Ohio

A stunning solitaire estate ring featuring an oval London blue topaz set in 14k solid yellow gold. Its classic design highlights the deep, captivating blue of the topaz for timeless ...

Untitled (Inspired by a Chinese scroll painting) Collage with ink on 6 paper elements Unsigned Provenance: Estate of the Artist Condition: Excellent Image size: 4 x 12 inches Support...

This high quality, gorgeous dragonfly pin will be the highlight of any outfit! Beautiful detail! 18 karat gold. 87 rough and single cut round diamonds, bead set, approximately 1.74 ...

Untitled (Hot Air Balloon Ascent and Spectators) Sepia wash on wove paper, 1985 Signed and dated in ink lower right corner From the artist's 1985 sketchbook Probably a view of Cape C...

This bracelet is part of the space silver series by Bjorn Weckstrom for Lapponia. This design was called the "Man from Mercury". This Scandinavian modern cuff bracelet is marked 925 ...

Untitled Engraving, drypoint & carborundum, c. 1960's Signed and numbered in pencil lower margin (see photos) Edition: 25 (9/25) Printed by the artist Condition: Adhesive residue on ...

A well crafted smaller extension dining table with white Laminate top and satin black angled steel base with foot pads . This brilliant de...

Diamonds! Rubies! Pearls! What else can you ask for? These gorgeous earrings are truly one-of-a-kind and will make any outfit special! 18 karat white gold elongated design with l...

Three Mid-Century Modern wrought iron stools by Paul McCobb circa 1950's. Black leg cap is missing. Very good condition. Dimensions: 20.5" x 20.5" x 16". Seat height 16".

Summertime Lady can be commissioned. You can have it with the black finish or painted Ferrari Red. I've cast it in a pale green patina for a pool in Bermuda. Outstanding focal point ...

Still Life with bottle and newspaper Silver gelatin print, 1950's, printed 1967 Signed in pencil on the mount lower right Provenance: Gift of the Artist Akron A...

The Arch of Constantine and the Colosseum Vedute dell' Arco di Costantino, e dell' Anfiteatro Flavio il Colosseo From: "Vedute di Roma" (Roman Views), part II An early Paris edition,...

Ruine di Sepolcro antico Etching, 1743 Signed in the plate bottomleft in the caaption plate From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Coniditon: Excellent/Very good Image size: 14 5/8 x 9 3/4 inches Reference: Robison 17 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

Indulge in the timeless sophistication of these ivory colored Mastercraft dining chairs. The sleek, rounded design, completed with a black lacquered hardwood frame exudes modern lux...

Beautiful reupholstered "Jens Risom Style" mid-century modern Danish armchair. Reupholstered in an Ivory "Paris Plush" fabric by Greenhouse Fabrics with a Gimp Trim on the back of th...

A refined statement of color and elegance, this ring features a 1.1Ct purple sapphire with a rich, captivating hue, beautifully accented by natural earth-mined diamonds for a touch o...

