Ohio

Woman Pulling on a Slip Conte on paper, c. 1910 Signed lower right: "E. Shinn" (see photo of legs, signature on right) Provenance: Estate of the Artist (see label) Graham Gallery, N...

Femme assise Etching with drypoint, c. 1920 Signed in pencil lower left publisher stamp lower right Edition: 100 (88/100) Condition: Excellent Image size: 11 3/4 x 8 1/4 inches Cou...

Henry George Keller (American, 1869–1949) Shepherdess with Sheep and Dog, Munich, 1891 Oil on canvas Signed and dated lower left 19 x 24 inches 25 x 30 inches, framed Keller, a lead...

The necklace is 18 inches (45.7 cm) long, and the smooth round beads are 20 mm in size. The color of the beads is a rich green. Large Jasper beads connect tiny sterling silver beads ...

This beautiful pendant features a 4.11 carat Aquamarine gemstone with natural earth mined diamonds set in solid 14K gold. This unique Aquamarine pendant makes a lovely March birthsto...

By designer Richard Krementz, true to his fun design style, these two rings can be worn together or separate. And with their 'East- West' design, the rings can be worn three differe...

CraftAssociates Coffee Tables, Milo Baughman Coffee Table, Striped Top The Milo Baughman Striped Top Coffee Table for Craft Associates® Furniture is expertly crafted. This is a lice...

Need something now? We are offering a few of our pieces, including this Split Panel Dining Table ready to ship! 20% off and in perfect/excellent condition. These are all one-off piec...

Mid century modern choker necklace featuring an abstract gold plaque. The 1 1/2" gold abstract designed pendant/brooch enhanced with 8 round white diamonds on a detachable 13 1/2 twi...

Clarence Holbrook Carter (American, 1904-2000) Volcano and Arch, Taormina, 1961 Watercolor on scintilla paper Signed and dated upper right 11 x 11 inches "My last year in art schoo...

Dog in the style of Tang/Sancai, Early 20th Century Drip glaze ceramic 9.5 x 13 inches Sancai is a versatile type of decoration on Chinese pottery using glazes or slip, predominantl...

Man, Wife and Child Etching, 1905 Signed and titled in pencil by the artist below image (see photo) Annotated in pencil by the artist "100 proofs" Signed and dated in the plate lower...

This 12x10mm Ethiopian black opal pendant dazzles with shifting flashes of color, framed by brilliant natural diamond accents. Set in luxurious 14K solid gold, it’s the perfect state...

Hazel Janicki (American, 1918-1976) Nature Walk, 1960 Tempera on masonite Signed lower left, dated and titled verso 18 x 28.5 inches 23.5 x 34 inches, framed Hazel Middleton was bor...

Indo-Tabriz runners are hand-knotted rugs with traditional designs and rich color palettes. They are known for their quality, durability, and diverse patterns. Dimensions: 29.5" x 96"

Vintage Frederick Cooper brass instrument table lamp in the shape of a bugle decorated with black tassels, standing on a dark wood base, with a ring shaped finial. 6.5” x 6” x 25.5”...

A beautiful burl olive wood coffee table with square chromed tubed base, this table makes a statement and will provide years of enjoyment. Manufactured in the style of Thayer Coggin ...

Signed and dated '99 in white

Mid 20th Century Hickory Adirondack rocking chair designed in the manner of Old Hickory Furniture. The chair is in the form of #21 an important and popular chair that was made by th...

19th Century Chinese Seated Buddha with Foo Dog in the Ming Style Carved wood 11 x 8.5 x 7 inches

Peridot earrings bring a lively touch to any ensemble. The vibrant green stones, set in solid 14K gold, ensure they catch the eye even through your hair. Let us know the gold color ...

The length of the necklace is 18 inches (45.7 cm). The size of the smooth round beads is 12 mm. The moonstone beads are high-quality AAA. Peach Moonstone is mined in the Himalayas. B...

Modern walnut dining table - 0418 - "The New York Table". This modern walnut dining table is made in the heart of Ohio with locally sourced wood....

This stunning GIA Certified Colombian Emerald is an absolutely incredible gemstone for any lover and collector of rare and precious emeralds. We tried our best to capture the incredi...

untitled (Duck taking to flight, flushed by a dog) Drypoint & Aquatint, c. 1940 signed lower right Created while the artist was a commercial artist working in Minneapolis, after his ...

