the 1925 Paris Exposition des Arts Decoratifs, had taken its grip on the Paris of the 1920s. By the late 1920s Icart, working for both publications and major fashion and design studios, had become very successful, both artistically and financially. His etchings reached their height of brilliance in this era of Art Deco, and Icart had become the symbol of the epoch. Yet, although Icart has created for us a picture of Paris and New York life in the 1920s and 1930s, he worked in his own style, derived principally from the study of eighteenth-century French masters such as Jean Antoine Watteau, François Boucher and Jean Honoré Fragonard. In Icart's drawings, one sees the Impressionists Degas...

"Hermit, " a High-Bred Modern Foxhound 1887 Etching 3 x 5

Louise Marler Crossed Roses Archival Pigment Print Epson UltraChrome Archival Inks on White Metallic Archival Stock 2022 Edition: 10 Size: 20x16inches Signed and numbered by hand COA provided Ref.: 924802-16700 *Separate Edition of 10 in size 10x8in available. Please inquire within. ** Framing Options available. Please inquire within. Tags: Cut-out, collage, black and white, patterns, negative space, organic Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art...

Franz Graw Reclining Female (Surreal, Colorful, Vibrant, Modern) Color Offset Lithograph Year: 2021 Size: 16.53 x 11.73 inches (42 x 29.8 cm) Edition: 100 Signed and numbered in penc...

Jamie Harris straddles the disciplines of painting and glass blowing approaching his work, “more from a painterly perspective than as a traditional glassblower.” His work is primaril...

The Fox Terrier, Smooth and Rough 1887 Etching

Shepard Fairey Climate Clash - Cream & White SET Screen prints on thick white Speckletone paper Year: 2024 Size: 24 x 24 inches (60.96 × 60.96 cm) (each) Edition: 275 Signed by S...

Photorealistic Oil Painting, Framed in Pine, Aspens at Dawn, Landscape, Trees Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington...

Joel D. Sager (b. 1980) is a contemporary American painter of landscapes, still-life and portraiture. Often drawing on such standard subject matter with economy and singularity— a solitary figure in a room or misplaced sock on a bed— the conceptual element of his work becomes a contemplation on meaning for even the simplest objects: person, place, or thing. Sager's process often involves a distinctive mixture of media, incorporating tar with oil pigments, or wallpaper with squid ink...

Susan Kiefer Carnal Knowledge Oil on canvas Year: 2023 Size: 24x24x1.35in Signed and inscribed by hand COA provided Ref.: 924802-1686 A large red circular shape with a black hole in...

Jisbar Pop Up Your Icon Offset Print 2022 Size: 23.43 × 16.54 inches (59.5 x 42 cm) Edition: Unknown Signed and inscribed by hand Publisher: HangOver Gallery, Duesseldorf, Germany CO...

Kathryn Arnold’s paintings focus on interpretive markings, built up into fields of color and textured surfaces. Mixing both jewel-like and muted tones, Arnold constructs planes that...

Louise Marler KoniRapid-S Archival Pigment Print on premium luster 2022 Size: 16x20in Edition: 25 Signed and numbered by hand Stamped COA provided Ref.: 924802-1417 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” film photography, film camera, film is not dead, film community, old camera...

Louise Marler Vega Chrontax Archival Pigment Print on premium luster 2022 Size: 16x20in Edition: 25 Signed and numbered by hand Stamped COA provided Ref.: 924802-1416 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” film photography, film camera, film is not dead, film community, old camera...

Louise Marler The Art Of Letters C-print on metallic white stock mounted on wood 2022 Size: 7x7x0.5in Edition: 25 Signed and numbered by hand Stamped Ready to hang COA provided Ref.: 924802-1415 Louise Marler’s photo-based Mixed Media art, is iconic visual vocabulary. Au-thentic style has led to exhibits, art collections and events which integrate his-tory, education, and entertainment. Raised in a family that collected, sold and repaired typewriters. These and other analog, vintage machines are part of her personal history and led naturally to becoming part of the subject matter of her visual expression. Louise Marleris inspired by Americana and also influenced by pop art and technology. “I developed my unique art style in a Santa Monica Airport (former mechanic) hanger turned art studio. I currently live and work in St. Louis where antique row meets the most progressive art culture, as well as Joshua Tree, California, where I created the first Type Inn.” Louise Marler’s work is featured in the documentary film, “The Typewriter in the 21st Century,” and TV shows including “Two and a Half Men,” “Curb Your Enthusiasm,” “The Mentalist,” “Criminal Minds,” “Jane the Virgin,” “Dear White People,” “Lucifer,” “Arrested Development,” “Love Victor, and “A Black Lady Sketch.” typewriter queen, la marler, typewriter art, typewriter artist, Typewriter, Typewriters midcentury, modern art, typewriter life, typewriter community, typewriter collection...