Kandahar Acrylic and mixed media on fabric, c. 1970 Signed by the artist lower right (see photo) Kandahar is one of the thirty-four provinces of Afghanistan, located in the southern part of the country next to Pakistan. Inspired by the Dehns visit to Afghanistan in the 1960's. Provenance: Estate of the Artist Dehn Heirs Condition: Excellent Canvas size: 18 x 20 inches Virginia Dehn From Wikipedia, the free encyclopedia Virginia Dehn Virginia Dehn in her studio in Santa Fe Virginia Dehn (née Engleman) (October 26, 1922 – July 28, 2005) was an American painter and printmaker. Her work was known for its interpretation of natural themes in almost abstract forms. She exhibited in shows and galleries throughout the U.S. Her paintings are included in many public collections. Life Dehn was born in Nevada, Missouri on October 26, 1922.] Raised in Hamden, Connecticut, she studied at Stephens College in Columbia, Missouri before moving to New York City. She met the artist Adolf Dehn while working at the Art Students League. They married in November 1947. The two artists worked side by side for many years, part of a group of artists who influenced the history of 20th century American art. Their Chelsea brownstone was a place where artists, writers, and intellectuals often gathered. Early career Virginia Dehn studied art at Stephens College in Missouri before continuing her art education at the Traphagen School of Design, and, later, the Art Students League, both located in New York City. In the mid-1940s while working at the Associated American Artists gallery, she met lithographer and watercolorist Adolf Dehn. Adolf was older than Virginia, and he already enjoyed a successful career as an artist. The two were married in 1947 in a private ceremony at Virginia's parents house in Wallingford, Connecticut. Virginia and Adolf Dehn The Dehns lived in a Chelsea brownstone on West 21st Street where they worked side by side. They often hosted gatherings of other influential artists and intellectuals of the 20th century. Among their closest friends were sculptor Federico Castellón and his wife Hilda; writer Sidney Alexander and his wife Frances; artists Sally and Milton Avery; Ferol and Bill Smith, also an artist; and Lily and Georges Schreiber, an artist and writer. Bob Steed and his wife Gittel, an anthropologist, were also good friends of the Dehns. According to friend Gretchen Marple Pracht, "Virginia was a glamorous and sophisticated hostess who welcomed visitors to their home and always invited a diverse crowd of guests..." Despite their active social life, the two were disciplined artists, working at their easels nearly daily and taking Saturdays to visit galleries and view new work. The Dehns made annual trips to France to work on lithographs at the Atelier Desjobert in Paris. Virginia used a bamboo pen to draw directly on the stone for her lithographs, which often depicted trees or still lifes. The Dehns' other travels included visits to Key West, Colorado, Mexico, and countries such as Greece, Haiti, Afghanistan, and India. Dehn's style of art differend greatly from that of her husband, though the two sometimes exhibited together. A friend of the couple remarked, "Adolf paints landscapes; Virginia paints inscapes." Virginia Dehn generally painted an interior vision based on her feelings for a subject, rather than a literal rendition of it.] Many of her paintings consist of several layers, with earlier layers showing through. She found inspiration in the Abstract Expressionism movement that dominated the New York and Paris art scenes in the 1950s. Some of her favorite artists included Adolf Gottileb, Rothko, William Baziotes, Pomodoro, and Antonio Tapies. Dehn most often worked with bold, vibrant colors in large formats. Her subjects were not literal, but intuitive. She learned new techniques of lithography from her husband Adolf, and did her own prints. Texture was very important to her in her work. Her art was influenced by a variety of sources. In the late 1960s she came across a book that included photographs of organic patterns of life as revealed under a microscope. These images inspired her to change the direction of some of her paintings. Other influences on Dehn's art came from ancient and traditional arts of various cultures throughout the world, including Persian miniatures, illuminated manuscripts, Dutch still life painting, Asian art, ancient Egyptian artifacts...

Showcasing a vibrant 2.36ct untreated emerald-cut sphene (8x6mm), this ring dazzles with fiery brilliance and rare dispersion. Set in 14k gold (2.18g) and accented by 4 diamonds (0.2...

Peter Max "Baloo Baba" serigraph limited edition 222/300. Signed in pencil. Blind stamp lower left.

Antique 19th century Qing Dynasty Chinese Canton export blue and white porcelain serving pieces. Includes one shallow bowl / underplate and one compote / fruit basket.  Features cla...

Pair of heavy bronze bookends in the Egyptian Revival style by Gorham Foundry, circa 1920's. Bookends feature two sarcophagi supporting a panel decorated with a potted plant design. ...

Lowell Nesbitt 1980's Oriental Iris Print Signed and Numbered 5/100. Limited Edition Serigraph Original Chrome Frame Image 33.75 x 36

Irish Fair Lithograph, 1923 Signed and numbered in pencil by the artist (see photo) Titled "Irish Fair" by the artist in pencil Edition: 84 Housed in an archival frame with acid free matting (see photo) Provenance: Estate of the artist, Bellows Family Trust H.V. Allison & Company (label) Private Collection, Columbus References And Exhibitions: Reference: Mason 153 Note: An illustration commissioned by The Century Company for Don Byrne's novel The Wind Bloweth Image: 18 7/8 x 21 3/8" Frame: 29 1/2 x 30 1/2" “Eleven on a hot July morning, and the little town...

The Infant Jupiter Nursing from the She-Goat Amaltheia (The Birth of Jupiter) Red chalk and wash on off-white paper, c. 1700 Unsigned Attribuuted to Quaini by Dwight Miller, the sch...

