Ohio

Due to the size of red cedar trees we need to accomplish this square shape, these could have more character than our maple squares. Please view all photos to see what you can expect. Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Please note, we have upgraded to a more durable outdoor finish with extra UV protection. With the extra durability comes more of a glossier finish. Please refer to photo #2 which shows the true new outdoor finish. These stumps are handmade from our family to yours! Our stumps are now kiln dried! This process helps with major cracking, moisture issues, and bugs! PLEASE NOTE : These stumps will age naturally, and even more so being outdoors and exposed to the elements. Each is a solid log with its own unique character so we can not guarantee the finish won't fade or discolor as this varies per climate and log. This outdoor wood...

Three to Compare From: Twelve Progressions Signed and numbered in pencil Commissioned by Martha Jackson Graphics Printer: Domberger, Stuttgart, Germany Their drystamp lower right cor...

Signed and numbered in pencil; Signed in the plate Edition: 75 Provenance: Frederick Keppel & Co. Inc. No. L 8621 (label) References And Exhibitions: Published by Edmund Sagot, ...

This Modern walnut Cicely dining table is made in the heart of Ohio with locally sourced wood. We use the table both as a dining table and desk. Each table is hand-made with solid walnut and finished with a beautiful commercial-grade finish. We absolutely love the leg design - fresh, modern, and looks great with any aesthetic. Every piece in the Cicely Collection...

CraftAssociates Chest, Milo Baughman Chest, Walnut, 6 Drawer, Modern The Milo Baughman 6 Drawer Chest for Craft Associates® Furniture is expertly ...

A great fixture from the German company, Staff Leuchten. The bubble glass was featured in many of their styles and was produced from the 1960s until the 80s. This is the largest vers...

CraftAssocaites Dining Chairs, Baughman Mid Century Dining Chais, Walnut, Fur The Milo Baughman Oval Cane Back Walnut Arm Chair for Craft Associates® Furniture is expertly crafted. ...

Spectacular Widdicomb piece. Two independent display cases join together and are capped by a single crown that finishes off the piece brilliantly. Incredible details. The cabinet fea...

Lawrence Peabody Danish lounge chair for Craft Associates furniture Lawrence Peabody Danish lounge chair for Craft Associates f...

Untitled (Two Standing Nudes, one seated nude) Graphite on wove paper, heightened with color, c. 1930 Unsigned From a sketchbook created while the artist was working in Paris Conditi...

This outdoor bali end table is beautifully constructed from solid wood in Ohio, USA. This silhouette is simple and modern with sleek slats that are made for outdoor use. This piece snuggles up perfectly to the side of any of our Bali chairs...

Graceful and eye-catching, this pendant features six sapphires in a striking ombré of violet and purple tones, accented by a delicate curve of shimmering earth-mined diamonds. Set in...

Black Cat Color lithograph, 1981 Signed in pencil lower right Annotated: AP (Artist Proof) Printer: Jorge Dumas, Atelier Dumas, New York Condition: Very fresh colors Slight creasing ...

Helen Frankenthaler (1928-2011) Six color lithograph, Dream Walk, 1977. Number 39 from an edition of 47, pencil lower left corner. Signed and dated 1977 in pencil in lower right cor...

Allen Ladd as Shane Colored and metallic paper collage. c. 1960's Signed in ink lower right; Signed in pencil on reverse; (see photo) Titled in pencil upper left recto (see photo) C...

Debris Etching, engraving and color aquatint, 1947 Signed, dated, titled and number Edition: 25 (1/25), never fully realized Created in the artist's first year studying at the Univer...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Please specify if you'd like black, whitewash or natural when ordering. Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. These modern stump tables...

Manufacturer: Bitossi Importer: Rosenthal Netter Period or model: Mid-Century Modern. Specs: Pottery Condition: This Bitossi flower vase fo...

Canna Lily Color woodcut, 1939 Unsigned (as usual) Publisher: Takemura Hideo (active Yokohama 1926-1939) Format: oban Condition: Excellent Image/Sheet size: 15 5/8 x 11 inches Provenance: Robert O. Muller There is little biographical data available about the Japanese printmaker Hodo Nishimura...