Porcelain, Overglaze Paint, Vessel, Functional, Mythos Flask, Sam Chung, 2025 Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Professor of Art at Arizona State Un...

Lithograph on washi paper Exemplaire B/165

Jed Jackson was born in Fayette, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the “gri...

Contemporary, Mixed Media, Ceramic, Sculpture, Functional Mug, Utilitarian Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Arti...

David Morris Freddy Freeloader Digital Painting on Archival Paper Year: 2023 Size: 24x24in Edition: 15 Signed, numbered and dated by hand on label to be attached verso COA provided R...

Abstract Porcelain Form, Elegant Contemporary Sculpture, Polkadot Patterning Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psychede...

Joseph Piccillo’s meticulous charcoal and graphite drawings and paintings reveal an exquisite draftsmanship tempered by emotional sensitivity. Piccillo presents an action-based assem...

Alongside, 1941 Tod Lindenmuth (American, 1885-1976) Color Woodblock Print 9 x 7 inches 19.75 x 14.5 inches with frame Signed Lower Right Titled and Dated Lower Left A founder of the Provincetown Art Association and one of the original Provincetown Printers, Tod Lindenmuth was a semi-abstract painter and graphic artist who did much to promote modernist styles. Although he was much influenced by Abstract Expressionism, his subject matter was realistic enough to be recognizable. He did linoleum cuts and was one of the first to work with that medium, and towards the end of his life, he experimented with collage. In the 1930s, he had commissions for the Public Works of Art Project and the Works Progress Administration. Lindenmuth was born in Allentown, Pennsylvania. He studied with Robert Henri at the New York School of Art in Manhattan, and in Provincetown with E. Ambrose Webster and George Elmer Browne. He first exhibited in Provincetown in 1915, and between 1917 and 1928 served on the jury for the Provincetown Art Association's 'First Modernistic Exhibition". He exhibited regularly with the Society of Independent Artists in New York. He married artist and illustrator Elizabeth Boardman Warren...

Dirk Staschke is best known for his exploration of Dutch Vanitas still life themes in the medium of ceramics. His current body of work explores the space in between sculpture and pai...

John Garrett was raised in southern New Mexico by parents who were both educators. They instilled in him an appreciation for the handmade with their collections of Native American a...

