Ohio

Bertu Coffee Table, Waterfall Coffee Table, Walnut This Walnut Waterfall Coffee Table is made in the heart of Ohio with locally sourced wood. Each ta...

Late 20th century mission/arts & crafts inspired table by Matthew Baker of Dayton, Ohio. A square two tier design with diamond pierced apron. Made from Ash with a (quilted ash) cur...

Antique 19th century Staffordshire porcelain flatback equestrian hunt figurine, converted into a two light table lamp, depicting a Scottish Highlander / hunter on horseback with a de...

Rare antique fireproof card / index / courthouse file catalogue cabinet from NCR headquarters in Dayton Ohio. This cabinet was part of the original corporate offices and were salvag...

Designer: Craft Associates. Manufacturer: Craft Associates Furniture. Period/Model: Mid-Century Modern. Specs: Solid ziricote. Condition: T...

A toy Airstream Folk Art styled travel trailer with silver faded and patina paint having a lift up back end and side door revealing beds, sink and livin...

Designer: Arthur Umanoff. Manufacturer: Unknown. Period and model: Mid-Century Modern. Specifications: Wrought iron. Condition: This Arthur Umanoff wrought iron...

Antique Dutch 18th century oval shaped brass tobacco snuff box with hinged lid, engraved with a low relief pattern of two figures flanked by angels.

Late 20th century nautical wall clock in the shape of a wooden ship's wheel / helm, with the face framed in a brass porthole. White face with Roman numerals. Made in India. Prestige ...

Beautiful pair of antique mother of pearl shell servings spoons with silverplate handles. The spoons are neatly framed in a shadowbox b...

By designer Elizabeth Locke 19 karat solid hammered yellow gold. 8.25 inches long, 0.82 inches wide Stamped "19K" and designer stamp. Hidden closure with safety.

A 58 piece set of silverplated sculptural south seas pattern styled flatware with 8 serving pieces, with five pieces for each place setting salad, dinner fork, tea, soup spoon and knife. There are eight severing pieces butter, cake knife, slotted, large severing and condiment spoon...

Ink and gold on paper silk mounted to hanging scroll Brush wash scroll Signed Torei sha, sealed Hirokuni and Torei Painting size: 42 x 16" Scrol...

CraftAssociates Dining Tables, Milo Baughman Modern Rosewood Dining Table The Milo Baughman Round Dining Table for Craft Associates® Furni...

Antique Oak mirrored wall hanging bathroom apothecary vanity medicine cabinet cupboard with half round cubby / storage shelf. Dimensions: 20" x 7.5" x 26.25" (Width x Depth x Height)

A stunning leaded slag glass table lamp by Wilkinson. This beautiful lamp features blooming and budding peonies flowers. Good wiring with a new cloth cord. The base has a great patin...

This alabaster, bronze and marble figural group was created by highly regarded Italian sculptor Emilio P. Fiaschi (1858 – 1941). The sculpture depicts the Holy Family's Flight into Egypt and has been finished with the skill and sensitivity characteristic of Fiaschi's oeuvre. Joseph walks alongside the Blessed Virgin Mary who is sitting astride a bronze donkey...

Signed and dated in ink lower center Provenance: Charlotte Bergman, noted collector and patron of Walkowitz. See photo for additional information.

A monumental Italian Louis XIV style "Belle Epoque" giltwood console table. Belle Epoque (The Age of Excellence) takes inspiration from the very beginning of the French Golden Age of...

A very well crafted floor lamp with milk glass funnel shade , round wood ball switch , spun brass shade holder and base mounted on a combed oak pole . Designed by Russel Wright who's...

Vintage Kreiss Collection nubby linen and Naugahyde oversized lounge chairs and ottoman. These come from the original owner who purchased them direct fr...

Antique Spanish Revival mahogany curule / Savonarola style / throne / saddle seat arm chair featuring a pierced and slatted design with acanthus accents. Dimensions: 25" x 21" d x 3...

