Nevada

On the large side and very well made with much attention to detail, this late 19th century toothpick holder portrays a working man atop a penny farthing bicycle with a barrel strappe...

Medium: original pochoir stencil print in four colors. Catalogue reference: Dupin 50. Printed in 1947 in an edition of 1500 by Meriden Gravure and published by Curt Valentin for the ...

Medium: lithograph (after the papier collé). Printed in 1963 for the art revue Derrière le Miroir (issue number 138) and published in Paris by Maeght. Sheet size: 15 x 21 3/4 inches ...

Medium: pochoir on sandpaper (after the oil painting on sandpaper). This unusual work was printed in 1967 on actual sandpaper for the rare catalogue "Oiseau solaire, oiseau lunaire, ...

Medium: lithograph (after the watercolor sketch). Printed in 1955 at the Mourlot Freres atelier, this composition is from George Braque's Intimate Sketchbooks (Carnets Intimes). Braq...

Midcentury Asian inspired floral art ginger jar table lamps by Norman Perry Lamp CO. Large ceramic lidded jars mounted on ornate lacquered wood bases. Signed "Norman_Perry".  

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1956 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Medium: original lithograph. Printed by Mourlot in 1960 for the art revue XXe Siecle (issue number 14) and published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 242 m...

Medium: original etching. This impression on Alton Mill laid paper was printed in 1883 for "An English Version of the Eclogues of Virgil" and published in London by Seeley and Compan...

Medium: original etching. Catalogue reference: Beraldi 14. This impression on chine colle paper was published by the Gazette des Beaux-Arts in 1903. Plate size: 2 1/2 x 2 1/8 inches ...

Made circa 1915, this hammered tin mold is unmarked but probably was made in Belgium vis a vis the "Dutch Boy" theme. This two part chocolate mold pattern wa...

Medium: original lithograph. Printed in 1929 and published by the art and literary revue Byblis in an edition of 100. Sheet size: 11 x 8 1/4 inches (278 x 208 mm). This work is by Fr...

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Of French origin, this mid to late 19th century bronze figure was made by the prolific French bronze making artist family "Moreau". The sculpture depicts a young female student or sc...

Medium: original etching and drypoint. This impression on on cream wove paper was printed in 1889. Plate size: 5 x 9 3/4 inches (125 x 250 mm). Signed and titled in the plate (not ha...

Medium: original lithograph. Printed on Arjomari paper in 1969 at the Mourlot Freres atelier and published by Editions Richelieu in a limited edition of 2400 for the L'Odyssee portfo...

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: lithograph (after the drawing). Printed by Mourlot for the deluxe limited edition portfolio "Les chiens ont soif", this is one of 250 impressions on BFK Rives wove paper (the...

Horse drawn trolleys or "horse buses" were the main source of "mass transit", along with trains in the late 1800s in America. Thus they were ubiquitous subject matter for toy makers to exploit as toys for young children. While many tin toy...

This impression (after the original woodcut) was printed on japon paper in 1943 in an edition of 250, and is one of Gauguin's beautiful Tahiti compositions. Image size: 6 1/2 x 11 in...

Medium: original lithograph. Printed in 1982 for the art revue Derriere le Miroir (issue number 250, dedicated in homage to Aime and Marguerite Maeght) and published in Paris by the ...

Medium: original lithograph. Printed in Paris in 1964 by Mourlot Freres and issued in an edition of 2000 on Arches wove paper. Size: 10 x 7 1/2 inches (255 x 185 mm). Signed in the p...

Medium: original etching. The artist Adolphe Martial Potemont was also known as A. P. Martial. This impression on laid paper was printed in 1880 for Philip Gilbert Hamerton's very sc...

Medium: original lithograph. This striking lithograph was printed in 1922 for Genius. The image size is 11 1/4 x 9 1/4 inches (285 x 235 mm). This original Alexander Kanoldt lithogra...

Medium: original lithograph. This lithograph was printed in 1950 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: original lithograph. This lithograph was printed in 1952 for the "Improvisations" portfolio, published by the Artists Equity Association of New York on the occasion of the 19...

Medium: pochoir. Printed at the atelier Jacomet in 1958 for the hard-to-find XXe Siecle (issue No. 10) published in Paris by San Lazzaro. Size: 12 3/8 x 9 1/2 inches (315 x 242 mm). ...

Medium: original etching. This impression was printed in 1888 on cream laid paper and published by Estes and Lauriat. Image size: 7 7/8 x 11 3/4 inches (200 x 300 mm). Signed in the ...