The Jolly Flat Boat Men, 1847 After George Caleb Bingham (American, 1811-1879) Engraved by Thomas Doney (French, active New York 1844-1849) Engraving with Hand-Coloring Published by The American Art-Union, New York (1838-1851) Printed by Powell and Co. 18 x 24 inches 32 x 38 inches with frame In 1847, the American Art-Union purchased Bingham’s painting "The Jolly Flat Boat Men" (1846; National Gallery of Art) directly from the artist. The subscription-based organization, founded in 1838 as the Apollo Association, boasted nearly ten-thousand members at this date. For an annual fee of five dollars, each received a large reproductive engraving and was entered in a lottery to win original artworks exhibited at the Art-Union’s Free Gallery. Aimed at educating the public about contemporary American art, the organization developed an impressive distribution network that reached members in every state. The broad circulation of the Art-Union's print helped to establish Bingham's reputation and made his river scene famous. Born in Augusta County, Virginia in the Shenandoah River Valley, George Caleb Bingham became known for classically rendered western genre, especially Missouri and Mississippi River scenes of boatmen bringing cargo to the American West and politicians seeking to influence frontier life. One of his most famous river genre paintings was The Jolly Flatboatmen completed in several versions in 1846. This first version of this painting is in the Manoogian Collection at the National Gallery of Art. Fame resulted for this work when it was exhibited in New York at the American Art Union whose organizers made an engraving of 10,000 copies and distributed it to all of their members. Paintings such as Country Politician (1849) and County Election (1852) and Stump Speaking (1854) reflected Bingham's political interests. In 1819, as an eight-year old, he moved to Boon's Lick, Missouri with his parents and grandfather who had been farmers and inn keepers in the Shenandoah Valley near Rockingham, Virginia. Reportedly as a child there, he took every opportunity to escape supervision to travel the River and watch the marine activity. His father died in 1827, when his son was sixteen years old. His mother had encouraged his art talent, but art lessons were not easily obtainable. In order to earn money, he apprenticed to a cabinet maker but determined to become an artist. By 1835, he had a modest reputation as a frontier painter and successfully charged twenty dollars per portrait in St. Louis. "His portraits had become standard decorations in prosperous Missouri homes." (Samuels 46). In 1836, he moved to Natchez, Mississippi and there had the same kind of career, only was able to charge forty dollars per portrait. He remained largely self taught until 1837, when he, age 26 and using the proceeds from his portraiture, studied several months at the Pennsylvania Academy of the Fine Arts. He later said that he learned much of his atmospheric style and classically balanced composition by copying paintings in collections in St. Louis and Philadelphia and that among his most admired painters were Thomas Cole, John Vanderlyn, and William Sidney Mount. Between 1856 and 1859, Bingham traveled back and forth to Dusseldorf, Germany, where he studied the work of genre painters. Some critics think these influences were negative on his work because during that time period, he abandoned his luminist style that had brought him so much public affirmation. Bingham credited Chester Harding (1792-1866) as being the earliest and one of the most lasting influences on his work. Harding,a leading portraitists when Bingham was a young man, had a studio in Franklin, near Bingham's home town. In 1822, when Bingham was ten years old, he watched Harding finish a portrait of Daniel Boone. Bingham recalled that watching Harding with the Boone portrait was a lasting inspiration and that it was the first time he had ever seen a painting in progress. Harding suggested to Bingham that he begin doing portraiture by finding subjects in the river men, which, of course, opened the subject matter that established fame and financial success for Bingham. Harding also encouraged Bingham to copy with paint engravings. He later painted two portraits of Boone but, contrary to the assertions of some scholars, he did not do Boone portraits in the company of Harding. Bingham's portraits of Boone are not located, but one of them, a wood signboard for a hotel in Boonville circa 1828 to 1830, showed a likeness of Boone in buckskin dress...

Jed Jackson was born in Fayetteville, Arkansas. Throughout his education, he studied under artists such as Janet Fish, Fairfield Porter, and Leland Bell, and reaps influence from the...

Porcelain Vase, Sculpture, Korean American, Flared Cloud Vase by Sam Chung, 2023 Sam Chung lives and works in Tempe, AZ. He is a ceramic artist and Pr...

Figurative Painting, Oil on Wood, Framed, "Pork Pie Hat", Jed Jackson, Realism Jed Jackson was born in Fayetteville, Arkansas. Throughout his education, he studied under artists suc...

Jay Patel Boat On The River Acrylic on Board Year: 2022 Size: 12x10x1.5in Signed verso COA provided Ready to hang Ref.: 924802-1125 "An orange sunset upon t...

Elise Gagliardi Summer II Medium: Photography Year: 2021 Size: 8 x 10 inches (other sizes available upon request) Edition size: 25 Signed, numbered and inscribed by hand COA provided Ref.: 924802-1017 Elise Gagliardi is an experimental multi-media artist. She studies photography at the University of Colorado at Boulder. She graduated with her BFA in 2006. Her work has been exhibited nationally. It has been featured in various publications. She currently works as a curator and a mother raising her three young children. Since becoming a mother she has embraced a heritage of storytelling. In her work, she introspectively examines her relationship to the matriarchal figures in her life and contemplates her own legacy. Her work is best described through the words of Author Joseph Campbell in what he describes as “The Myth of the Eternal Return”. Every flower carries...

Doug Osa Dream Lake II Intaglio on Paper 1994 Image Size: 4.25 x 5.5 inches (10.8 × 14.0 cm) Framed Size: 13 x 13.75 inches (33.0 × 34.9 cm) Edition: 6 of 50 Signed, dated and number...

"Bathing Beauty" c. 1915 Carl Rudolph Krafft (American, 1884-1938) Oil on Canvas Signed Lower Left 38 x 40.25 inches Born in Reading, Ohio, Carl Krafft...