Mallard Drakes (Louisiana Honkers) Drypoint, c. 1940 Signed in pencil lower right (see photo) Titled in pencil lower left (see photo) Note: A famous image by Kleiber. It is was made in a hand colored version which commands a large premium. Condition: Excellent Image/Plate size: 9 7/8 x 7 7/8 inches Hans Kleiber (1887-1967) Hans Norbert Kleiber, painter, etcher, illustrator, and naturalist, was born in Cologne, Germany on August 24, 1887. He emigrated from Germany to the United States in 1900, settling in Massachusetts before moving to Wyoming. Kleiber first worked in lumber camps before working for the United States Forest Service from 1906 until 1924. One of his duties as a ranger was to monitor the logging camps in the Bighorn Mountains. Kleiber was primarily self-taught as an artist and it was in the 1920s that he began devoting himself to art. It appears that he first began to work in watercolor and oil but was producing etchings and drypoints as early as 1924. He traversed the mountains of Wyoming, Montana, and Idaho, and his subjects are drawn from the pristine landscapes and wildlife. Kleiber's first exhibition of his etchings was mounted in 1928 at Goodspeed's Book Shop in Boston. His etching, Crossing the Platte, was included in the 1939 New York World's Fair exhibition, American Art Today. There was an exhibition of fifty of his etchings at the National Museum in 1944, and an exhibition of his watercolors was mounted at the Grand Central Galleries in New York in 1950. Kleiber was a member of the Society of American Etchers and the California Society of Printmakers. He received a silver medal in 1931 from the Printmakers Society of California for his print, Leaving the High Country...

Antique 1920s art nouveau Georges Van Der Straeten bronze budoir lamp sculpture in the shape of a young woman warming herself at a camp fire, with inkwell or keepsake compartment. ...

Modern walnut dining table - "The Toko Table" This modern walnut dining table is made in the heart of Ohio with locally sourced wood. We u...

This stunning statement ring features a sparkling 3.64 carat Ceylon Sapphire in 14k white gold with a diamond halo and fancy diamond accent shank . A art deco ring design perfect for...

Mid century modern Russell Woodard Sculptura rocking chair / rocker armchair. Made of wrought iron and mesh featuring a sculptured erg...

A satin black metal framed etagere with staggered shelves having mesh inserts and one white Laminate covered wood shelve . This very well constructed sturdy Mid Century piece has lar...

Dunbar Gondola sofa, designed by Edward Wormley, manufactured by Dunbar, very good to excellent condition. This sofa has a very solid walnut frame. The ...

Inspired by blooming florals, this 14K real gold ring showcases a vivid 4.05 carat London Blue Topaz at its center, encircled by a radiant diamond halo. Earth-mined diamonds and deli...

Vintage brass cannonball trophy lamp featuring round urn shaped body with lion head ring knockers and square pedestal base. DIMENSIONS: 6” x 6” x 20.25” (Width x Depth x Height)

Introducing this unique and rare Chinese Kasumi-Like Metallic Freshwater Baroque pearl necklace! Lovely necklace, dusted with metallic golden overtones over shades of dusky rose, viv...

This striking 4.73 carat Blue Zircon shines in an oval cut, framed by natural diamond accents and a textured 14K rose gold band. A true statement ring, it’s perfect for those who lov...

Antique barrel back windsor style chair finished in apple green enamel paint.

These Catawba wood side tables for Craft Associates® Furniture are expertly crafted. The sides tables are constructed from solid hardwood by hand, not machine. The oak is then shaped...

Vintage 1990 neoclassical, Hollywood regency style Chapman brass and glass globe table lamp with daisy finial. Measures: 9.25” x 6” x 26.5” / Height to...

Qui ne se grime pas? (Who does not wear a mask?) Aquatint, roulette, drypoint, acid bite, and scorper, 1923 Signed in the plate loweer left (see photo) Dated in pencil Series: Miser...

Just a great piece. Very rare to find. Incredible inlaid drop down front, mirrored interior with two drawers below. Nearly Impossible to replicate this piece. Remarkable original vin...

Vintage hand knotted floral rug or mat. Made of wool featuring a floral motif over a tan field with geometric designs along the boarder. Pinks...

A pair of heavy well crafted solid maple slat wood side / end tables with satin black legs and upper shelve . A glass insert to the top gives the pieces a light clean look having bev...

This ornate armchair is a fusion of classic design and modern flair with this gorgeous abstract cut velvet! The cream colored background fabric, adorned with a striking black, abstr...