Readings from the "Communion of Saints": folio from an Italian Missal Pigment on vellum Mid 17th century Provenance: Otto F. Ege (1888-1951) Phillip Duechnes Bookseller, New York, c. 1948 References And Exhibitions: Otto F. Ege Box Folio 27 Ege describes these folios as: Epistolary (Epistolarium), Italy, Middle 15th century Latin Text: Rotunda or Round Gothic Script, square rhetorical neumes Sister folio are in the following rare book libraries: Case Western Reserve University Cincinnati Public Library Cleveland Institute of Art Cleveland Public Library Denison University Kent State University Kenyon College...

A beautiful figured bronze urn or planter. Features a traditional Grecian form with a lobed body and round fluted base. Decorated with a low relief depiction of Zeus flanking opposit...

Ionic Column Capital Graphite, wash, gouache and gum arabic, 4 Fev 57 (Feb 4 1857) Signed and dated lower right (see photo) Ionic columns are a classical architectural style characte...

Mid-Century Modern mahogany dining table by Edward Wormley for Dunbar Furniture Edward Wormley for Dunbar Furniture Co. Mid-20th century mahogany dining or conference table. Feature...

A 6-strand graduated beaded necklace of vintage natural turquoise and natural pearl. It's a very exceptional necklace. The length of the necklace is 17.5 inches (44 cm) + a 3-inch extension chain with pearl bead. The size of the turquoise irregular form varies from 9 mm to 14 mm. The size of the freshwater pearls varies from 10 mm to 15 mm. Pearls are shaped like coins, oval beads, and Keshi pearls. Turquoise brings a fresh color and an elegant style to any outfit and is one blue hue you can never go wrong with. The addition of the white pearls lifts the necklace to the next level, making it suitable for more dressy occasions as well as casual ones. Make a statement with this multi-strand turquoise pearl necklace...

Manufacturer: Bitossi Importer: Rosenthal Netter Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi multi color flower vase for Rosenthal Netter...

"ṭāhēr 2891", Gold Painting, 2025 This is a highly textured, multi-media abstract in gold and has a dark patina around the edges. All of Addison's text in her paintings are her jour...

An exceptional large Mid-19th century American School Victorian Folk Art portrait. The painting features a young, well-dressed mother seated in a tufted balloon-back chair with her ...

Iconic Mid-Century Modern Fratelli Saporiti Italian bedside dressers, nightstands or chests by Giovanni Offredi, circa 1970s. Made of high gloss birdseye featuring six drawers and tw...

Late 20th century porcelain vase / urn by Maitland Smith. Features round panels of chinoiserie floral designs, framed in a background of speckled brown and a pattern of spirals aroun...

An impressive Baker Furniture Chippendale style mahogany Pembroke table, circa 1970s. Featuring drop-leaf sides and a serpentine top with intricately carved open fretwork frieze. Sup...

Bertu Lounge Set, Outdoor Lounge Set, Bali Collection, Modern The Patio Furniture - Bali U Shaped Sectional is beautifully constructed from solid w...

Clarence Holbrook Carter (American, 1904-2000) Dichotomy, 1962 Oil on paper Signed and dated upper left 20 x 25 inches Mid-century figural abstract green painting of woman swimming ...

Frank Nelson Wilcox (American, 1887-1964) The Wood Chopper, Brecksville, Ohio, c. 1917 Oil on masonite 33 x 24 inches "We were fortunate in that the two farms in Brecksville were still open to our visits. The urbanization of the township was then only beginning and we spent several summers there where I tried to capture something of the rural peace so soon to be erased from the countryside." - Wilcox Exhibited: “Water Colors and Oils by Frank N. Wilcox,” Cleveland Museum of Art, January 1937. Frank Nelson Wilcox (October 3, 1887 – April 17, 1964) was a modernist American artist and a master of watercolor. Wilcox is described as the "Dean of Cleveland School...

Vintage maitland Smith coffee or cocktail table featuring round form with tessellated stone top supported by heavy tiered iron base with twisted and scrolled accents. Dimensions: 37...