Crafted in 14K yellow gold, the bracelet is composed of a series of domed links set with alternating emerald-cut amethyst and blue topaz stones. Each stone is securely set within pol...

Medium: original lithograph. Printed in 1972 on Rives wove paper at the atelier Clot, Bramsen et Georges and published by Philippe Lebaud in a limited edition of 190 for the "Variati...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Medium: original lithograph. Printed by Mourlot and published in Paris by Teriade for Verve in 1960 for a special edition devoted exclusively to Chagall's original Bible art. Size: 1...

Medium: original etching. Catalogue reference: Schneider 113. Executed in 1885; this is a fine, dark impression with full original margins on watermarked laid paper from "The Portfol...

Medium: pochoir (after the watercolor). Printed on Arches paper in 1956 at the atelier Daniel Jacomet for the Vins, fleurs et flammes portfolio, and issued in a limited edition of 38...

Medium: lithograph (after the painting). Printed in 1968 by L'Imprimerie Arte and published by the atelier Maeght for the Varengeville portfolio. Size: 8 3/8 x 13 3/4 inches (212 x 3...

Medium: lithograph. From the "In Memory of My Feelings" portfolio, printed in 1967 on Mohawk Superfine Smooth paper in a limited edition of 2500 and published in New York by The Muse...

This is a nice Mid Century Bronze X base Coffee Table Base. Unmarked but favors the Barcelona tables by Mies Van der Rohe for Knoll. Bronze has age appropriate patina. Left as foun...

Medium: original woodcut. (Catalogue reference Roethel 146). Printed in 1975 on Arches paper for the "Homage to Kandinsky" special edition of the art revue XXe Siecle. Size: 12 1/4 x...

Medium: original etching and drypoint. Catalogue reference: Delteil 86. This lovely drypoint was executed by Raffaelli in 1909 and published in Paris by H. Floury. Plate size: 3 1/4 ...

Medium: original lithograph. This original Henry Moore lithograph was printed in 1972 for XXe Siecle and published in Paris by San Lazzaro. Size 12 1/4 x 9 3/8 inches (310 x 238 mm)....

Medium: original etching and drypoint. Printed in 1928 and published in Paris in a limited edition of 1100 for Abel Hermant's "Bigarrure". Plate size: 5 1/4 x 3 1/2 inches (132 x 90 ...

Medium: lithograph (after the original). In 1896 Toulouse-Lautrec executed his famous "Elles" portfolio; this is a beatiful limited edition replica published in Paris by Claude Tchou...

From the Roman Bronze Works of New York this large bronze sculpture by Salvatore Cartaino Scarpitta (1887-1948) . Bust of Cora Timken. Signed at base.  

Medium: original lithograph. Printed in 1920 on smooth wove paper for the Deutsche Graphiker der Gegenwart portfolio, and published in Leipzig by Klinkhardt & Biermann in an edition ...

Medium: pochoir (after the painting). Published in Paris in 1929 by Editions des Chroniques du Jour in an edition of 500. Image size: 8 3/4 x 6 3/8 inches (223 x 163 mm). With full o...

Medium: pochoir (after the gouache). This pochoir illustrates a scene from Oscar Wilde's "Salomé". It was printed in 1938 at the atelier Saudé of Paris and published by The Limited E...

Medium: original lithograph. This print was issued for XXe Siecle in 1973, published in Paris by San Lazzaro. Sheet size: 12 1/4 x 9 1/2 inches (310 x 240 mm). Not signed.

Medium: heliogravure (after the etching from Goya's Tauromaquia series). Printed in 1947 in a limited edition of 500 on Guarro laid paper, and published in Barcelona by Ediciones Ome...

Medium: original etching. This impression on laid paper was printed in 1909 and published in Paris for the Revue de l'art ancien et moderne. Plate size: 9 1/2 x 6 3/8 inches (241 x 1...

Medium: original etching. This impression on laid paper was published by the American Art Review in 1880. The etched image measures 5 3/4 x 3 1/2 inches; the plate measures 6 3/4 x 4...