Pair of Victorian Style Tufted Armchairs made for Calico Corners. These chairs are structurally sound and constructed of a hardwood frame and beautifully designed. Imagine sinking ...

1984 signed art glass perfume bottle and stopper, made of satin glass with white stripes and one flattened crystal clear side showing o...

This statement ring features a stunning 5.93 carat red ruby gemstone with two natural earth mined diamonds set in solid 14K gold. This ring makes a lovely July birthstone gift for yo...

Clarence Holbrook Carter (American, 1904-2000) People, 1964 Ink and crayon on paper Signed and dated upper right 36.5 x 24 inches Clarence Holbrook Carter achieved a level of nation...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Please note, we have upgraded to a more durable outdoor finish with extra UV protection. With the extra durability comes more of a glossier finish. Please refer to photo #2 which shows the true new outdoor finish. Please specify if you'd like black, white (whiter finish than shown) or natural when ordering. Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. PLEASE NOTE : These stumps will age naturally, and even more so being outdoors and exposed to the elements. Each is a solid log with its own unique character so we can not guarantee the finish won't fade or discolor as this varies per climate and log. These outdoor tree stump tables are made in the heart of Ohio with locally sourced wood. They can be used for a side table, a stool, or grouped together for a coffee table. Each table is handmade with a solid trunk of red cedar with a commercial- grade outdoor finish. Please specify your color choice when ordering, whitewash, black, or natural. IMPORTANT INFORMATION ABOUT OUR STUMPS... 1. Please unpack your stump immediately and leave it out of any packaging. These are real pieces of wood and need to breathe! 2. For OUTDOOR stumps...

Vintage Louis XVI style occasional or desk chair, circa 1960s. Features a flared back leading to open padded and scrolled arms. The arms are downswept along the front leading to flut...

Work sold to benefit the CLEVELAND INSTITUTE OF ART Joseph B. O’Sickey (American, 1918–2013) Horseback Riders Pastel on brown paper Signed lower left 9.5 x 12.5 inches Joseph O'S...

Edward Winter (American, 1908-1976) Helen of Troy, 1938 Enamel Signed and dated lower right 43 x 18 inches 44.5 x 19.5 inches, framed Exhibited: Cleveland Museum of Art, May Show 19...