CraftAssociates Armchairs, Peabody Modern Cane Back Armchairs, Walnut, Caneback These Lawrence Peabody modern cane back arm chairs for Craft Associates Furniture are expertly handcrafted and upholstered. These Peabody chairs are a licensed reintroduction for Craft Associates. The chairs are shown here in solid walnut and leather, but each is hand built and made to order so wood species and fabric can be customized. Craft Associates has a full fabric program available. Craft Associates Furniture is proud each modern piece is made in the US. They strive to Craft a product that will Stand the test of time. They use the best materials and have the best craftsman and upholstery in the business. We Stand 100% behind our product. Designer: Lawrence Peabody Manufacturer: Craft Associates Furniture Period/Model: Mid-Century Modern Specs: Walnut, cane, leather Dimensions: H 32" (81.28cm) W 24" (60.96cm) D 26.25" (66.68cm) Arm height 22.5" (57.15cm) Seat height 16" (40.64cm) Seat width 21" (53.34cm) Seat depth 20" (50.8cm) "The U.S. would profit by the example of the Danes, whose great work in furniture design is the result of combining proficient craftsmanship, Fine design and technical skill. The Danes do more than sell arts and crafts in their distinguished work, they sell Denmark." - Lawrence Peabody, 1957 History Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle...

*With production cameras filming Harry Benson was born near Glasgow, Scotland. The photographer was assigned to travel with the Beatles on their first American tour in 1964. His ico...

Designer: Rastad and Relling Manufacturer: Gustav Bahus Period/Model: Mid Century Modern Specs: Teak, Leather condition: This Rastad and Relling bambi lounge chair...

Antique Spanish revival side chair. Made of quartersawn oak featuring mortise and tenon joinery with Celtic inspired design of reticulated / pierced florals / flowers and leaves ove...

CraftAssociates Dining Chairs, Arceo Modern Dining Chairs, Quilted, Hand Stitched Experience the unparalleled elegance of Arceo Modern Quilted Dining Chairs, masterfully stitched by...

Sally Lachina (American, 20th Century) White Stone, 1994 Acrylic on canvas Signed and dated lower right, signed, dated and titled verso 42 x 42 inches Sally Lachina is an American a...

20th century Steel bed / daybed. Features a rustic frame with metal steel cross supports. DIMENSIONS 77' x 36" x 30" / Rail Height - 13" / Interior - 35.5" x 73" (Width x Depth...

Early 20th Century Arts & Crafts / Mission Library Table. Features a rectangular form made from oak and pine with a central drawer over columnar supports leading to a trestle base w...

Antique American drop leaf gateleg dining table. Features rectangular form with long drop leaves made from solid cherry. The table is supported by turned legs with casters Great fo...

Vintage 20th century black and mustard yellow tole table lamp in the shape of a French Empire style urn on a pedestal, decorated with toile style Pr...

A very large and impressive Tuscan planter by Bellocci Ceramics of Orvieto, Italy, featuring green trim, blue and yellow fixed handles and an array of pai...

Vintage French clay fired bulbous pot in cobalt blue glaze paneling and artistic detail. 2 Drip holes at the base. DIMENSIONS 17.5"d x 19"h

This stunning 2.64-carat cushion-cut Peridot ring radiates natural beauty, set in solid 14K real gold. Accented by sparkling earth-mined diamonds and intricate milgrain detailing, it...

Designer: Milo Baughman Manufacturer: James Inc. Period and model: Mid-Century Modern Specs: Wood, fabric Condition: This Milo Baughman lounge c...

The Flow Cuff Bracelet in solid 14k white gold begins as a triangle and evolves into a square at its opposite end. This elegant bracelet can blend seamlessly into any style or become...

Point Lobos, California Oil on artist's board, c. 1925 Signed lower right: Wm J Edmundson (see photo) Condition: Very good condition Frame: Period McBeth Gallery style frame (see pho...

