Ohio

Joseph Glasco (American, 1925-1996) Lanzorate, 1985 Monotype with fabric collage and mixed media on paper Signed and dated lower right, 1/1, titled lower left 31.5 x 48 inches 37 x 5...

A midcentury swiveling ottoman with walnut base and brushed metal detail strips to the legs, there are adjustable foot pads to each. The button tufted ...

20th century Steel bed / daybed. Features a rustic frame with metal steel cross supports. DIMENSIONS 77' x 36" x 30" / Rail Height - 13" / Interior - 35.5" x 73" (Width x Depth...

Enormous Greek Apulian Red Figure Lekythos, 19th/20th Century Terracotta 41 x 15 inches This has been mended and is showing numerous cracks. A lek...

A beautiful vintage Schonbek Milano 12 Light Chandelier. Features a Baroque style with reticulated rip pans, finished in Antique Silver with heritage hand cut crystals. MSRP $12,0...

America's Son II (Sonny) Lithograph, 2016 Signed and numbered in pencil From: America's Family II Printer: James Reed at Milestone Graphics Printed on Arches paper Edition: 40, of wh...

A set of two sculptural chromed framed sitting chairs in the design manner of Gilbert Rohde's Z chairs . Upholstered in a satin black soft and smooth leatherette fabric which makes t...

This modern wood side table in oak is made in the heart of Ohio with locally sourced wood. Each table is a hand-made mitered box from white oak venee...

Clarence Holbrook Carter (American, 1904-2000) Night Garden, 1972 Acrylic on scintilla Signed and dated lower right 21.5 x 21.5 inches 24.25 x 24.25 inches, framed Clarence Holbroo...

A captivating 3.39 carat oval peridot is the star of this elegant ring, framed by sparkling earth-mined diamond accents. Set in real 14K solid gold, this exquisite piece is a radiant...

A great functional coffee table with a flipping top , one side is a well grained teak wood and the other is in white Laminate . Having a solid teak base with crisscrossing leg struct...

Burmese School, 19th Century Buddha Head of the Shan (Tai Yai) Style Wood with red lacquered pigment 25 x 13 x 10 inches dry lacquer form with finely sculpted features such as the e...

Cancer-The Crab From: Les Douze Mois de 1889 As published in Vol. 9, No. 425 of Les Hommes d'Aujourd'hui. Published by Sagot, Paris Proof before letters without the calendarium as p...

Antique 19th century Staffordshire England porcelain figurine of a Scottish girl dressed in traditional attire with plaid skirt; seated on a large shaggy...

A painting titled " Mardi Gras " by female Cincinnati artist Rita Wasserman who is now 91 was known for her different styles of art , sculpture , painting and construction . This lar...

Set in solid gold and accented with sparkling diamonds, this stunning ring features a vivid 2.93ct oval-cut Peridot (10x8mm), ethically sourced from Arizona. The fresh green hue pair...

Beautiful knights bench model 1173 by Harvey Probber with a bent mahogany slatted seat, an arched base, and brass rods. 26" wide x 17" deep x 20 1/2" high. Excellent condition.

Elizabeth Locke 19 karat yellow gold Oval labradorite approximately 18mm x 10mm Two south sea black pearls, approximately 9.5-10.0mm Six round blue sapphires, approximately 2.5mm each Double pin hinged clasp with safety Can be worn horizontal or vertical Stamped with Elizabeth Locke jewelers mark...

These beautiful solitaire stud earrings feature round Ethiopian Opal center stones, creating a fun and fiery look. A solitaire earring design perfect for an eye catching engagement o...

Beautiful botanical motifs establish a majestic formal atmosphere in this uniquely hued Persian Sino rug or carpet. Lavish floral with trophy urns and bouquet...

Early 20th century number 114 ruby glass vanity bottle with overlay featuring pierced sides and beaded edge, and a silver clad monogrammed beaded edge stopper. Made by Watson - Attle...

Vintage floor or mantel urns featuring tri claw foot pedestal base supporting an affixed black vessel with Neoclassical / Chinoiserie design of ribbons, birds, flowers and butterflie...

Set of 6 Union National Regency / Duncan Phyfe style dining chairs, circa 1940s. Features a mahogany frame with harp or lyre back over a padded seat and acanthus carved saber legs. ...