Veduta dell'esterno della gran Basilica di S. Pietro in Vaticano (View of the Exterior of St. Peter's Basilica in the Vatican) Etching, 1748 From the first printing of the "Vedute di Roma" An early impression with strong contrasts Before the price and the addition of numbers in the later states. A view of Michelangelo's done from behind the Piazza, redesigned in 1547 Condition: Excellent Plate size: 15 3/4 x 24 3/4 inches Reference: Robison 5 a/g Hind 5 i/VII Focillon 54.789 Designed principally by Donato Bramante, Michelangelo, Carlo Maderno and Gian Lorenzo Bernini, St. Peter's is the most renowned work of Renaissance architecture and the largest church in the world. While it is neither the mother church of the Catholic Church nor the cathedral of the Diocese of Rome (these equivalent titles being held by the Archbasilica of Saint John Lateran in Rome), St. Peter's is regarded as one of the holiest Catholic shrines...

Antique walnut Cheval dressing full length triple mirror circa 1890's. Nicely carved frame. Three beveled mirrors. Large floor castors on the legs. Side hinged mirrors open to 91". C...

A luminous 11.2 ct natural opal glows with shifting fire, framed by sparkling natural diamond accents. Crafted in solid 14K gold with an attached chain, this elegant necklace brings ...

Eight teak frame upholstered dining chairs by Widdicomb designed by T.H. Rbsjohn & Gibbings. Six upholstered alike two coordinating fabric chairs. Can use cleaning or new upholstery....

Walnut mid-century modern dresser credenza by American of Martinsville. 6 drawers, 2 center doors with 3 drawers inside. Part of a 4-piece set. Great condition. 74" long x 18 1/2" de...

Unsigned Edition: Large edition as published and bound into the catalog raisonne of the artist's lithographs From: Minaux Lithographe Published by Leon Amiel, Paris Printed by Fe...

This one-of-a-kind piece will grab attention with any outfit! 6-strand freshwater pearl necklace with turquoise beads. Center has two large turquoise, open circle pieces connected b...

Preliminary drawing for Remy de Gourmont, Couleurs, published in Le Mercure de France (Colors, new tales follow old things), 1908 Graphite and colored pencil, 1926 Signed in pencil l...

This great necklace will be a perfect addition to any outfit! 35 green, faceted prehnite beads, each approximately 12mm round. Beads are a varying lime color with natural inclusions....

Delicate and timeless, this Pink Sapphire band ring is handcrafted in solid 14K gold for an elegant minimalist look. Perfect for stacking, everyday wear, weddings, or meaningful anni...

Stunning details offered in this credenza, which would be perfect for a foyer or your main entrance to welcome guests and offer a place for them to set their belongs down. This Blonde Credenza...

By designer The Golden Bear, tag line states "The Symbol of Vail Valley" in Colorado. This necklace is beautiful. 14 karat yellow gold collar is hand hammered. Approximately .75 inch...

This beautiful solitaire pendant features a round 0.65ct rhodolite set in solid 14K white gold. This citrine pendant can be a beautiful January birthstone gift for your loved ones! *...

Miss Taylor Drypoint, c. 1900 Signed in pencil lower left (see photo) Small edition, about 10 Very rich impression, full of burr Condition: Excellent Image size: 21-1/4 x 13-1/4" She...

Keshin (Incarnation (Moku) Color woodcut, 1958 Signed and dated lower left in pencil (see photo) An impression is in the collectionof the Asian Art Museum, No. 2012.93, which is not a richly inked s this impression. Another impression is in the National Museum of Art, Smithsonian, accession no. S2019.3.1297 A third impression is in the collectionof the Art Gallery of Greater Victoria This appears to be the best and most colorful impression of the museum holdings. The image is thought to depict a flying crame Condition: Wrinkles to large sheet of handmade paper. Not objectionable. Image size: 29 15/16 x 21 1/4 inches Sheet size: 37 3/8 x 27 1/4 inches Reference: Tadashi Nakiyama Life & Work, Plate F Tadashi Nakayama - Sosaku hanga artist Tadashi Nakayama initially studied oil painting at Tama Art College, but began creating woodblock prints in 1951. In the 1960s, he traveled to Turkey, Greece, England, and Italy, absorbing influences from Persian and Byzantine art and the renaissance master Paolo Ucello. Throughout his long career, his subjects have included flowers, butterflies, women, and perhaps most famously, horses...

A stunning panorama of the mountains surrounding Los Angeles, this painting is the jewel of the Ronald Shap Collection. The pastel flowers in the foreground offer a lush and verdant ...

This exquisite ring features a vivid 1.02-carat pear-shaped tsavorite garnet, measuring 8x6mm, as the stunning centerpiece. Set in 14k gold (3.18g), the ring is accented with 50 bril...

Andrew Karoly (Hungarian-American, 1893-1978)/ Louis Szántó (Hungarian-American, 1889-1965) Alice in Wonderland, 1960 Oil on canvas Signed and dated low...