Double Personage Color lithograph, 1975 (?) Unsigned (as issued) Edition: Large Edition Limited, (estimated to be approximately 2000) Published in: XXe Siecle, No. 52, Juin 1979 Published: G. di San Lazzaro Printer: Mourlot Imprimeur, Paris, France Reference: Lam-Tonneau-Ryckelynck L7513 Condition: Excellent, fresh colors Traces of glue residue along margin edge where it was bound in the book Image/sheet size: 12 1/4 x 9 1/4 inches Wilfredo Lam (1902-1982) Biography Wifredo Lam was born in Sagua la Grande, Cuba, on December 8, 1902. He was the eighth child born to Lam-Yam―born in Canton around 1820, an immigrant to the Americas in 1860―and to Ana Serafina Catilla―born in 1862 in Cuba of mixed African and Spanish ancestry. The luxuriant nature of Sagua la Grande had a strong impact on Lam from early childhood. One night in 1907, he was startled by the strange shadows cast on the wall of his bedroom of a bat in flight. He often recounted the incident as his first magnificent awakening to another dimension to existence. In 1916, Lam and part of his family settled in Havana. He was enrolled in the Escuela Profesional de Pintura y Escultura, Academia de San Alejandro, where he remained a student until 1923. This period, with exhibitions at the Salón de Bellas artes, was determinant in his choice to become a painter. In 1923, the municipality of Sagua la Grande awarded him a grant to study in Europe and by the autumn of that year, at the age of twenty-one, he left the country for Spain. His time in Spain―initially intended as a short stay on his way to Paris―lasted 14 years. In Madrid, he was exposed to the ideas and movements of modern art. He spent long hours at the Archeological Museum and the Prado. He studied the great masters of Spanish painting, Velázquez and Goya, but felt particularly drawn to the works of Bosch and Bruegel the Elder. In 1931, his first wife, Eva (Sébastiana Piriz) and their son Wilfredo Victor died of tuberculosis. The terrible suffering he endured led to numerous paintings of mother and child. Lam found solace in the company of his Spanish friends and made contact with several political organizations. In 1936, with the help of his friend Faustino Cordón, he joined the Republican forces in their fight against Franco. He designed anti-Fascist posters and took part in the struggle by working in a munitions factory. The violence of the struggle inspired his painting La Guerra Civil. In 1938, Lam left Spain for Paris. Shortly before leaving, he met Helena Holzer, who would become his wife in 1944. His meeting Picasso in his studio on the Rue des Grands Augustins proved decisive. Picasso introduced his new “cousin” to his painter, poet and art critic friends, Braque, Matisse, Miró, Léger, Eluard, Leiris, Tzara, Kahnweiler, Zervos. Lam also met Pierre Loeb, the owner of the Galerie Pierre in Paris, which hosted Lam’s first solo exhibition in 1939. Shortly before the Germans arrived, Lam left Paris for Bordeaux and then Marseille, where many of his friends, for the most part surrealists, had gathered around André Breton in the Villa Air Bel: Pierre Mabille, René Char, Max Ernst, Victor Brauner, Oscar Domínguez, André Masson, Benjamin Péret. In the Villa Air Bel, a meeting place for creativity and experimentation, Lam worked and produced, most notably, a series of ink drawings that set the tone for what would become his signature style of hybrid figures, a vocabulary he would develop more fully during his years in Cuba from 1941 to 1947. In January and February 1941, Lam illustrated Breton’s poem Fata Morgana which was censored by the Vichy government. On March 25, Lam and Helena Holzer embarked on the “Capitaine Paul Lemerle” headed for Martinique, in the company of some 300 other artists and intellectuals―André Breton and Claude Lévi-Strauss among them. Upon arrival, the passengers were interred at Trois Îles. It was during this forced passage in Martinique and before leaving for Cuba that Lam and Aimé Césaire met for the first time to become life-long friends. Newly settled in his native land after almost twenty years, Lam delved deeper into his artistic investigations, finding nourishment for his ideas in the surroundings of his childhood and youth. His sister Eloisa, whom he was closest to, explained to him in much detail the workings of Afro-Cuban rituals and he began attending ritual ceremonies with some of his friends. This contact with Afro-Cuban culture brought new impetus to his art. He painted over one hundred canvases, most notably La Jungla, making the year 1942 his most productive of this period. Over the next few years, a number of exhibitions followed in the United States, at the Institute of Modern Art of Boston, at the MoMA of New York, at the Galerie Pierre Matisse, where La Jungla was presented and created a scandal. In 1946, Lam and Helena travel to Haiti and attend voodoo ceremonies in the company of Pierre Mabille and André Breton. Talking about his experience in Haiti, Lam said, “It is often assumed that my work took its final form in Haiti, but my stay there, like the trips I made to Venezuela, Colombia or to the Brazilian Mato Grosso only broadened its scope. I could have been a good painter from the School of Paris, but I felt like a snail out of its shell. What really broadened my painting is the presence of African poetry.” Picasso_Lam_Vallauris_1954_vignette Wifredo Lam et Pablo Picasso, Vallauris, 1954 Lam then went on to New York where he renewed contact with Marcel Duchamp and made new acquaintances: Jeanne Reynal, James Johnson Sweeney, Arshile Gorky, John Cage, Roger Wilcox, Mercedes Matter, Ian Hugo, Jesse Fernández, John Cage, Sonia Sekula and Yves Tanguy. By the end of the 1940s, Lam divided his time between Europe, Havana and New York, where they stayed with Pierre and Teeny Matisse...