Antique hand carved oak Gothic Revival English wall cabinet, circa 1890s. Lion head with iron rings through the mouths. Removable shelves. Carved win...

This ring features a beautiful pink and white bi-color tourmaline in a classic NNJ Designs ring setting with sparkling natural earth mined diamonds set in solid 14k gold. A gorgeous ...

Late 20th Century Chinoiserie folding screen or room divider. Made from bamboo with rattan inserts and a spindled center. Dimensions: Each panel 96" x 19" x 1 3/4", open length a...

Very gentle and elegant pale celadon jade necklace approx. 1920 period Art Deco. The necklace is 24.5 inches long (62 cm) and weighs 75 grams (2....

This Mid Century Inspired End Table is made in the heart of Ohio with locally sourced wood. Each table is hand-made with solid clear alder and finished with a beautiful commercial gr...

A studio crafted oiled black American walnut sculptural chair in the manner of George Nakashima designed and made by Japanese American George Suyeoka, f...

Haeger 1970s Mid-Century Modern Lava Glaze Vase #4207 Brown & Cream Color Glaze good condition Marked on bottom Top 6.25 diameter

Clarence Holbrook Carter (American, 1904-2000) People, 1964 Ink and crayon on paper Signed and dated upper right 36.5 x 24 inches Clarence Holbrook Carter achieved a level of nation...

L'enfant prodigue: en pays etranger (The Prodigal Son: In Foreign Climes) Etching, 1881 Unsigned (as usual for this state) From: L'enfant prodigue, (The Prodigal Son, five plates) Ed...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Please note, we have upgraded to a more durable outdoor finish with extra UV protection. With the extra durability comes more of a glossier and whiter finish. Please refer to photo #2 which shows the true new outdoor finish. Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. PLEASE NOTE : These stumps will age naturally, and even more so being outdoors and exposed to the elements. Each is a solid log with its own unique character so we can not guarantee the finish won't fade or discolor as this varies per climate and log. These outdoor tree stump tables are made in the heart of Ohio with locally sourced wood. They can be used for a side table, a stool, or grouped together for a coffee table. Each table is hand-made with a solid trunk of red cedar with a commercial-grade OUTDOOR finish. Please specify your color choice when ordering - whitewash, black, or natural. IMPORTANT INFORMATION ABOUT OUR STUMPS... 1. Please unpack your stump immediately and leave it out of any packaging. These are real pieces of wood and need to breathe! 2. For OUTDOOR stumps...

A stunning Art Deco style platinum ladies wristwatch with diamonds. This beautiful watch features a platinum case surrounded by 1.75-carat of diamonds. The case is marked 900 platinu...

Modern wood dining table - 0116 This modern wood dining table is made in the heart of Ohio with locally sourced wood. We use the table both...

Monumental Antique French Art Nouveau Auguste Moreau garniture clock set. Made of bronze with gilt accents featuring a peasant woman and child carrying a shieth of wheat flanked by large candelabra urns...

Designer: Lawrence Peabody Manufacturer: Craft Associates furniture Period/Model: Mid-Century Modern Specs: Walnut, leather These Lawrence Peabody dining side chairs P-1709 are expertly handcrafted and upholstered. These Peabody chairs are licensed reintroductions for Craft Associates. Chairs are solid walnut with each frame hand steamed and bent. The price includes our standard leather seat. Craft Associates furniture is proud each modern piece is made in the US. We strive to craft a product that will stand the test of time. We use the best materials and have the best craftsman and upholstery in the business. We stand 100% behind our product. dimensions H: 29.5" (74.93 cm) W: 20.5" (52.07 cm) D: 21" (53.34 cm) Seat Height: 18" (45.72 cm) Seat Width: 18" (45.72 cm) Seat Depth: 17.5" (44.45 cm) "The U.S. would profit by the example of the Danes, whose great work in furniture design is the result of combining proficient craftsmanship, Fine design and technical skill. The Danes do more than sell arts and crafts in their distinguished work, they sell Denmark." - Lawrence Peabody, 1957 history Lawrence “Larry” Peabody (1924-2002) was an architect, interior designer, and furniture designer. As an American born in Haverhill, Massachusetts, his distinctive design were often influenced by his Scandinavian roots. Lawrence studied at the Royal Academy of Fine Arts in Copenhagen, Denmark and at the Rhode Island School of Design. His early career with Selig Mfg. Co. was prolific and helped put both himself and Selig on the map for modern furniture. He then started Lawrence Peabody & Associates in 1955, a design firm in Boston which included a vast client list (Sears, Roebuck & Co., Kohler, Regal Rugs, Boyd Lighting, Chapman Lamps, and Richardson Brothers). In 1961, Mr. Peabody won a Citation for Merit for his Peabody Collection for Richardson/ Nemschoff. Winner of the 1962 International A.I.D. design award for his wood frame rattan cradle...