Antique French Louis XV stool, foot rest or ottoman. Made of walnut featuring serpentine form with carved floral, scalloped, and acanthus accents, and a Neoclassical floral rose and ...

A matching pair of chrome Sail or Kite floor lamps with adjustable half shades having satin white backsides. Well crafted with ceramic bulb fixtures and foot switch attributed to the...

Linocut, printed on yellow wove paper Unsigned as is usual From: XXe Siecle, Volume 13, 1959 Published by G. San Lazzaro for A. Maeght, Paris Printed by...

Antique pocket whiskey liquor hip flask featuring intricate sterling silver filigree overlay on a glass body.  Features an ornate Art Nouveau style openwork design depicting a grapev...

Salviati hand blown Venetian Murano crystal stemware with gold leaf fleck, spiral design, ground and polished pontil, and applied prunts. Set includes 8 goblets (9" tall x 3 1/4" dia...

A captivating watermelon tourmaline glows with vibrant pink and green hues, accented by natural diamonds for added brilliance. Set in solid 14K gold with a sleek 7x4.5mm profile, thi...

Oil on canvas. Stretched on heavy duty bars. Can also be shipped rolled in a tube. :: Painting :: Abstract :: This piece comes with an official certificate of authenticity signed by...

Unknown title (castle with wall, stream and footbridge) Watercolor on laid paper, mounted to support of old Albumin photograph mount Signed and dated lower left (see photo) The watercolor is mounted on support that is the backing for a vintage albumin photograph of Moulin Huet, Guernsey, Channel Islands, c. 1850's Condition: Mounted to verso of albumin photograph mount (see photo) Glue residue outside of image/sheet on recto Colors fresh No other issues to note David Cox (29 April 1783 – 7 June 1859) was an English landscape painter, one of the most important members of the Birmingham School of landscape artists and an early precursor of Impressionism. He is considered one of the greatest English landscape painters, and a major figure of the Golden age of English watercolour. Although most popularly known for his works in watercolour, he also painted over 300 works in oil towards the end of his career, now considered "one of the greatest, but least recognised, achievements of any British painter. His son, known as David Cox the Younger (1809-1885), was also a successful artist. Early life in Birmingham, 1783–1804 Cox's birthplace in Deritend, Birmingham, illustrated by Samuel Lines Cox was born on 29 April 1783 on Heath Mill Lane in Deritend, then an industrial suburb of Birmingham. His father was a blacksmith and whitesmith about whom little is known, except that he supplied components such as bayonets and barrels to the Birmingham gun trade. Cox's mother was the daughter of a farmer and miller from Small Heath to the east of Birmingham. Early biographers record that "she had had a better education than his father, and was a woman of superior intelligence and force of character." Cox was initially expected to follow his father into the metal trade and take over his forge, but his lack of physical strength led his family to seek opportunities for him to develop his interest in art, which is said to have first become apparent when the young Cox started painting paper kites...

Camera sepolcrale Etching 1743 Signed in the bottom left corner From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 20 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

Signed, dated, titled and numbered in pencil Edition: 150 (80/150) 15 color silk screen 12" round Provenance: Estate of the Artist By decent

Late 20th century Maitland Smith bronze neoclassical / Grand Tour / tazza style pillar candle holder. Square base with paw feet supporting a pedestal decorated with angels / winged N...

This sleek 3 stone emerald fashion ring with natural diamonds is subtle and classy. It's sturdy band allows for every day, worry-free wear. This ring also makes a beautiful December ...

Mid-Century Modern brass table lamp attributed to Walter Von Nessen. Two sockets. One bulb switch or two.

This delicate ring showcases a 1.00-carat emerald-cut Bi-Color Tourmaline from Brazil, known for its unique natural color zoning. Set in 14k gold (1.76g), the vibrant center stone is...

Modern pair of adjustable swing arm chrome table lamps by Koch & Lowy. Weighted heavy base.

A late 19th century French two part writing desk. Oak construction with extensive hand carved detail, features a wall hanging upper section with scroll...

Now available by commission. Dancing Lady in polished bronze is sealed with Glasurit- it never needs to be polished. She is cast from a wood carving of Dancing Lady- an iconic Hostet...

XXe Siecle, No. 34, Mai 1970 Color lithograph, 1970 Unsigned (as usual for XXeme Siecle edition) From: XXe Siecle, Volume 34, 1970 Published by G. di San Lazzaro for A. Maeght, Paris...