Returning from the General Store William Henry Dethlef Koerner (German, American, 1878-1938) Oil on Panel Signed Lower Right 24 x 30 inches 27 x 33 inches with frame William Henry D...

Justin Allen Springfield, MO Justin Allen brings extraordinary technical mastery to oil painting, rendering everyday objects with precision so striking they verge on the surreal. A...

Photorealistic Embroidery, Framed, Landscape, Big Sky, Clouds, Trees, Fiber Art “The stitches are like pencil hatching. Different colors of thread are layered throughout each piece ...

Born in Detroit, Steven Montgomery’s work revels in a history of industry and aging as the artist uses porcelain to produce intricate mechanical forms with the appearance of metal. H...

Contemporary Abstract Painting, Acrylic on Canvas, Framed, Psychedelic Patterns Groot Foundation Grant Honorable Mention Recipient 2025 "My work, both in painting and sculpture, in...

Title : Chaleucia Materials : 310 gsm Premium Paper Date : 2020 Dimensions: 40 x 30 inch Edition of 50 Agent X is an emerging artist who creates experimental multimedia collages...

Luanne Rimel is an artist, curator, instructor, and currently the Director of Education Programs at Craft Alliance Art Center in St. Louis, Missouri. Her work is layered with histori...

Abstract scenic painting of a storm passing over a vast setting :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by the artist :: Ready...

Shepard Fairey Defend Truth Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 18 inches (60.96 x 45.72 cm) Edition: 450 Signed by Shepard Fairey, dated and numbered...

Small Scale Landscape Oil Painting on Panel, Framed, Earth Tones, Steve Cope Steve Cope graduated from the Massachusetts College of Art, and received his MFA from Boston University....

Artist : Susan Kiefer Title : Thus Spake Zarathustra Materials : oil on canvas Date : March 2020 Dimensions : 20" x 20" x 1.5 Description : Intersection of a circle and square in bl...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition ...

"A Day in June, Scene Eastchest, New York" 1898 Edward Gay (Irish, American, 1837-1928) Oil on Canvas Complimented by original frame in great condition Signed and Dated Lower Right T...

Anton Refregier Untitled Color Lithograph Circa early 1970s Size: 17.8 x 23.8 inches (45.2 × 60.5 cm) Edition: 190 of 275 Signed and numbered in pencil Gallery-issued COA provided A...

Quiet Please was developed through an intuitive process of layering and expressive mark-making. Marksbury’s paintings explore ideas of time and space, the...

Wolff Buchholz Title: Manhattan - Fifth Avenue Mirror Effect Medium: Photograph Year: 1990 Signed, dated and titled by hand Edition: 6 Size: 11.9 × 16.4 inches COA provided

Shepard Fairey Climate Clash - White Screen print on thick cream Speckletone paper Year: 2024 Size: 24 x 24 inches (60.96 × 60.96 cm) Edition: 275 Signed by Shepard Fairey and Franci...

Jeffrey Vaughn, from Alton, Illinois, received his Bachelor of Fine Arts degree in 1978 from Washington University, St. Louis, Missouri, and his Master of Fine Arts in 1983 from the ...

Contemporary, Porcelain, Sculpture, Abstract, Design, Harumi Nakashima, Japanese Japanese artist Harumi Nakashima creates free-form ceramic sculptures that feature organic, yet psyc...

Lesley Richmond was born in Cornwall, England. Lesley now lives in Vancouver, BC, Canada. She received her art teachers training in London, England and her MEd in the USA. She taught...

Loetz Diaspora Vase, c. 1900 Glass Stamped on bottom 6 inches tall 3 inches diameter This Loetz vase in the Papillon pattern has blue iridescent Papillon design covering the exterio...

Contemporary, Mixed Media, Ceramic, Sculpture, Functional Mug, Utilitarian Matt Mitros was born in Philadelphia, PA. Upon completing his BFA at Penn State University, he was an Arti...

José Sierra is a self-taught artist and ceramicist, born in Mérida, Venezuela in 1975. His work draws inspiration from his heritage, along with pre-Hispanic art, East Asian pottery,...

Born in Jefferson City Missouri in 1976 Justin Allen attended Webster University in St. Louis, Missouri where he studied filmmaking before studying painting at the Art Students Leagu...