Craftassociates Chairs, Peabody Modern Lounge Chairs in Boucle, Wing, Oak, White This Lawrence Peabody wing chair for Craft Associates...

This stunning Handel Cherry Blossom leaded glass lamp is circa 1910. The 12" wide x 6" tall shade is decorated in pink flowers with multiple shades ...

Handmade Paper Art For Sale, Abstract Art, Letter Art-On All Counts I A B O U T T H I S P I E C E : “On All Counts I” is a piece of letter art that is featured on unique handmade ...

Bertu Counter Stools, Brinx Wood Counter Stool, Solid Why buy BERTU stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometim...

This listing is for the smaller version. This Modern Coffee Table - The Crag Tables are made in the heart of Ohio with locally sourced wood. Each table is a hand-made mitered box ...

A two door smaller sized cabinet with birch wood case and dark chocolate doors having chromed U shaped finger pulls . Sitting on adjustable brushed stainless steel legs with foot pad...

The Barker Etching, 1931 Unsigned (as usual for the Whitney edition) Numbered in pencil lower left Blind stamp of the Whitney Museum (WM) lower right From: Reginald Marsh, Thirty Etc...

Antique Victorian claret jug or pitcher. Made of crystal featuring a wheel cut pattern with silver plated handle, lid and spout. These jugs becam...

Calder Lithograph Exhibition Poster Aubusson Tapestry New York Never mounted One owner

A Cart Race Hand colored etching & aquatint, 1788 Signed in the plate (see photo) Published by William Hollande, London Inscribed in the plate with title, artist's name and publication line 'Rowlandson. 1788./ London. Pubd 1789 by Wm Holland No 50. Oxford Street.' Reference: M.Dorothy George, 'Catalogue of Political and Personal Satires in the British Museum', VI, 1938) British Museum Satires 7607 Grego, 'Rowlandson', i. 260, Grego II.392 Provenance: Chris Beetles Ltd., London (label), 2003 Jeffrey M. Kaplan, Washington, D.C. (label) Fursten zu Oettingen-Wallerstein, Lugt 2715a, verso (see photo) Condition: Excellent Printed on 18th century laid paper Archival framing by Chris Beetles Ltd., London Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the church... Note: The British Museum has two impressions, one trimmed the other full sheet as this example. Accession Number: 1868,0711.35 The Metropolitan Museum has an impression: Accession number 59.533.314 Fitzwilliam Museum: Accession number: 34.14-286 Cleveland Museum of Art accession number: 1958.10 Image description per BM: Three ramshackle two-wheeled carts drawn by wretched horses race (right to left) against a background formed by the clouds of dust which they have raised, with a row of gabled houses (right) inscribed 'St Giles', terminating in a church spire (left), and probably representing Broad St. Giles. The occupants of the carts are Irish costermongers typical of St. Giles. The foremost horse gallops, urged on by the shouts of a standing man brandishing a club. The other occupants, two women and a man, cheer derisively the next cart, whose horse has fallen, one woman falling from it head-first, another lies on the ground. The driver lashes the horse furiously. The third cart, of heavier construction, is starting. The horses are partly obscured by the clouds of dust, but denizens watch from casement windows and a door. Two ragged urchins (right) cheer the race; a dog barks. "It was said that the amount of copper Thomas Rowlandson etched would sheathe the British Navy. An inveterate gambler, for much of his life Rowlandson had to produce a flood of his comic prints to stay ahead of financial losses.A wealthy uncle and aunt raised Rowlandson after his textile-merchant father went bankrupt. His career developed quickly. He entered London's Royal Academy Schools in 1772, visited Paris in 1774, exhibited at the Royal Academy in 1775, and won a silver medal in 1777. He left school in 1778 to set up in business. Rowlandson's depictions of life in Georgian England exposed human foibles and vanity with sympathy and rollicking humor. During the 1780s he consolidated the delicate style he used for his coarse subjects. He worked mainly in ink and watercolor, his rhythmic compositions, flowing line, and relaxed elegance inspired by French Rococo art...