Keying Up - The Court Jester Etching with drypoint, 1879 Signed in the plate lower left corner (see photos) Proof before engraved title and engraved names Printed on thin light golden Japanese tissue paper In the final state, with engraved titled and typeface engraved artist’s signature below the image Condition: excellent Plate size: 6-5/8 x 4-1/4" According to Pisano, this image was very popular during Chase’s life. It is based on his famous painting, Keying Up-The Court Jester, in the collection of the Pennsylvania Academy of Fine Arts. The painting was created in Munich during the artist’s studies there. It was exhibited in the 1876 Centennial Exhibition in Philadelphia where it won a Medal of Honor and helped establish the artist’s reputation as a leading American painter. Chase, always conscious of self promotion, created the etching and had numerous impressions printed. He sold them for a modest price to increase his fame. The etching was later published in Sylvester R. Koehler, American Art Review, September 1878. It was for this American Art Review printing that the engraved titled and type face signature below the image were added to the plate. This example was part of a group of impressions that came down in the Chase family via his daughter Dorothy Bremond Chase, his third daughter. They were acquired at auction in a single auction lot, housed in a paper board folder. The consignor was Associated American Artist’s as they were liquidating their stock prior to closing the gallery. Dorothy was the subject of Chase’s painting, My Little Daughter Dorothy. C. 1894, in the collection of the Detroit Institute of Arts as well as numerous other portraits of her. Reference: Pisano/Bake, Volume 1, Pr. 3, illustrates the rare 1st state, this being a 2nd state before any other the engraved title and Chase's name in the bottom margin which are found in the third state. Artist bio in file (Chase) In 1883 Chase was involved in the organization of an exhibition to help raise funds for a pedestal for the Statute of Liberty. The exhibition featured loans of three works by Manet and urban scenes by the Italian Impressionist Giuseppe de Nittis. Both artists influenced Chase's Impressionistic style that gave rise to a series of New York park scenes. It is also thought that he was influenced by John Singer Sargent's In the Luxembourg Gardens (1879) which was exhibited in New York at this time. Indeed, Chase had met Sargent in Europe in 1881, the two men becoming lifelong friends with Sargent painting Chase's portrait in 1902. On another European trip in 1885, Chase met James McNeill Whistler in London. While Whistler had a reputation for being difficult, the two artists got along famously and agreed to paint one another's portrait. Eventually, however, Whistler's moods began to grate with Chase who wrote home stating "I really begin to feel that I never will get away from here". For his part, Whistler criticized Chase's finished portrait and, according to Hirshler, "complained about Chase for the rest of his life". While no record exists of Whistler's portrait of Chase; Chase's portrait of Whistler remains a well-known piece in his oeuvre. In 1887 Chase married Alice Gerson, the daughter of the manager of a lithography company. Though some fifteen years his junior (Chase was 37), he had known Alice for some time through her family's devotion to the arts. The pair, who would enjoy a happy marriage with Alice in full support of her husband's career, settled initially in Brooklyn where their first child was born. The couple would parent six daughters and two sons and it was only his family that could rival his devotion to his art. Indeed, Chase often combined his two loves by painting several portraits of his wife and children in Brooklyn parks before the couple relocated to Manhattan. Later Period Between 1891 and 1902, Chase and his family spent their summers at a purpose-built home and studio in Shinnecock Hills, a close suburb of the upmarket town of Southampton on the south shore of Long Island (roughly 100 miles east of New York). Chase set up, and taught two days a week, at the nearby Shinnecock Hills Summer School of Art which benefitted from the financial backing of local art collectors. It was at Shinnecock that Chase, taken in by the region's striking natural surroundings, painted several Impressionistic landscapes. As Bettis put it, "There, among the dunes, in the bright sunlight and sea air his painterly impulse was given free sway, and he produced some of his freest and loveliest work". His passion for the area was so felt he even gave his daughter Hazel the middle name of Neamaug, in honor of the rich Native American history of Shinnecock. Chase was equally focused on the students that came to the School and who he encouraged to paint in the modern plein air style favored by the French Impressionists. Although Chase was making a name for himself as an Impressionist, he never abandoned his commitment to the sombre tones and academic tropes he had learned in Munich, though these he reserved for his portraits, and for his series of striking still lifes featuring dead fish. Chase was in fact a successful society portraitist - he painted fashionable women for a fee of $2,000 - and would paint his students as "samples" which he then donated to leading art institutions (such as Lady in Black (1888) which he donated to the Metropolitan Museum in 1891). In 1896, facing financial difficulties, Chase flirted with the idea of giving up his teaching in New York and traveled with his family to Madrid where he developed a passion for bullfighting. Chase returned however to Shinnecock in June to teach his yearly summer art class, and in the fall of that year, established his own art school in Manhattan: the Chase School which was modelled on the Académie Julian in Paris. Chase lacked business savvy, however, and the Chase School lasted only two years before it was placed under new management. It continued as the New York School of Art (changed to Parsons School of Design starting 1941) with Chase as head the School for eleven more years. Chase also taught during this period at the Pennsylvania Academy of Fine Arts. In 1902, following the premature death of his friend John Twachtman, Chase was invited to join the Ten American Painters group (who included amongst its members, Frank Weston Benson, Thomas Wilmer Dewing...

Pair of diminutive antique Victorian two tier wall hanging shelves, etagere stands or bookcases. Feature turned barley twist supports and spindle galleries surrounding each tier.

Academic Nude Study by E. Rantz Charcoal on laid paper signed in charcoal Lalanne Watermark, c. 1880-1900 Image: 24 3/4 x 18 3/4"

Make a bold statement with this captivating Madagascar Ruby ring. The vivid red center stone is framed by a halo of sparkling earth-mined diamonds...

De trace de pas de trace de… Color etching with aquatint, 1966 From: Monsour and Matta, Les Damnations, 1966 (11 plates, this one of 7 hors text images) Edition: 85 portfolios in the...

Perfect for any occasion, these earrings will be your favorite! 14 karat yellow gold Beautiful orange-yellow rectangular citrine stones, set vertically as...

The length of the necklace is 17.5 inches (44.5 cm). The size of the beads is 13-16 mm x 17-19 mm. Botswana Agate is a variety of banded Chalcedony, a mineral of the Quartz family. ...

Antique Topazio sterling silver 925 baby rattle in the shape of a chicken / rooster / farm animal on a stick; made in Portugal. Measures: 2” x 0.75” x 4.25” / 19.3 g (Width x Dept...