A rare dresser chest moveable mirror with solid maple frame and slanted mirror surface for the top of a tall chest or dresser . Designed by Leo Jiranek for the Heywood Wakefield furn...

Freestanding chrome Metal Art sculpture clock. It features a dimensional starburst style with bright and bold graphic metal numbers in blue and white. I...

Antique brass samovar shaped like a neoclassical urn. Regency era, circa 1800s. Features ornate gadrooning and turned handles.      

A large Mid Century staved teak center piece or serving bowl with rounded edges and beveled top rim . Early production with the three duck mark and branded Dansk manufactures mark , ...

Impression B Color woodcut, 1959 Signed and dated lower right (see photo) Titled lower left (see photo) A trial proof, prior to the edition of 100, signed and numbered Condition: Excellent Image size: 14 1/2 x 9 3/4 inches Provenance: Estate of the artist by decent to his heirs "Printmaker and painter Toshi Yoshida was born on July 25, 1911, into the respected Yoshida family of artists of Tokyo, Japan. Father Hiroshi was a celebrated landscape painter and printmaker, and mother Fujio established herself as the first female Yoshida artist as well as an Abstract artist later in her career. Younger brother Hodaka was an Abstract printmaker whose style, completely separate from his family's historic traditional bent, later influenced Toshi. Hodaka's wife Chizuko would become a pioneering female Japanese artist whose own exploration of Surrealism and Abstraction challenged the status quo. Toshi, however, as the eldest sibling, was expected to follow in his father's footsteps, and from an early age he was trained by Hiroshi in his studio. Unable to attend formal schooling due to the polio-induced paralyzation of his leg, Toshi would instead help with his family's printmaking studio and go on sketching trips with Hiroshi. As he got older, these trips would include India and Southeast Asia, working from morning to night taking night trains to get from one destination to another. Among Toshi's favorite subjects were the animals he discovered along the way. However, these trips ended as Japan entered military dictatorship in the mid 1930s, and artists whose work showed signs of Western influence were barred from exhibiting. At this time, Toshi left Japan for China and Korea, where he would remain for the duration of the war. He stuck to patriotic themes to remain in business, and after the end of World War II, as Japan struggled to recover from wartime economic depression, he earned his living creating traditional Japanese woodcut landscapes...

Antique French walnut Draw Leaf extension dining table. Features a stunning diamond inlay parquetry top with serpentine shape. The table is supported by a rectangular apron with matc...