Cover for "L'Estampe Moderne" Signed in the stone lower left (see photo) Two color lithograph on greenish laid paper L'Estampe Moderne appeared each month as a portfolio of 4 origina...

The necklace is 20 inches long (50 cm) and weighs 225 grams (8oz). The nephrite jade beads are 17.5 mm in diameter, and the silver spacer beads are 8x1 mm. The necklace is fastened w...

From designer Carolina Bucci, her design style really shows in this beautiful, easy to wear necklace. It can also be worn as a bracelet for a different look! This has never been wo...

Beautiful late Victorian style chest of drawers, circa 1910. Features a rectangular frame made from American Walnut with two dovetailed drawers over large lower cabinet. Lower cabi...

Why buy BERTU HOME stumps? Kiln Dried Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to...

Beautiful Milo Baughman credenza for Thayer Coggin with burl wood patchwork square tiles design. This 3-door cabinet features 4 drawers, an adjustable shelf, and sits on a chrome fin...

Stunning Victorian tall wooden chest of drawers. Featuring a warm brown finish, two petite top drawers and four spacious lower drawers, all accented with brass knobs. The drawers s...

Untitled (Still Life) Etching, aquatint and soft ground, 2001 Signed in pencil (see photo) Edition: 260 Published by the Print Club of Cleveland, Publication 80, 2002 Printed by Felix Harlan at Harlan and Weaver, New York William Bailey, Modernist Figurative Painter, Dies at 89 He swathed his nudes and still lifes of eggs, vases, bottles and bowls in a breathless, deceptively serene atmosphere heavy with mystery. The painter William Bailey in 2009. He was never given a career survey in a major museum, but his influence, particulary on students at Yale, was deep.Credit...Ford Bailey By William Grimes for the New York Times April 18, 2020 William Bailey, whose pristine, idealized still lifes and female nudes made him one of the leading figures in the return of figurative art in the 1980s, died on April 13 at his home in Branford, Conn. He was 89. His death was confirmed by his daughter, Alix Bailey. Beyond his painting, Mr. Bailey influenced generations of students in his many years as a teacher at the Yale School of Art. In some of his best-known work, Mr. Bailey arranged simple objects — the eggs, bowls, bottles and vases that he once called “my repertory company” — along a severe horizontal shelf, or on a plain table, swathing them in a breathless, deceptively serene atmosphere heavy with mystery. His muted ochres, grays and powdery blues conjured up a still, timeless world inhabited by Platonic forms, recognizable but uncanny, in part because he painted from imagination rather than “They are at once vividly real and objects in dream, and it is the poetry of this double life that elevates all this humble crockery to the realm of pictorial romance,” Hilton Kramer wrote in The New York Times in 1979. Mr. Bailey’s female figures, some clothed in a simple shift or robe and others partly or entirely nude, are disconcertingly impassive, implacable and unreadable, fleshly presences breathing an otherworldly air. The critic Mark Stevens, writing in Newsweek in 1982, credited Mr. Bailey with helping to “restore representational art to a position of consequence in modern painting.” But his version of representation was entirely idiosyncratic, seemingly traditional but in fact “a modernism so contrarian,” the artist Alexi Worth wrote in a catalog essay for the Betty Cuningham Gallery in 2010, “that it feels, despite its historical sophistication, almost like a brand of outsider art.” William Harrison Bailey...

Antique Victorian German decanter bottle and figural stopper attributed to Jakob Storck & Sinsheimer. Made of 800 silver and etched glass featuring a b...

Joseph Glasco (American, 1925-1996) Seated Figure 1970 India ink on paper Signed and dated lower right 16 x 11.5 inches 19.5 x 15 inches, framed Joseph Glasco was born in Paul’s Val...

80 Golden Color Pearls, Round Approximately 9.5 - 10mm pearls 34 inch rope length 14K yellow gold Toggle Clasp Two Cabochon Stones in toggle

These beautiful earrings can be worn everyday!! By designer Simon Sobie & Co. 18 karat yellow gold star and lever backs Star is approximately 16mm in diame...

A very well crafted Mid Century upholstered slipper chair with button back seat cushion and dark ebony finished wood framed legs with rounded tips . Having a smaller matching back lu...