"October Afternoon" Maintains the appropriate markings along with "New York, Published by N. Currier 152 Nassau Street. (The firm was located here in lower Manhattan from 1837-1872) The lithograph illustrates two men and their dog with young son (hunting rifle over shoulder) in tow, returning from the rabbit hunt with their catch being presented to the lady of the house with baby in arms. The gated mansion is in the background while geese float upon the fertile pond in the background. In addition to the Amon Carter Museum in Dallas, an example of "Pleasures of Winter" is in: The Metropolitan Museum of Art (Bequest of Adele S. Colgate, 1962) Museum of Fine Arts Boston (Donated by Lee M. Friedman) The Library of Congress The Yale University Art Gallery (Gift of Mabel Brady Garvan Collection) Dimensions: actual= 16 1/2" h x 23 13/16" w matte= 19 1/2" h x 25 1/4" w folio= 21 1/4" h x 27 3/4" w with frame= 26 1/4" h x 32 1/4" w frame= 1 1/4" burl bird's eye maple It is in very good all original condition; and housed and professionally mounted in a fine quality and attractive bird's eye maple wooden frame with preservation backing and frontal protective glass (important when dealing with 170 year old lithographs); it is the rare and desirable Currier large folio sheet example in fine original color. There is some slight foxing to the cream border and minor fading (see images), The larger folios are more rare because they appealed to the wealthier sector of the population and were more expensive, thus fewer were made, albeit, knowing their more discerning customer base, there was more attention given to detail; hand coloring, and quality for example. This example has been framed and housed in museum quality conservation backing for over 80 years. I have had it professionally taken apart and I inspected the folio visually, and examined it with a black light and loop; as a result, I guarantee and can attest to the accuracy of my description of the lithograph. I then had the folio professionally remounted in it's original frame with an upgraded preservation backing (see images of original folios out of frame and for confirmation of inspection). This lithograph has no tears, no touch up paint, and no glued or taped repairs. This is one of the four iconic and highly desirable set of lithographs made by Nathaniel Currier (1813-1888) dated 1855 from the American Country Life series. They are named; Spring "May Morning"; Summer "Summer Evening"; Fall ""October Afternoon"; and Winter "Pleasures of Winter". The lithograph was produced from the painting of well known artist Frances (Fanny) Flora (Bond Palmer (1812-1876). She painted typical American scenes of daily American life that were used by Currier for years to come. She was an accomplished artist by the time she migrated to the United States from England, and Currier commissioned her to do the country scenes for this series. Each of the original images are toned lithographs with applied hand painted watercolor. The lithograph reflects an affluent life style, showcasing grandiose homes and glamorizing the rural way of living as urban areas became more densely populated with the tidal wave and arrival of immigrants. Nathaniel Currier began his lithograph business in 1835 with hand colored images portraying outdoor panoramic, historical, pastoral, and landmark scenes and events, with which the middle class and the wealthy sought to decorate their houses. James Ives (1824-1895) was his accountant) and would join him later in 1857 to help run the business. The hand painted lithograph is embellished with script text in the bottom margin of the folio "Entered according to art of congress in the year 1855 by N. Currier in the clerk's office of the southern district of N.Y." "F.F Palmer...

Medium: serigraph (after the painting). Printed in 1968 and published by the (op)art galerie of Esslingen, Germany for a rare portfolio. Size: 9 1/2 x 7 7/8 inches (240 x 200 mm). No...

Medium: original lithograph. Printed in 1930 in an edition of 250 and published in New York by The Downtown Gallery. Size: 10 x 6 3/4 inches (252 x 172 mm). Signed in the plate; not ...

Medium: original woodcut. This impression on thin wove paper was printed in 1902 and published by Gazette des Beaux Arts. Image size: 8 1/8 x 5 1/2 inches (207 x 140 mm). Signed in t...

Medium: offset lithograph (after the monotype). This is an offset lithograph reproducing one of Jasper Johns' Savarin monotypes, and it was printed by Norman Lithographers in 1982 an...

Medium: original etching and engraving. This impression on wove paper was printed in 1939 and published in Paris by San Lazzaro for the art revue XXe Siecle (issue number 5-6). Size:...

Medium: original lithograph. Issued in 1975 for XXe Siecle (issue no. 45), published in Paris by San Lazzaro. Sheet size 12 1/8 x 9 1/2 inches (310 x 240mm). Not signed.

Love this Vintage set of 4 pub style American Colonial Windsor Swivel Chairs. These charming chairs feature sculpted saddle seats, low spindle backs, and beautifully turned splayed ...

Medium: lithograph (after Matisse). Printed in sanguine ink on cream laid paper from the Papeteries Casteljoux and published in Geneva by Edito-Service in 1970. This reproduces one o...

Medium: original lithograph. Printed in Paris in 1968 by the Mourlot Freres atelier. Size: 12 1/4 x 9 1/2 inches (310 x 240 mm). There is printed text on the back, as issued. Signed ...