A set of five Foster & McDavid dining chairs, walnut, circa 1960s. Founded in Florida in 1950s. One arm chair and four side chairs. These chairs have been reupholstered in a beautiful textured black velvet fabric. If you take a look at the pictures, the back fabric is a different design than the front fabric, making the back even more unique with its exposed lattice structure...

Why buy BERTU HOME stumps? Kiln Dried Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to...

Joseph Glasco (American, 1925–1996) Head 1970 Ink on paper Signed and dated lower right 39.5 x 30 inches 43 x 32.25 inches, framed Joseph Glasco was born in Paul’s Valley, Oklahoma...

Two stones, one powerful statement. This unique ring showcases a 6.42 carat pear-shaped pink tourmaline cabochon and a radiant lab diamond in an elegant bezel setting, wrapped in sle...

Joseph Glasco (American, 1925–1996) Flowers 1970 Ink on paper Signed and dated center right 10.5 x 8.5 inches 15 x 12.5 inches, framed Joseph Glasco was born in Paul’s Valley, Oklah...

Marble relief of a trireme from the Temple of Fortuna, Praeneste, from Vasi, candelabri, cippi, sarcofagi, tripodi, lucerne, ed ornamenti antichi disegnati ed incisi dal Cav. Gio. Ba...

This modern chest from the Cali collection is made in the heart of Ohio with locally sourced wood. Each unit is handmade with solid oak (or wood of your c...

Vintage watercolor on paper nautical painting depicting a marina / harbour filled with boats. Faint signature in lower right corner - possibly F. Evans. Speckled giltwood frame with ...

Spring Landscape with house and figure A preliminary watercolor for a color aquatint, illustrated on line, title unknown Signed lower left in block letters (see photo) Watercolor and...

Antique Excelsior wardrobe steamer trunk / suitcase / travel case featuring black exterior with nailhead trim and brass hardware. Opens to original blue interior with hanging rack and hangers, a drop down compartment / drawer, and removable case. Excelsior, Stamford Connecticut...

This mid-century modern 1962 chrome floor lamp designed by Bill Curry features a mushroom shade and 3-way switch. The fixture is labeled Stemlite by Design Line...

14k gold golfers cufflinks. 3/4" diameter x 1" long. Hand painted crystal with 2 golfing scenes, signed by artist on lower edge. Hallmarked 14k and an unidentified symbol. The signat...

This stunning ring features a 1.11 carat intense fancy pink sapphire in a graceful pear shape, surrounded by ethically sourced diamond accents. Set in genuine 14K yellow gold, it’s a...

America's Mom II (Small Leticia) Lithograph, 2016 Signed and numbered in pencil by the artist Series: America's Family II (Four images) Edition: 40, of which 20 were retained by the ...

Pair of mahogany bow front 3-drawer chests by Century Furniture. The chests feature banded/serpentine fronts, dovetail joint construction, brass medallion pulls, and a removable marb...

Shunga: Twelve Signs of the Zodiac - Goat Color woodcut with gauffrage (embossing) Unsigned (as usual) Format: Shikishiban Publisher: Privately produced Unusually well preserved with the fugitive blue still intact Image size: 5-1/8 x 5-3/4" Sheet size: 5 3/8 x 6 1/4" From Wikipedia, the free encyclopedia In this Japanese name, the surname is Isoda. Isoda Koryūsai (礒田 湖龍斎, 1735–1790) was a Japanese ukiyo-e print designer and painter active from 1769 to 1790. Life and career Koryūsai was born in 1735 and worked as a samurai in the service of the Tsuchiya clan. He became a masterless rōnin after the death of the head of the clan and moved to Edo (modern Tokyo) where he settled near Ryōgoku Bridge in the Yagenbori area. He became a print designer there under the art name Haruhiro in 1769, at first making samurai-themed designs. The ukiyo-e print master Harunobu died in 1770, and about that time Koryūsai began making prints in a similar style of life in the pleasure districts. Koryūsai was a prolific designer of individual prints and print series,[1] most of which appeared between 1769 and 1881. In 1782, Koryūsai applied for and received the Buddhist honour hokkyō ("Bridge of the Law") from the imperial court and thereafter used the title as part of his signature. His output slowed from this time, though he continued to design prints until his death in 1790. Works Koryūsai created a total of 2,500 known designs, or an average of four a week. According to art historian Allen Hockley, "Koryūsai may ... have been the most productive artist of the eighteenth century". The series Models for Fashion: New Designs as Fresh Young Leaves (Hinagata wakana no hatsumoyō, 1776–1781) ran for 140 prints, the longest known ukiyo-e print series of beauties. He designed at least 350 hashira-e pillar prints, numerous kachō-e bird-and-flower prints, a great number of shunga erotic prints, and others. Ninety of his nikuhitsu-ga paintings are known, making him one of the most productive painters of the period. Legacy Despite Koryūsai's productivity and popularity—both in his time and amongst later collectors—his work has attracted little scholarship. The first ukiyo-e histories written in the West in the 19th century elevated certain artists as exemplars; Koryūsai's work came to be seen as too indebted to Harunobu, who died in 1770, and inferior to that of Kiyonaga, whose peak period came in the 1880s. An example is Woldemar von Seidlitz's Geschichte des japanischen Farbenholzschnittes ("History of Japanese colour prints", 1897), the most popular of the early ukiyo-e histories, which paints Koryūsai as a successor to Harunobu and a rival of Kiyonaga in the 1770s who slipped into mediocrity and imitation of his rival by the end of the decade.[5] Interest lay mainly in the details of Koryūsai's life—a samurai who received court honours was unusual in the proletarian world of ukiyo-e. In 2021, contemporary woodblock printmaker David Bull...

La Pique (The Pike) Lithograph, 1950 Original lithograph drawn with chalk and "frottage textures" transferred to stone, 1950. Unsigned printer's proof Inscribed on the verso in Mourl...

Galleria grande di Statue Etching, 1743 Signed lower left corner of the plate From: Prima Parte, 1743 Second edition: 1750-1778 Watermark: R 37-39 A lifetime impression printed during Piranesi’s life, before the plates are moved to Paris by his sons in the 1790’s Condition: Excellent Image size: 14 5/8 x 9 3/4 inches Reference: Robison 2 iii/V Piranesi In Rome: Prima Parte di Architetture e Prospettive "Although Piranesi studied architecture in Venice, he never was able to find work in the field other than a few jobs involving remodeling in Rome. While Piranesi was struggling to support his architectural endeavors upon his arrival in Rome in 1740, he spent a short period of time in the studio of master painter Giovanni Battista Tiepolo (1696-1770) in addition to his apprenticeship with Giuseppe Vasi. The first production of Piranesi’s early years in Rome and a culmination of his training under Vasi, Tiepolo, and his uncle, was the Prima Parte di Architetture e Prospettive (1743). The Prima Parte was a collection of twelve etchings of imaginary temples, palaces, ruins, and a prison. During this time, Piranesi was still developing the unique style of etching he is known for today, and as such the Prima Parte differs significantly in technique compared to later works. In the Frontispiece of the Prima Parte, Piranesi’s lines are definite and exact with very little flow to them, designed in the form of traditional etching. The detail is immaculate, and yet perspective of the piece is oddly simple and familiar to the viewer. Piranesi’s technique employs miniscule markings and lines, intricately woven together to create a stippling effect. The Prima Parte, described as “rigid” by art historian Jonathan Scott, came to be seen as a stark contrast to his later sketches, which were much lighter and freer. Influenced by the style of Tiepolo, which epitomized the lightness and brightness of the Rococo period, Piranesi adopted some of the more painterly techniques of the masters he apprenticed under. Piranesi made the medium of etching appear as though it was a sketch or a painting, hence a “freer” and more fluid design in his later works. For example, the frontispiece of the Prima Parte read as an etching to Piranesi’s audience, but in his later vedute, the style of etching almost appears to be made of brushstrokes. Moreover, at the same time Piranesi was working on the Prima Parte, he aided the artist Giambattista Nolli. There is a small section of Nolli’s map...

This white oak game table - The Toko is made in the heart of Ohio with locally sourced wood. We use the table as a game table, dining table, or desk. Each ...

Arch of the Pont Neuf, Paris Etching on heavy wove paper, 1923 Signed in pencil lower right (see photo) From: Brangwyn Portfolio (12 original etchings and thr...

Pair of Finn Juhl "Spade" Danish Teak Armchairs by John Stuart Inc. Cicra 1960s. Mid-Century Modern Period. Designed by Finn Juhl and made by John Stuart Inc. The "Spade" armchair (n...

A very well crafted mahogany expanding refectory coffee table with each end that pulls out making the total length 68" . This functional piece is the perfect size and proportions for...

We currently have two available for purchase ( pricing is $6,400 for the pair). Need something now? We are offering a few of our pieces, including this Eiger Nightstand ready to sh...

A set of two glass Heller bakeware pieces with lids designed by L & M Vignelli that can be used in the oven, microwave or as severing pieces. The lids can be used as pie pans so the ...

Pair of vintage 20th century carved wall hanging Thai religious deity / angel figures, one male and one female. Hand carved and painted featuring traditional thepphanom / thephanom p...

La Tasse et la Pomme (The Cup and the Apple) Wash drawing and gouache transferred to lithograph stone, 1947 One of four unsigned proofs Edition: a proof outside the edition of 50 pri...

Young Lady in Profile (Dorothy Gibson) Graphite on paper, c. 1915 Signed lower right (see photo). The sitter for this drawing, along with a huge number of Harrison Fisher’s works, i...

Victorian Essex Crystal Intaglio reverse painted pug ring, 10K. These rings were a novelty during the Victorian Period. Essex crystal cabochons were carved on...

La Paysanne Tournee a Gauche, Les Mains Appuyees L’Une sue L’Autre (Peasant turned left holding her hands) Etching, 1618 From: Varie Figure (16 plates) Condition: very good, aging Im...

2 Antique English leaded stained glass framed window panels. Features a central shield and drop finial design. Dimensions: 23" x 16"

Pair of Barbier floor lamps nickel Finish. circa 1970s. Pair of monumental-sized nickel metal Maison Barbier style floor lamps. Large linen shades wi...

This striking cocktail ring showcases a captivating 1.83 carat Boulder Opal in a cabochon cut, complemented by round natural earth mined diamonds, set in a solid 14k rose gold band...

River of Life is a quadriptych. The four panels in green, white and yellow are each 51 X 51 inches with the total size of 102" X 102" Nancy Seibert began...

Landscape with buildings and trees Watercolor on paper, c. 1930's Signed in pencil lower right (see photo) Provenance: Estate of the artist Condition: Excellent Sheet size: 9 3/8 x 1...

This Brutalist steel vase was designed by Olav Joff (1940-). The vase was part of the steel art series in the 1970's. The series consisted of cast...

Joseph Glasco (American, 1925–1996) Fern 1973 Ink on paper Signed and dated lower right 18 x 24 inches 22.5 x 28.5 inches, framed Joseph Glasco was born in Paul’s Valley, Oklahoma a...

A industrial nickel chrome-plated adjustable floor lamp a large lamp head with a mercury toned reflector behind the bulb, big stylized knobs and great scissor base with built in feet...

A pair of oak nightstands in a medium dark tone with upper drawer and an adjustable shelve to the mid section. These are in a higher size perfe...

In Search of New Beginnings 3 Puff pigment screen print with hand coloring, 2021 Signed with the artist's initials in the lower right corner (see photo) Titled in the lower left corn...

A pair of smoked Lucite and aluminum table lamps with faux rosewood bases which look like the real wood a great pair for overseas importation since rosewood can't be imported to many...

Please scroll down to read IMPORTANT INSTRUCTIONS ABOUT OUR STUMPS before purchase! Why buy our stumps? KILN DRIED Our stumps all go through a drying process in our kiln, sometimes for up to a month. We are meticulous with bringing each and every log to a specific moisture level. This process helps with major cracking, long-term moisture issues, and bugs. ECO FRIENDLY In an effort to replenish the trees we use, we plant 50+ trees a year. In addition, we practice salvage logging. Where do we source these? Some of the trees fall naturally. Some have damage from severe wind, lightning, flood, disease, or other natural disturbance so they need to be cut and removed before they fall. Others are fresh cut because people want them off their land. Salvage logging may reduce erosion, reduce intensity of future wildfires, and slow buildup of pest insects. FAMILY OWNED These are made from our family to yours. Quality is of utmost importance, and we hand cut, de-bark, sand, and finish every piece with care. COMMERCIAL GRADE These stumps are meant to be loved and USED. Each is finished with a durable commercial-grade finish. This finish is tough enough for spills, kids, and holds up in hotel and hospitality settings. This Sculpted Stump Table...